"When I picked up this 1949 reprint I offered it the tenderly indulgent regard I would any period piece. As it turned out, the book survives perfectly well on its own merit--although it nearly finished me. If you like a novel that expertly puts you through the wringer, this is the one."--Nicholas Lezard, "Guardian"

Hilary Wainwright, an English soldier, returns to a blasted and impoverished France during World War Two in order to trace a child lost five years before. But is this small, quiet boy in a grim orphanage really his son? And what if he is not? In this exquisitely crafted novel, we follow Hilary's struggle to love in the midst of a devastating war.

"Facing him was a thin little boy in a black sateen overall. Its sleeves were too short and from them dangled red swollen hands too big for the frail wrists. Hilary looked from these painful hands to the little boy's long thin grubby legs, to the crude coarse socks falling over shabby black boots that were surely several sizes too large. It's a foreign child, he thought numbly . . ."

Marghanita Laski was born in 1915 to a family of Jewish intellectuals in Manchester; Harold Laski, the socialist thinker, was her uncle. She was the author of six novels and a celebrated critic. She died in 1988.

'When I picked up this 1949 reprint I offered it the tenderly indulgent regard I would any period piece,' commented Nicholas Lezard in "The Guardian". 'As it turned out, the book survives perfectly well on its own merits - although it nearly finished me. If you like a novel that expertly puts you through the wringer, this is the one.' Hilary Wainwright, poet and intellectual, returns after the war to a blasted and impoverished France in order to trace a child lost five years before. The novel asks: is the child really his? And does he want him? These are questions you can take to be as metaphorical as you wish: the novel works perfectly well as straight narrative. It's extraordinarily gripping: it has the page-turning compulsion of a thriller while at the same time being written with perfect clarity and precision.'Had it not got so nerve-wracking towards the end, I would have read it in one go. But Laski's understated assurance and grip is almost astonishing. She has got a certain kind of British intellectual down to a tee: part of the book's nail-biting tension comes from our fear that Hilary won't do something stupid. The rest of "Little Boy Lost's" power comes from the depiction of post-wr France herself. This is haunting stuff.'

Jennie Churchill was said to have had two hundred lovers, three of whom she married. But her love for her son Winston never wavered. Jennie Churchill is an intimate picture of her glittering but ultimately tragic life, and the powerful mutual infatuation between her and her son. Anyone who wants to understand Winston must start here, with this revelatory interpretation. Anne Sebba has gained unprecedented access to private family correspondence, newly discovered archival material and interviews with Jennie's two surviving granddaughters. She draws a vivid and frank portrait of her subject, repositioning Jennie as a woman who refused to be cowed by her era's customary repression of women.

WINNER OF THE FRANCO-BRITISH SOCIETY BOOK PRIZE 2016 June, 1940. German troops enter Paris and hoist the swastika over the Arc de Triomphe. The dark days of Occupation begin. How would you have survived? By collaborating with the Nazis, or risking the lives of you and your loved ones to resist? The women of Paris faced this dilemma every day - whether choosing between rations and the black market, or travelling on the Metro, where a German soldier had priority for a seat. Between the extremes of defiance and collusion was a vast moral grey area which all Parisiennes had to navigate in order to survive. Anne Sebba has sought out and interviewed scores of women, and brings us their unforgettable testimonies. Her fascinating cast includes both native Parisiennes and temporary residents: American women and Nazi wives; spies, mothers, mistresses, artists, fashion designers and aristocrats. The result is an enthralling account of life during the Second World War and in the years of recovery and recrimination that followed the Liberation of Paris in 1944. It is a story of fear, deprivation and secrets - and, as ever in the French capital, glamour and determination.

Bestselling biography of the enduringly fascinating Wallis Simpson One of Britain's most distinguished biographers turns her focus on one of the most vilified women of the twentieth century. Historian Anne Sebba has written the first full biography by a woman of Wallis Simpson, Duchess of Windsor. 'That woman', as she was referred to by the Queen Mother, became a hate figure for ensnaring a British king and destabilising the monarchy. Neither beautiful nor brilliant, she nevertheless became one of the most talked-about women of her generation, and she inspired such deep love and adoration in Edward VIII that he gave up a throne and an empire for her. Wallis lived by her wit and her wits, while both her apparent and alleged moral transgressions added to her aura and dazzle. Based on new archives and material only recently made available, this scrupulously researched biography sheds new light on the character and motivations of a powerful, charismatic and complex woman.

'A heart-piercingly brilliant book about a woman whose personal life put her in the cross-hairs of history' HADLEY FREEMAN 'Totally riveting. I couldn't put it down' VICTORIA HISLOP 'Ethel sings out for all women who have been misunderstood and wronged, and refuse to bow down' NICHOLAS SHAKESPEARE 'A shocking tale of betrayal, naivety, misogyny and judicial failure' SONIA PURNELL 'A historic miscarriage of justice laid bare for our times' PHILIPPE SANDS Ethel Rosenberg was a supportive wife, loving mother to two small children and courageous idealist who grew up during the Depression with aspirations to become an opera singer. On 19 June 1953 she became the first woman in the US to be executed for a crime other than murder. She was thirty-seven years old. Ethel's conviction for conspiracy to commit espionage on behalf of the Soviet Union followed what FBI Director J. Edgar Hoover called the 'trial of the century' in Cold War America and is still controversial. Now, Anne Sebba's masterly, meticulously researched and deeply moving biography finally tells Ethel's true story - a life barbarically cut short on the basis of tainted evidence for a crime she almost certainly did not commit.