What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends?

In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives.

In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.

In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were drafted into a hurriedly assembled band that would play marching music to other inmates, forced labourers who left each morning and returned, exhausted and often broken, at the end of the day. While still living amid the most brutal and dehumanising of circumstances, they were also made to give weekly concerts for Nazi officers, and individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives.

What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba traces these tangled questions of deep moral complexity with sensitivity and care.

From Alma Rosé, the orchestra's main conductor, niece of Gustav Mahler and a formidable pre-war celebrity violinist, to Anita Lasker-Wallfisch, its teenage cellist and last surviving member, Sebba draws on meticulous archival research and exclusive first-hand accounts to tell the full and astonishing story of the orchestra, its members and the response of other prisoners for the very first time.

'When I picked up this 1949 reprint I offered it the tenderly indulgent regard I would any period piece,' commented Nicholas Lezard in "The Guardian". 'As it turned out, the book survives perfectly well on its own merits - although it nearly finished me. If you like a novel that expertly puts you through the wringer, this is the one.' Hilary Wainwright, poet and intellectual, returns after the war to a blasted and impoverished France in order to trace a child lost five years before. The novel asks: is the child really his? And does he want him? These are questions you can take to be as metaphorical as you wish: the novel works perfectly well as straight narrative. It's extraordinarily gripping: it has the page-turning compulsion of a thriller while at the same time being written with perfect clarity and precision.'Had it not got so nerve-wracking towards the end, I would have read it in one go. But Laski's understated assurance and grip is almost astonishing. She has got a certain kind of British intellectual down to a tee: part of the book's nail-biting tension comes from our fear that Hilary won't do something stupid. The rest of "Little Boy Lost's" power comes from the depiction of post-wr France herself. This is haunting stuff.'

WINNER OF THE FRANCO-BRITISH SOCIETY BOOK PRIZE 2016 June, 1940. German troops enter Paris and hoist the swastika over the Arc de Triomphe. The dark days of Occupation begin. How would you have survived? By collaborating with the Nazis, or risking the lives of you and your loved ones to resist? The women of Paris faced this dilemma every day - whether choosing between rations and the black market, or travelling on the Metro, where a German soldier had priority for a seat. Between the extremes of defiance and collusion was a vast moral grey area which all Parisiennes had to navigate in order to survive. Anne Sebba has sought out and interviewed scores of women, and brings us their unforgettable testimonies. Her fascinating cast includes both native Parisiennes and temporary residents: American women and Nazi wives; spies, mothers, mistresses, artists, fashion designers and aristocrats. The result is an enthralling account of life during the Second World War and in the years of recovery and recrimination that followed the Liberation of Paris in 1944. It is a story of fear, deprivation and secrets - and, as ever in the French capital, glamour and determination.

"When I picked up this 1949 reprint I offered it the tenderly indulgent regard I would any period piece. As it turned out, the book survives perfectly well on its own merit--although it nearly finished me. If you like a novel that expertly puts you through the wringer, this is the one."--Nicholas Lezard, "Guardian"

Hilary Wainwright, an English soldier, returns to a blasted and impoverished France during World War Two in order to trace a child lost five years before. But is this small, quiet boy in a grim orphanage really his son? And what if he is not? In this exquisitely crafted novel, we follow Hilary's struggle to love in the midst of a devastating war.

"Facing him was a thin little boy in a black sateen overall. Its sleeves were too short and from them dangled red swollen hands too big for the frail wrists. Hilary looked from these painful hands to the little boy's long thin grubby legs, to the crude coarse socks falling over shabby black boots that were surely several sizes too large. It's a foreign child, he thought numbly . . ."

Marghanita Laski was born in 1915 to a family of Jewish intellectuals in Manchester; Harold Laski, the socialist thinker, was her uncle. She was the author of six novels and a celebrated critic. She died in 1988.

