Carmel had been alone all her life. The baby knew this. They looked at each other, and all of time was there. The baby knew how vast her mother's loneliness had been. A contemporary novel of daughterhood and motherhood, from the Booker Prize-winning Irish author 'The Wren, The Wren is a magnificent novel' SALLY ROONEY, author of NORMAL PEOPLE 'Might just be her best yet' LOUISE KENNEDY, author of TRESPASSES 'One of our greatest living novelists' THE TIMES 'The unofficial rock star of literary fiction' IRISH TIMES Nell - funny, brave and so much loved - is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell's leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel's famous father, an Irish poet of beautiful words and brutal actions. This is a meditation on love: spiritual, romantic, darkly sexual or genetic. A multigenerational novel that traces the inheritance not just of trauma but also of wonder, it is a testament to the glorious resilience of women in the face of promises false and true. Above all, it is an exploration of the love between mother and daughter - sometimes fierce, often painful, but always transcendent.

From internationally acclaimed author Anne Enright comes a shattering novel set in a small town on Ireland's Atlantic coast. The Green Road is a tale of family and fracture, compassion and selfishness-a book about the gaps in the human heart and how we strive to fill them. Spanning thirty years, The Green Road tells the story of Rosaleen, matriarch of the Madigans, a family on the cusp of either coming together or falling irreparably apart. As they grow up, Rosaleen's four children leave the west of Ireland for lives they could have never imagined in Dublin, New York, and Mali, West Africa. In her early old age their difficult, wonderful mother announces that she's decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold. A profoundly moving work about a family's desperate attempt to recover the relationships they've lost and forge the ones they never had, The Green Road is Enright's most mature, accomplished, and unforgettable novel to date.

Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel’s orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather’s poetry seems to guide her home. Nell’s mother, Carmel McDaragh, knows the magic of her Daddo’s poetry too well—the kind of magic that makes women in their nighties slip outside for a kiss and then elope, as her mother Terry had done. In his poems to Carmel, Phil envisions his daughter as a bright-eyed wren ascending in escape from his hand. But it is Phil who departs, abandoning his wife and two young daughters. Carmel struggles to reconcile “the poet” with the father whose desertion scars her life, along with that of her fiercely dutiful sister and their gentle, cancer-ridden mother. To distance herself from this betrayal, Carmel turns inward, raising Nell, her daughter, and one trusted love, alone. The Wren, the Wren brings to life three generations of McDaragh women who must contend with inheritances—of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home. Their other, stronger inheritance is a sustaining love that is “more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood.” In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.

With an introduction by author Anne Enright. Shortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond. How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to. As the daughter of white settlers in war-torn 1970s Rhodesia, Alexandra Fuller remembers a time when a schoolgirl was as likely to carry a shotgun as a satchel. This is her story - of a civil war, of a quixotic battle with nature and loss, and of a family's unbreakable bond with the continent that came to define, scar and heal them. Shortlisted for the Guardian First Book Award, Alexandra Fuller's classic memoir of an African childhood is suffused with laughter and warmth even amid disaster. Unsentimental and unflinching, but always enchanting, Don't Let's Go to the Dogs Tonight is the story of an extraordinary family in an extraordinary time.

Lyrical, dark, comic or iconoclastic, the Irish short story has always punched well above its weight. Anne Enright has brought together a dazzling collection of Irish stories by authors born in the twentieth century - from Mary Lavin and Frank O'Connor to Claire Keegan and Kevin Barry. With a pithy and passionate introduction by Enright, The Granta Book of the Irish Short Story traces this great tradition through decades of social change and shows the pleasure Irish writers continue to take in the short-story form. Deft and often devastating, the short story dodges the rolling mythologies of of Irish life to produce truths that are delightful and real. Also includes stories by: Maeve Brennan, Roddy Doyle, Mary Lavin, Colum McCann, William Trevor, John McGahern, Colm Toibin, Claire Keegan and Kevin Barry.

