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Exploring over 25 works by Alison Wilding - one of Britain's most
noted sculptors - this publication draws on the artist's ambitious
display at the Duveen Galleries, Tate Britain. Wilding is known for
her inventive approach to both form and materials. Each of the five
major works on display at the Tate brings together contrasting
materials - from copper and alabaster to rubber and PVC - while
testing the relationship between scale and weight. The exhibition
also served to celebrate the Tate's acquisition of her 2004 work
'Vanish & Detail'. This volume contextualises those works
within Wilding's oeuvre. Alongside 70 illustrations and an
interview between the artist and curator Carmen Julia, a survey
text by Anna Moszynska groups the works in relation to the
sculptures made by Wilding throughout the nearly four decades of
her career.
Since the early years of the 20th century, Western abstract art has
fascinated, outraged and bewildered audiences. Its path to
acceptance within the artistic mainstream was slow. Anna Moszynska
traces the origins and evolution of abstract art, placing it in
broad cultural context. She examines the pioneering work of
Kandinsky, Malevich and Mondrian alongside the Russian
Constructivists, the De Stijl group and the Bauhaus artists,
contrasting European geometric abstraction in the 1930s and 40s
with the emphasis on personal expression after the Second World
War. Op, Kinetic and Minimal art of the postwar period is discussed
and illustrated in detail, and new chapters bring the account up to
date, exploring the crisis in abstraction of the 1980s and its
revival - in paint, fabric, sculpture and installation - in recent
decades. The first edition of this book, published in 1990, was
acclaimed by reviewers; now in full colour and comprehensively
revised, it will serve as the best introduction to abstract art for
a new generation.
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