The Media in Britain brings together a range of distinguished and newer scholars to provide a comprehensive and engaging review of contemporary debates in media studies. The first and second parts discuss the principal media industries in Britain before looking at the impact of media policy on their structure and activities. The final part encompasses a range of analyses of diverse media and cultural texts, selected for their intrinsic interest value and to illustrate the wealth of approaches and methods which can be adopted with a view to interpreting and analyzing the contemporary British media scene.

The field of memory studies has typically focused on everyday memory and commemoration practices through which we construct meaning and identities. The Right to Memory looks beyond these everyday practices, focusing instead on how memory relates to human rights and socio-legal constructs in order to legitimize and protect groups and individuals. With case studies including Polish Holocaust Law, the Indian origins of Amartya Sen's capability theory approach, and the right to memory through digital technologies in Brazilian and British museums, this collected volume seeks to establish the right to memory as a foundational topic in memory studies.

This book asks how 21st century technologies such as the Internet, mobile phones and social media are transforming human memory and its relationship to gender. Each epoch brings with it new media technologies that have transformed human memory. Anna Reading examines the ways in which globalised digital cultures are changing the gender of memory and memories of gender through a lively set of original case studies in the 'globital age'. The study analyses imaginaries of gender, memory and technology in utopian literature; it provides an examination of how foetal scanning alters the gendered memories of the human being. Reading draws on original research on women's use of mobile phones to capture and share personal and family memories as well as analysing changes to journalism and gendered memories, focusing on the mobile witnessing of terrorism and state terror. The book concludes with a critical reflection on Anna Reading's work as a playwright mobilising feminist memories as part of a digital theatre project 'Phenomenal Women with Fuel Theatre' which created live and digital memories of inspirational women. The book explains in depth Reading's original concept of digitised and globalised memory - 'globital memory' - and suggests how the scholar may use mobile methodologies to understand how memories travel and change in the globital age.

Examines Polish women's oppression before, on the cusp and after the collapse of communism. The book analyzes the relationship between Solidarity, state capitalism, nationalism and feminism by drawing on a wide variety of source material.

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