Carmel had been alone all her life. The baby knew this. They looked at each other, and all of time was there. The baby knew how vast her mother's loneliness had been. A contemporary novel of daughterhood and motherhood, from the Booker Prize-winning Irish author 'The Wren, The Wren is a magnificent novel' SALLY ROONEY, author of NORMAL PEOPLE 'Might just be her best yet' LOUISE KENNEDY, author of TRESPASSES 'One of our greatest living novelists' THE TIMES 'The unofficial rock star of literary fiction' IRISH TIMES Nell - funny, brave and so much loved - is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell's leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel's famous father, an Irish poet of beautiful words and brutal actions. This is a meditation on love: spiritual, romantic, darkly sexual or genetic. A multigenerational novel that traces the inheritance not just of trauma but also of wonder, it is a testament to the glorious resilience of women in the face of promises false and true. Above all, it is an exploration of the love between mother and daughter - sometimes fierce, often painful, but always transcendent.

Man Booker winner Anne Enright's story collection Yesterday's Weather is a series of moving glimpses into the lives of ordinary men and women struggling with the bonds of love, family, and community in an increasingly disconnected world. It exhibits the arresting images and subversive wit that mark Enright as one of the most thrillingly gifted writers of our time. Yesterday's Weather shows us a rapidly changing Ireland, a land of family and tradition, but also, increasingly, of organic radicchio, cruise-ship vacations, and casual betrayals. An artisan farmer seethes at the patronage of a former Catholic-school classmate, now a successful restaurateur; a bride cuckolds her rich husband with an old college friend&#8212a madman who refuses his pills, disappears for weeks on end, and plays the piano like a dream. Still more startling than loss or deception are the ways in which people respond: a wife raging at her husband's infidelity must weigh the real stakes after his affair takes a tragic turn; confronted with a similar situation, a woman decides to cheat with, rather than against, her man. Sharp, tender, never predictable, their sum is a vibrant tapestry of people struggling to find contentment with one another&#8212and with themselves.

Becoming is a mid-career retrospective of the work of Alice Maher, one of Ireland's most respected and influential artists. Including painting, sculpture, photography and animation, the exhibition will include seminal works such as Berry Dress, 1994, from the IMMA Collection; Familiar, 1995, from the Crawford Art Gallery, and many other works held in IMMA's own Collection. The title Becoming, hints at some of the main preoccupations of the artist and the themes that will be explored in the exhibition. A dress can be becoming or flattering; one's behaviour can become you, as you act in an appropriate way within a social construct; but becoming also points at a point of transformation where something becomes something else, Maher's work has always placed itself at this nexus, a point of metamorphosis where there is continuous flux as states shift and the familiar becomes otherworldly or unknown - where the inappropriate and the unacceptable are constantly called into play.

Celebrating 100 Years of Joyce's masterpiece The authoritative Hans Walter Gabler text; with a new introduction by Anne Enright. Set entirely on one day, 16 June 1904, Ulysses follows Leopold Bloom and Stephen Daedalus as they go about their daily business in Dublin. From this starting point, James Joyce constructs a novel of extraordinary imaginative richness and depth. Unique in the history of literature, Ulysses is one of the most important and enjoyable works of the twentieth century. The survivor of countless controversies, censorships and even claims of blasphemy, this centenary edition of Ulysses comes packaged in a boldly designed new package, befitting of its status as one of the most notorious and influential novels ever written. 'The greatest novel of the century' Anthony Burgess Ulysses has had a profound influence on modern fiction... Unforgettable' Guardian 'A work of high genius' Independent

'Witty, original, inventive...utterly compelling' Daily Mail Winner of the Man Booker Prize The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him - although that certainly helped - it was what happened to him as a boy in his grandmother's house, in the winter of 1968. The Gathering is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars. 'It is clearly the product of a remarkable intelligence, combined with a gift for observation and deduction' A.L. Kennedy, Guardian

This is the story of Irish theatre legend Katherine O’Dell, as told by her daughter Norah. It tells of early stardom in Hollywood, of highs and lows on the stages of Dublin and London’s West End. Katherine’s life is a grand performance, with young Norah watching from the wings.

But this romance between mother and daughter cannot survive Katherine’s past, or the world’s damage. As Norah uncovers her mother’s secrets, she acquires a few of her own. Then, fame turns to infamy when Katherine decides to commit a bizarre crime.

Actress is about a daughter’s search for the truth: the dark secret in the bright star, and what drove Katherine finally mad . . .

