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This collection of critical essays applies a wide range of critical
frameworks to the analysis of prolific fantasy author Terry
Pratchett's Discworld books. Essays focus on topics such as
Pratchett's treatment of noise and silence and their political
implications, art as an anodyne for racial conflict, humour and
cognitive debugging, visual semiotics and hypotrochoidal texts,
linguistic stylistics and readers' perspectives of word choice, and
Derrida and the "Monstrous Regiment of Women." The volume also
includes an annotated bibliography of critical sources. The essays
provide new critical perspectives on Pratchett's work, which has
stealthily redefined both fantasy and humour for modern audiences.
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