'A heart-piercingly brilliant book about a woman whose personal life put her in the cross-hairs of history' HADLEY FREEMAN 'Totally riveting. I couldn't put it down' VICTORIA HISLOP 'Ethel sings out for all women who have been misunderstood and wronged, and refuse to bow down' NICHOLAS SHAKESPEARE 'A shocking tale of betrayal, naivety, misogyny and judicial failure' SONIA PURNELL 'A historic miscarriage of justice laid bare for our times' PHILIPPE SANDS Ethel Rosenberg was a supportive wife, loving mother to two small children and courageous idealist who grew up during the Depression with aspirations to become an opera singer. On 19 June 1953 she became the first woman in the US to be executed for a crime other than murder. She was thirty-seven years old. Ethel's conviction for conspiracy to commit espionage on behalf of the Soviet Union followed what FBI Director J. Edgar Hoover called the 'trial of the century' in Cold War America and is still controversial. Now, Anne Sebba's masterly, meticulously researched and deeply moving biography finally tells Ethel's true story - a life barbarically cut short on the basis of tainted evidence for a crime she almost certainly did not commit.

Jennie Churchill was said to have had two hundred lovers, three of whom she married. But her love for her son Winston never wavered. Jennie Churchill is an intimate picture of her glittering but ultimately tragic life, and the powerful mutual infatuation between her and her son. Anyone who wants to understand Winston must start here, with this revelatory interpretation. Anne Sebba has gained unprecedented access to private family correspondence, newly discovered archival material and interviews with Jennie's two surviving granddaughters. She draws a vivid and frank portrait of her subject, repositioning Jennie as a woman who refused to be cowed by her era's customary repression of women.

Bestselling biography of the enduringly fascinating Wallis Simpson One of Britain's most distinguished biographers turns her focus on one of the most vilified women of the twentieth century. Historian Anne Sebba has written the first full biography by a woman of Wallis Simpson, Duchess of Windsor. 'That woman', as she was referred to by the Queen Mother, became a hate figure for ensnaring a British king and destabilising the monarchy. Neither beautiful nor brilliant, she nevertheless became one of the most talked-about women of her generation, and she inspired such deep love and adoration in Edward VIII that he gave up a throne and an empire for her. Wallis lived by her wit and her wits, while both her apparent and alleged moral transgressions added to her aura and dazzle. Based on new archives and material only recently made available, this scrupulously researched biography sheds new light on the character and motivations of a powerful, charismatic and complex woman.

Brooklyn-born Jennie Jerome married into the British aristocracy in 1874, after a three-day romance. She became Lady Randolph Churchill, wife of a maverick politician and mother of the most famous British statesman of the century. Jennie Churchill was not merely the most talked about and controversial American woman in London society, she was a dynamic behind-the-scenes political force and a woman of sexual fearlessness at a time when women were not supposed to be sexually liberated. A concert pianist, magazine founder and editor, and playwright, she was also, above all, a devoted mother to Winston. In American Jennie, Anne Sebba draws on newly discovered personal correspondences and archives to examine the unusually powerful mutual infatuation between Jennie and her son and to relate the passionate and ultimately tragic career of the woman whom Winston described as having the wine of life in her veins.

"The first full scale biography of Wallis Simpson to be written by a woman, exploring the mind of one of the most glamorous and reviled figures of the Twentieth Century, a character who played prominently in the blockbuster film "The King's Speech.

This is the story of the American divorcee notorious for allegedly seducing a British king off his throne. "That woman," so called by Queen Elizabeth, The Queen Mother, was born Bessie Wallis Warfield in 1896 in Baltimore. Neither beautiful nor brilliant, she endured an impoverished childhood, which fostered in her a burning desire to rise above her circumstances.

Acclaimed biographer Anne Sebba offers an eye-opening account of one of the most talked about women of her generation. It explores the obsessive nature of Simpson's relationship with Prince Edward, the suggestion that she may have had a Disorder of Sexual Development, and new evidence showing she may never have wanted to marry Edward at all.

Since her death, Simpson has become a symbol of female empowerment as well as a style icon. But her psychology remains an enigma. Drawing from interviews and newly discovered letters, "That Woman" shines a light on this captivating and complex woman, an object of fascination that has only grown with the years.