A book about family, selfishness and compassion on Ireland's Atlantic coast, from the Booker Prize-winner. Hanna, Dan, Constance and Emmet return to the west coast of Ireland for a final family Christmas in the home their mother is about to sell. As the feast turns to near painful comedy, a last, desperate act from Rosaleen - a woman who doesn't quite know how to love her own children - forces them to confront the weight of family ties and the road that brought them home. See also: Paddy Clarke Ha Ha Ha by Roddy Doyle Shortlisted for the 2015 Costa Novel Award Longlisted for the 2015 Man Booker Prize **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

From the Booker-winning Irish author, a brilliant and moving novel about fame, sexual power, and a daughter’s search to understand her mother’s hidden truths

This is the story of Irish theatre legend Katherine O’Dell, as told by her daughter Norah. It tells of early stardom in Hollywood, of highs and lows on the stages of Dublin and London’s West End. Katherine’s life is a grand performance, with young Norah watching from the wings.

But this romance between mother and daughter cannot survive Katherine’s past, or the world’s damage. As Norah uncovers her mother’s secrets, she acquires a few of her own. Then, fame turns to infamy when Katherine decides to commit a bizarre crime.

Actress is about a daughter’s search for the truth: the dark secret in the bright star, and what drove Katherine finally mad.

Brilliantly capturing the glamour of post-war America and the shabbiness of 1970s Dublin, Actress is an intensely moving, disturbing novel about mothers and daughters and the men in their lives. A scintillating examination of the corrosive nature of celebrity, it is also a sad and triumphant tale of freedom from bad love, and from the avid gaze of the crowd.

Katherine O'Dell is an Irish theater legend. Every moment of her life is a performance, with her daughter, Norah, standing in the wings. With age, alcohol, and dimming stardom, however, Katherine's grip on reality grows fitful. Fueled by a proud and long-simmering rage, she commits a bizarre crime. As Norah's role gradually changes to Katherine's protector, caregiver, and finally legacy-keeper, she revisits her mother's life of fiercely kept secrets; and Norah confronts in turn the secrets of her own sexual and emotional coming-of-age. With virtuosic storytelling, Actress weaves together two generations of women with difficult sexual histories, touching a raw and timely nerve.

A powerful, moving book of secrets, longing and loss, from the Man Booker Prize-winning author of The Gathering. If it hadn't been for the child then none of this might have happened. She saw me kissing her father. She saw her father kissing me. The fact that a child got mixed up in it all made us feel that it mattered, that there was no going back. **Shortlisted for The Orange Prize for Fiction** 'Absolute genius' BBC Radio 4

Shortlisted for the Baileys Women's Prize for Fiction 2016 Shortlisted for the 2015 Costa Novel Award Longlisted for the 2015 Man Booker Prize Winner of the Irish Novel of the Year 2015 Hanna, Dan, Constance and Emmet return to the west coast of Ireland for a final family Christmas in the home their mother is about to sell. As the feast turns to near painful comedy, a last, desperate act from Rosaleen - a woman who doesn't quite know how to love her children - forces them to confront the weight of family ties and the road that brought them home. **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

Anne Enright is one of the most exciting writers of Ireland's younger generation, a beguiling storyteller The Seattle Times has praised for the ... way she writes about women ...their adventures to know who they are through sex, despair, wit and single-minded courage. In What Are You Like?, Maria Delahunty, raised by her grieving father after her mother died during childbirth, finds herself in her twenties awash in nameless longing and in love with the wrong man. Going through his things, she finds a photograph that will end up unraveling a secret more devastating than her father's long mourning, but more pregnant with possibility. Moving between Dublin, New York, and London, What Are You Like? is a breathtaking novel of twins and irretrievable losses, of a woman haunted by her missing self, and of our helplessness against our fierce connection to our origins. What Are You Like? has been selected as a finalist for the Whitbread Award. It is a novel, Newsday wrote, that announces [Enright's] excellence as though it were stamped on the cover in boldface. Richly descriptive ... Slightly surreal, revelatory images are hallmarks of Enright's writing, which beguiles throughout. -- Melanie Rehak, US Weekly Cool, wicked, and quintessentially Irish ... Anne Enright tells a sharp, stylish tale in an accent all her own. -- Annabel Lyon, The National Post (Toronto)

Babies: our biggest mystery and our most natural consequence, our hardest test and our enduring love. Anne Enright describes the intensity, bewilderment and extravagant happiness of her experience of having babies, from the exhaustion of early pregnancy to first smiles and becoming acquainted with the long reaches of the night. Everyone, from parents to the mildly curious, can delight in Enright's funny, eloquent and unsentimental account of having babies. Selected from the book Making Babies by Anne Enright VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world's greatest writers on the experiences that make us human Also in the Vintage Minis series: Fatherhood by Karl Ove Knausgaard Motherhood by Helen Simpson Drinking by John Cheever Sisters by Louisa May Alcott

The second novel to be published in America by widely acclaimed Irish author Anne Enright, The Wig My Father Wore is a spry, hilarious novel about parents, love, religion, and the absurdities of them all.

