Most African languages are spoken by communities as one of several languages present on a daily basis. The persistence of multilingualism and the linguistic creativity manifest in the playful use of different languages are striking, especially against the backdrop of language death and expanding monolingualism elsewhere in the world. The effortless mastery of several languages is disturbing, however, for those who take essentialist perspectives that see it as a problem rather than a resource, and for the dominating, conflictual, sociolinguistic model of multilingualism. This volume investigates African minority languages in the context of changing patterns of multilingualism, and also assesses the status of African languages in terms of existing influential vitality scales. An important aspect of multilingual praxis is the speakers' agency in making choices, their repertoires of registers and the multiplicity of language ideology associated with different ways of speaking. The volume represents a new and original contribution to the ethnography of speaking of multilingual practices and the cultural ideas associated with them.

This book explores the relationship between imperial formations and individual encounters at African tourist sites - spaces of leisure, healing and work. It examines how encounters between tourists and hosts tend to be constructed along colonial thought lines and considers how players in the hospitality industry do not interact as coeval participants, but are racialised, scripted and positioned according to colonially-established order. The authors focus on the language of these encounters, not only speech, performance and response, but also silence, resonance, emptiness, noise - objectified, materialised, evasive and confusing. Through its exploration of language in these encounters, the volume shows that ruination is the one feature that is omnipresent in the multiple and diverse tourist settings of the postcolonial world. This book is open access under a CC BY ND licence.

This book explores the relationship between imperial formations and individual encounters at African tourist sites - spaces of leisure, healing and work. It examines how encounters between tourists and hosts tend to be constructed along colonial thought lines and considers how players in the hospitality industry do not interact as coeval participants, but are racialised, scripted and positioned according to colonially-established order. The authors focus on the language of these encounters, not only speech, performance and response, but also silence, resonance, emptiness, noise - objectified, materialised, evasive and confusing. Through its exploration of language in these encounters, the volume shows that ruination is the one feature that is omnipresent in the multiple and diverse tourist settings of the postcolonial world. This book is open access under a CC BY ND licence.

This book focuses on perspectives from and on the global south, providing fresh data and analyses on languages in African, Caribbean, Middle-Eastern and Asian tourism contexts. It provides a critical perspective on tourism in postcolonial and neocolonial settings, explored through in-depth case studies. The volume offers a multifaceted view on how language commodifies, and is commodified in, tourism settings and considers language practices and discourse as a way of constructing identities, boundaries and places. It also reflects on academic practice and economic dynamics in a field that is characterised by social inequalities and injustice, and tourism as the world's largest industry enacting dynamic communicative, social and cultural transformations. The book will appeal to both undergraduate and postgraduate students of tourism studies, linguistics, literature, cultural history and anthropology, as well as researchers and professionals in these fields.

This book focuses on perspectives from and on the global south, providing fresh data and analyses on languages in African, Caribbean, Middle-Eastern and Asian tourism contexts. It provides a critical perspective on tourism in postcolonial and neocolonial settings, explored through in-depth case studies. The volume offers a multifaceted view on how language commodifies, and is commodified in, tourism settings and considers language practices and discourse as a way of constructing identities, boundaries and places. It also reflects on academic practice and economic dynamics in a field that is characterised by social inequalities and injustice, and tourism as the world's largest industry enacting dynamic communicative, social and cultural transformations. The book will appeal to both undergraduate and postgraduate students of tourism studies, linguistics, literature, cultural history and anthropology, as well as researchers and professionals in these fields.

Secret Manipulations is the first comprehensive study of African register variation, polylectality, and derived languages. Focusing on a specific form of language change-deliberate manipulations of a language by its speakers-it provides a new approach to local language ideologies and concepts of grammar and metalinguistic knowledge.
Anne Storch concentrates on case studies from Nigeria, Uganda, Sudan, the African diaspora, and 16th century Europe. In these cases, language manipulation varies with social and cultural contexts, and is almost always done in secret. At the same time, this manipulation can be an act of subversion and an expression of power, and it is often central to the construction of social norms, as it constructs oppositions and gives marginalized people a chance to articulate themselves. This volume illustrates how manipulated languages are constructed, how they are used, and how they wield power.

While most of the more recent influential work on swearing has concentrated on English and other languages from the Global North, looking at forms and functions of swear words, this contribution redirects the necessary focus onto a sociolinguistics of swearing that puts transgressive practices in non-Western languages into the focus. The transdisciplinary volume contains innovative case studies that address swearing and cursing in parts of the world characterized by consequences of colonialism and increasingly debated inequalities. Turning away from more conventional and established methodologies and theoretical approaches, the book envisages to address transgressive linguistic practices, performances and contexts in Africa, Asia, America and Europe -including individuals' creativity, subversive power and agency. Due to its interdisciplinary and non-mainstream focus, this volume is an essential addition to the field of studies.

This wide-ranging volume offers a detailed exploration of coloniality in the discipline of linguistics, with case studies drawn from Africa, Southeast Asia, Europe, and the Caribbean. Colonial meanings and legacies have returned to the forefront of many academic fields in recent years and linguistics, like several other disciplines, has had an ambivalent relationship with its own histories of practice in colonial and postcolonial worlds. The implications of these histories are still felt today, as colonial paradigms of knowledge production continue to shape both academic linguistic practices and non-specialist discussion of language and culture. The chapters in this volume adopt a range of different conceptual frameworks - including postcolonial theory, southern theory, and decolonial thinking - to provide a nuanced account of the coloniality of linguistics at the level of knowledge and disciplinary practice; crucially, the contributors also expand their investigations beyond this ambivalent inheritance to imagine a decolonial linguistics. The volume will be of interest to all linguists looking to critically assess their own practices and to engage with debates at the cutting-edge of their discipline, particularly in the areas of sociolinguistics, field linguistics, typology, and linguistic anthropology, as well as to those outside the discipline engaging with questions of coloniality.

Secret Manipulations is the first comprehensive study of African register variation, polylectality, and derived languages. Focusing on a specific form of language change-deliberate manipulations of a language by its speakers-it provides a new approach to local language ideologies and concepts of grammar and metalinguistic knowledge.
Anne Storch concentrates on case studies from Nigeria, Uganda, Sudan, the African diaspora, and 16th century Europe. In these cases, language manipulation varies with social and cultural contexts, and is almost always done in secret. At the same time, this manipulation can be an act of subversion and an expression of power, and it is often central to the construction of social norms, as it constructs oppositions and gives marginalized people a chance to articulate themselves. This volume illustrates how manipulated languages are constructed, how they are used, and how they wield power.

This book is the result of intensive and continued discussions about the social role of language and its conceptualisations in societies other than Northern (European-American) ones. Language as a means of expressing as well as evoking both interiority and community has been in the focus of these discussions, led among linguists, anthropologists, and Egyptologists, and leading to a collection of essays that provide studies that transcend previously considered approaches. Its contributions are in particular interested in understanding how the attitude of the individual towards societal processes and strategies of norming is negotiated emotionally, and how individual interests and attitudes can be articulated. Discourses on public spaces are in the focus, in order to analyse those strategies that are employed to articulate dissent (for example, in the sense of face-threatening acts). This raises a number of questions on the spatial and public situatedness of emotions and language: How is the public space dealt with and reflected in language as property, heritage, and as a part of ascribed identities? Which role do emotions play in this space? How is emotion employed there as part of place making in relation to identity constructions? What is the connection between emotion, performance and emblematic spaces and places? Which opportunities of the violation of norms and transgression do such public spaces offer to actors and speakers? These questions intend to address the communicative representation of core cultural processes and concepts.