Documents from the middle ages through to the mid sixteenth century provide rich evidence for London's vibrant dramatic activities. The variety and richness of early London's dramatic activity are extensively revealed here: both from the records of its civic government and livery companies, 1287 to 1558, and in a chronological appendix of information from other sources, such as national and local chronicles (written in Anglo-French, Latin, and English). Civic London to 1558 adds substantially to the amount of published evidence of early drama in London. After the demiseof the multi-day biblical play performed, regularly or occasionally, in the late fourteenth century at Clerkenwell, on the edge of the city, records begin to appear of the London companies (originally craft and trade guilds) paying players/actors to perform at annual company feasts. The records are at first largely of clerks' groups, and subsequently largely of troupes patronized by royalty and the aristocracy. The London troupes of Shakespeare's day descend from here. Also elaborate formal mummings (disguisings) were sent by the city to the court, and were performed as well in company halls. Grand theatrical spectacles were presented in the streets: at Midsummer, for formal royal entries through the city, and for mayoral inaugurations. This collection makes a strong contribution to the known evidence of these activities and of others as well. Anne Lancashire is Professor Emerita of English at the University of Toronto; she has published extensively on medieval and early modern theatre and drama.

Civic theatre - drama and pageantry sponsored by city and town governing bodies - is prominent in histories of early English provincial drama but has been largely ignored for pre-Elizabethan London. Anne Lancashire explodes the widely held notion that significant London theatre arose only in the age of Shakespeare, when the first commercial playhouses were built there. She outlines the extent and types of early civic theatrical performance, specifically in London, from Roman times to Elizabeth I's accession to the throne in 1558, focusing on Roman amphitheatre shows, medieval and early Tudor plays, mummings, royal entries, and other kinds of street pageantry. With evidence from a multitude of primary sources and extensive use of early chronicle histories, the book raises questions about this urban, largely political theatre which provided an important foundation for the work of Shakespeare and his contemporaries.

Civic theater (drama and pageantry sponsored by city and town governing bodies) is prominently featured in histories of early English provincial drama, but largely ignored in those of pre-Elizabethan London. Anne Lancashire explodes the widely-held notion that significant London theater arose only in Shakespeare's era, when the first commercial playhouses were built. She presents a rich panorama of civic theatrical life in London before 1558 that includes Roman amphitheater shows, medieval and Tudor mummings, street pageantry and plays.