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In the past decades cultural heritage stored at museums and
archives has been returned to source communities in various forms
and under diverse circumstances. This contribution to the Elements
series explores and discusses specifically the return of digital
'ethnographic' images to indigenous and non indigenous people that
share a common recent history of coexistence and dispute over the
same territory that is to be understood in the light of the
consolidation of a Nation State with a settler colonial logic. The
author argues that the affective reception of what a given archive
labels as tangible and intangible heritage varies according to each
audiences particular memory practices, historical experience and
way of relating to shared hegemonic notions of 'whiteness' and
'indigeneity'.
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