Phaidon's 'Vitamin' series has long proved an extraordinarily accurate predictor of tomorrow's stars. This paperback edition of the latest volume is a cutting-edge and indispensable survey of the very best of contemporary drawing, as chosen by a panel of the world's leading art experts Over the past 50 years, drawing has been elevated from a supporting role to a primary medium, ranking alongside painting as a central art form. Since Phaidon's publication of the first such surveys (Vitamin D in 2005 and D2 in 2013), contemporary artists have continued to explore drawing's possibilities - from intimate to large-scale works, in a diversity of mark-making processes and materials. Vitamin D3 showcases more than 100 such artists, as nominated by a global panel of more than 70 international art experts. The more than 70 nominators include such iconic figures as: Iwona Blazwick, Louisa Buck, Mark Coetzee, Thelma Golden, Laura Hoptman, Geeta Kapur, Pablo Leon de la Barra, Christine Macel, Kate Macfarlane, Hans Ulrich Obrist, and Zoe Whitley. The more than 100 selected artists include: Miriam Cahn, Robert Crumb, Tom Friedman, Tania Kovats, Claudette Johnson, Rashid Johnson, Otobong Nkanga, Toyin Ojih Odutola, Deanna Petherbridge, Christina Quarles, Qiu Zhijie, Nathaniel Mary Quinn, Wael Shawky, Emma Talbot, and Johanna Unzueta.

A groundbreaking examination of Mel Bochner's inventive drawing practice produced collaboratively with the artist Encompassing both works on paper and oversized wall drawings made from the 1960s to the present, this handsomely designed volume documents the first-ever museum retrospective of drawings by Mel Bochner (b. 1940). Drawing has long been critical to the work of this pioneering conceptual artist, and essayists explore the theoretical framework and playful experimentation of his decades-long practice. The book, conceived and designed in close collaboration with the artist, features his own writings about his philosophy of wall drawings and reflections on significant exhibitions of his work. Bochner was a key figure of the Minimalist and Conceptual Art movements whose first exhibition in 1966 is now recognized as seminal. Today the artist is known for works in a range of media that explore the conventions of language and visual art as well as the relationships between them; his experimental works on paper, canvas, and wall-all of which are celebrated here-are a foundational facet of his practice and a critical influence on contemporary art. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (April 23-August 22, 2022)

A revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century A pioneer of minimalism and conceptual art, Sol LeWitt (1928-2007) is best known for his monumental wall drawings. LeWitt's broad artistic practice, however, also included sculpture, printmaking, photography, artist's books, drawings, gouaches, and folded and ripped paper works. From the familiar to the underappreciated aspects of LeWitt's oeuvre, this book examines the ways that his art was multidisciplinary, humorous, philosophical, and even religious. Locating Sol LeWitt contains nine new essays that explore the artist's work across media and address topics such as LeWitt's formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan's Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist's practice, and investigate issues of site, space, and movement. Together, these studies reveal the full scope of LeWitt's creativity and offer a multifaceted reassessment of this singular and influential artist.

American artist Michelle Stuart (*1938 in California) is internationally known for a rich and diverse body of work stemming from her lifelong interest in the natural world and the cosmos. Working in drawing, sculpture, photography, video, installation and site-specific earthworks, she has pursued a subtle and responsive dialogue with nature, distinct from the epic gestures of American Land Art. Spanning the period from the late 1960s to the present day, this publication encompasses a varied and unconventional range of media, while highlighting Stuart's major contribution to the practice of drawing. During the seventies she won recognition for her monumental drawings made outdoors, which have the characteristics of specific sites ingrained in their surfaces. Other works respond to the Nazca Lines in Peru, the Uffington White Horse in the UK and New Mexican petroglyphs, pushing our understanding of drawing beyond the page. Featuring three new essays and an interview with Stuart, this publication will be the definitive resource on the pioneering artist's work to date. Exhibition schedule: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham, February 16-April 14, 2013 | Parrish Art Museum, Water Mill, New York, July 21-October 27, 2013 | Santa Barbara Museum of Art, January 26-April 20, 2014