Grace is a young Dubliner who works on a television show called Love Quiz. Her father is going benignly senile, but her life otherwise seems fairly solid. When Stephen arrives on her doorstep, however, Grace has no idea what she's in for. Stephen explains that he is an angel, a former bridge builder who committed suicide in 1934. He has been sent back to earth (as all suicides are) to guide lost souls. Grace does not take this personally at first, but eventually she has to face the idea that things are not so easy, and that her greatest intimacy is with this supernatural creature. As Grace begins to take stock of her life and the prospect of caring enough about something to fight for it, The Wig My Father Wore takes us on a moving, surreal romp through Catholicism, parents, and the reclamation of love from the twin modern evils of cynicism and the detritus of pop culture.

Discover Man Booker winner Anne Enright's first collection of short stories. 'Elegant, scrupulously poised, always intelligent and, not least, original' Angela Carter The characters in Anne Enright's fierce and witty first collection of stories stand at an oblique angle to society. Full of desire, but out of kilter, their response to a dislocated reality is mutinous, wild, unforgettable. 'Quirky, subversive, original wit and an imaginative linguistic fluency' Irish Times

In three urgent pieces of non-fiction Anne Enright explores speech and silence in the lives of Irish women: the long silence surrounding the Mother and Baby home in Tuam which was broken by the voice of Catherine Corless, the silence of Irish literary critics in response to work by women, and the reclaimed voice of the Irish writer Maeve Brennan. The short story form is celebrated with two new pieces of writing, and a biographical piece looks at the role of Canadian fiction in her reading life.

'Fizzingly entertaining. Reading it is like having a conversation with your funniest friend. Enright has pulled off that rarest of tricks: writing brilliantly about happiness.' Anne Enright, one of Ireland's most remarkable writers, has just had two babies: a girl and a boy. Her new book, Making Babies, is the intimate, engaging, and very funny record of the journey from early pregnancy to age two. Written in dispatches, typed with a sleeping baby in the room, it has the rush of good news - full of the mess, the glory, and the raw shock of it all. An antidote to the high-minded, polemical 'How-to' baby manuals, Making Babies also bears a visceral and dreamlike witness to the first years of parenthood. Anne Enright wrote the truth of it as it happened, because, for these months and years, it is impossible for a woman to lie.

When Maria turns twenty, she falls in love. She is in the wrong town, and he is the wrong sort of man. Going through his things, she finds a photo of herself when she was twelve years old. She has the same smile, but she is wearing the wrong clothes: she is the same, only different. Anne Enright's astonishing novel moves between Dublin, New York and London, following the lives of the real Maria and the girl in the picture.

Stepping through the mirror to tell the story of the two women, both haunted by their missing selves, WHAT ARE YOU LIKE? Is an exquisitely written disquisition on families and identity. It is a modern story, full of genetic jokes, of splitting and dislocation, and it is one of the oldest stories there is: a novel about twins. Threading together the lives of two young women, it confirms Anne Enright as not only the most original Irish writer of her generation, but also as one of the finest, funniest, and most affecting.

'It was a tough, wiry wig with plenty of personality. It rode around on his head like an animal. It was a vigorous brown. I was very fond of it as a child. I thought that it liked me back.' Anne Enright's extraordinary first novel is narrated by Grace, a TV producer, whose life is transfigured when she answers the door to a fully-fledged angel. Stephen was a bridge-builder in Canada before he killed himself, but now that he has come to stay with Grace he spends the night hanging by the neck in her shower, to help himself think. Needless, to say, she falls in love, moving steadily from the spiritual to the anatomical. Meanwhile as her TV day job on the 'Love Quiz' begins to spiral out of control, on the other side of her life is her father, benign, bewigged and stricken by a stroke -apparently mad but probably the sanest person in her life. As the three worlds meet and merge in a forest of contradictions, we watch Grace take the pacific path from cynicism to innocence, as all around her the novel thinders to a conclusion.