The poet Wilhelm Kuchelbecker, Pushkin's school-friend, suffered twenty years of imprisonment and Siberian exile for his part in the ill-fated Decembrist rising of 1825 against the Russian autocracy. His largely forgotten life and work are vividly recreated in Kuchlya (1925), a pioneering historical novel by the eminent literary scholar and Formalist theorist Yury Tynyanov. Writing at a time when Stalin was tightening his grip on Soviet culture and society, Tynyanov implicitly brings together the disquieting experiences of the 1820s and the 1920s. In a lively, innovative style, his gripping and moving narrative, here translated for the first time, evokes the childhood, youth, beliefs and often absurd adventures of a Quixotic, idealistic protagonist against the richly complex backdrop of post-Napoleonic Russian society.

The poet Wilhelm Kuchelbecker, Pushkin's school-friend, suffered twenty years of imprisonment and Siberian exile for his part in the ill-fated Decembrist rising of 1825 against the Russian autocracy. His largely forgotten life and work are vividly recreated in Kuchlya (1925), a pioneering historical novel by the eminent literary scholar and Formalist theorist Yury Tynyanov. Writing at a time when Stalin was tightening his grip on Soviet culture and society, Tynyanov implicitly brings together the disquieting experiences of the 1820s and the 1920s. In a lively, innovative style, his gripping and moving narrative, here translated for the first time, evokes the childhood, youth, beliefs and often absurd adventures of a Quixotic, idealistic protagonist against the richly complex backdrop of post-Napoleonic Russian society.

The Death of Vazir-Mukhtar, a novel by Yury Tynyanov, one of the leading figures of the Russian formalist school, describes the final year in the life of Alexander Griboedov, the author of the comedy Woe from Wit. As ambassador to Persia, Griboedov was murdered in 1829 by a Tehrani mob during the sacking of the Russian embassy. One of the central texts of Russian formalist literary production, the novel is a brilliant meditation on the nature of historical and poetic consciousness and of artistic creation. It is a complex and fascinating work that explores the relationships among individual memory, historical fact, and the literary imagination. The result is a hybrid text, containing elements of various genres—historical, biographical, existential, and adventure novels—and a deeply personal, almost confessional testament to the writer’s relationship to his generation and the state. Completed in 1927, almost a century after the events it depicts, The Death of Vazir-Mukhtar marks the watershed between revolution and reaction. At a time when the Soviet regime was becoming increasingly restrictive of freedom of expression and conscience, Tynyanov grappled with the themes of disillusionment, betrayal, and unrealized potential. Unabashedly intellectual yet filled with intrigue and suspense, The Death of Vazir-Mukhtar is a great historical novel of Russian modernism.

The Death of Vazir-Mukhtar, a novel by Yury Tynyanov, one of the leading figures of the Russian formalist school, describes the final year in the life of Alexander Griboedov, the author of the comedy Woe from Wit. As ambassador to Persia, Griboedov was murdered in 1829 by a Tehrani mob during the sacking of the Russian embassy. One of the central texts of Russian formalist literary production, the novel is a brilliant meditation on the nature of historical and poetic consciousness and of artistic creation. It is a complex and fascinating work that explores the relationships among individual memory, historical fact, and the literary imagination. The result is a hybrid text, containing elements of various genres—historical, biographical, existential, and adventure novels—and a deeply personal, almost confessional testament to the writer’s relationship to his generation and the state. Completed in 1927, almost a century after the events it depicts, The Death of Vazir-Mukhtar marks the watershed between revolution and reaction. At a time when the Soviet regime was becoming increasingly restrictive of freedom of expression and conscience, Tynyanov grappled with the themes of disillusionment, betrayal, and unrealized potential. Unabashedly intellectual yet filled with intrigue and suspense, The Death of Vazir-Mukhtar is a great historical novel of Russian modernism.