With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory. The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory. Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.

My husband and I have come a long way since we got married. We had no idea what we were in for. I'm sure our marriage would have been voted one of the most unlikely to succeed. Yet through the years, we have seen the strongest marriages crumble, and we are still chugging along. Why?

This book will reveal to you how the Lord intends not only our marriage relationships to work, but family and church as well. We need to be growing in God's kingdom ways of not being accepted because we meet certain standards and fulfill various obligations. The only true, unconditional acceptance comes from the love given, not earned. And it is this love that begins the healing: transforming a person into the splendor God created them to be. Marriages and relationships don't end because of what someone has or hasn't done. They end when one person quits.

With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, "The Poetics of Phantasia" brings together a study of the ways in which the concept of imagination ("phantasia" in Greek) was used in ancient aesthetics and literary theory.The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way" phantasia" is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory.Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, "The Poetics of Phantasia" discusses three discrete senses of imagination in ancient thought. Firstly, "phantasia" as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of "phantasia" is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, "phantasia" is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.

This anthology of philosophical texts by Greek and Roman authors brings together works from the late fifth century BC to the sixth century AD that comment on major aesthetic issues such as the perception of beauty and harmony in music and the visual arts, structure and style in literature, and aesthetic judgement. It includes important texts by Plato and Aristotle on the status and the role of the arts in society and in education, and Longinus' reflections on the sublime in literature, in addition to less well-known writings by Philodemus, Cicero, Seneca, Plotinus, Augustine and Proclus. Most of the texts have been newly translated for this volume, and some are available in English for the first time. A detailed introduction traces the development of classical aesthetics from its roots in Platonism and Aristotelianism to its ultimate form in late Antiquity.

In this up-to-date introduction to aesthetics, Anne Sheppard tackles the profoundly complex questions that lie at the heart of the subject. Including chapters on form, beauty and aesthetic appreciation, and the relationship between art and morals, the book analyses the sort of judgements we make when we examine a painting, look at a building, listen to a piece of music, or study a work of literature.

This anthology of philosophical texts by Greek and Roman authors brings together works from the late fifth century BC to the sixth century AD that comment on major aesthetic issues such as the perception of beauty and harmony in music and the visual arts, structure and style in literature, and aesthetic judgement. It includes important texts by Plato and Aristotle on the status and the role of the arts in society and in education, and Longinus' reflections on the sublime in literature, in addition to less well-known writings by Philodemus, Cicero, Seneca, Plotinus, Augustine and Proclus. Most of the texts have been newly translated for this volume, and some are available in English for the first time. A detailed introduction traces the development of classical aesthetics from its roots in Platonism and Aristotelianism to its ultimate form in late Antiquity.