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This edited volume presents significant new findings on new domains
of employment for women in China's burgeoning market economy of the
1990s and twenty-first century. Experts in gender, politics, media
studies and anthropology discuss the impact of economic reform and
globalization on Chinese women in family businesses, in management,
the professions, the prostitution industry and domestic service.
Significant themes include changing marriage and consumer
aspirations and the reinvention of domestic space. The volume
offers fresh insights into changing definitions of 'women's work'
in contemporary China and questions women's perceived
'disadvantage' in the market economy.
Originally published in 2006, this book provides an in-depth
account of trophoblast: the tissue derived from the fertilised egg
that nourishes and protects the developing fetus. The cells of the
trophoblast have many unique qualities, and exhibit great
variability across different species. It has a fascinating role in
the development of the placenta and as a regulator during early
growth of the embryo. These aspects are all fully covered as well
as studies on why it is not rejected by the mother as 'foreign'
tissue. Disorders of trophoblast during development also manifest
themselves in several clinical conditions during pregnancy,
including gestational trophoblastic disease and pre-eclampsia. From
stem cells through to epigenetics, implantation and X-chromosome
inactivation, there is a lot to be learned about trophoblast, this
volume provides a detailed summary of knowledge regarding the
subject.
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Four Major Plays (Paperback)
Federico Garcia Lorca; Edited by Nicholas Round; Translated by John Edmunds; Notes by Ann MacLaren
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R270
R235
Discovery Miles 2 350
Save R35 (13%)
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Ships in 12 - 17 working days
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`I have made a terrible discovery ... I have not yet been born ...
I live off borrowed substance; what I have within me is not mine.'
In his four last plays Federico Garcia Lorca offered his disturbed
and disturbing personal vision to Spanish audiences of the 1930s -
unready, as he thought them, for the sexual frankness and surreal
expression of his more experimental work. The ill-fated lovers of
Blood Wedding, the desolate Yerma, the fading spinster Rosita, and
Bernarda Alba's abused household of women all inhabit a familiar
Andalusia. Their predicaments are starkly plotted, with a
stagecraft rooted in classical theatrical tradition. In such
figures Lorca addresses the cultural and political ferment of his
time with a fiercely libertarian assault on 'old and wrong
moralities', fusing the personal and the political through his
virtuoso mastery of images. Yet all that mastery can barely keep at
bay the anguished contradictions of these doomed human lives. Hence
the authentic sense of danger - the duende, to use his own word of
Lorca's theatre, finely conveyed here in John Edmunds's fluent and
rhythmic new translations that lend themselves admirably to
performance. ABOUT THE SERIES: For over 100 years Oxford World's
Classics has made available the widest range of literature from
around the globe. Each affordable volume reflects Oxford's
commitment to scholarship, providing the most accurate text plus a
wealth of other valuable features, including expert introductions
by leading authorities, helpful notes to clarify the text,
up-to-date bibliographies for further study, and much more.
This book presents significant new findings on new domains of
employment for women in China's burgeoning market economy of the
1990s and the twenty-first century. Experts in gender, politics,
media studies, and anthropology discuss the impact of economic
reform and globalization on Chinese women in family businesses,
management, the professions, the prostitution industry and domestic
service. Significant themes include changing marriage and consumer
aspirations and the reinvention of domestic space. The volume
offers fresh insights into changing definitions of 'women's work'
in contemporary China and questions women's perceived
'disadvantage' in the market economy.
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