Hollywood Voice Strengtening Specialist Elizabeth Sabine has spent a lifetime teaching vocal skills to rock singers from bands like Guns N' Roses, 38 Special, Men At Work, Keel and Giant, actors like Chick Norris nand Elizabeth Shue and vocal coaches such as Jaime Vendera and Cara Mastrey. In her book, Elizabeth explains the usual sources of vocal fatigue and describes how to overcome these common problems that have cost some singers/actors their careers. She completely explains a simple system to turn the voice into energy and create vocal power. You don't have to be born a singer to sing great...Elizabeth will show you how by teaching you how the voice truly works, master your breathing, increase vocal power and eliminate vocal fatigue as well as other improtant vocalist aspects such as how to eliminate stagefright. This book presents a system that will minimize practice time, guiding you along through 22 audio files to strengthen your singing voice in no time!

The perspective of the non Christian in a subculture society during 1971 experimenting with alternative life styles, music, and hallucinating drugs were prevalent, it was Libby's desire to write from their emotional perspective and capture this time in history whereby the cold war with Russia created a dooms day cataclysmic effect on the minds of a subculture generation who grew up to turn on and drop out a generation waiting for the next shoe to fall as Nikita Khrushchev had pounded the podium with his shoe at the UN in 1958 and then the Bay of Pigs where they awaited John F. Kennedy's decision as to whether we would go to nuclear war in 1961 with Cuba whose allies were with Russia. At that time this subculture generation lived by their own rules some grew to adulthood without changing, some did change. There was no nuclear bomb to this day and time which fell on humankind but a great deal of testing of nuclear bombs in the waters of the earth was done.

A powerful journey of healing and discovery for seniors seeking healing, redemption, forgiveness and fresh life in their golden years.

In the 1790s the sculptural decoration of many French cathedrals was destroyed, and monastic churches were stripped of their royal and noble tombs. As a result, modern art historians have remained largely unaware of the link between architectural sculpture and monumental tomb sculpture. Some years ago, Anne Morganstern recognized the hand of a master sculptor who worked at Chartres in the little-known tomb of a nobleman. This connection prompted the author to investigate the relationship between the two. In High Gothic Sculpture at Chartres Cathedral, the Tomb of the Count of Joigny, and the Master of the Warrior Saints, Morganstern offers a new study of the sculptor whom Louis Grodecki associated with a group of stained-glass windows that he attributed to the "Master of Saint Cheron." Morganstern proposes that the windows reflect the designs of the sculptor whom she calls the "Master of the Warrior Saints," whether or not he was their designer. She also shifts the chronological framework associated with the south transept porch back approximately twenty years, a move that has broad implications for scholarly consideration of the development of French High Gothic sculpture.