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The expansive, countercultural, and wildly prolific life of
celebrated poet Anne Waldman, in her own words. In Bard, Kinetic,
Anne Waldman assembles a multifaceted portrait of her life and
praxis as a groundbreaking poet. Waldman charts her journey through
a maelstrom of radical artistic activity: growing up in Greenwich
Village, creative partnership with Allen Ginsberg, touring with Bob
Dylan, and founding the Poetry Project at St. Mark's Church and
later, the Jack Kerouac School of Disembodied Poetics at Naropa
University. She discusses the philosophies that guide her as a
writer, activist, performer, instigator, and Buddhist practitioner,
and pays homage to friends and collaborators including Amiri
Baraka, Lou Reed, John Ashbery, Kathy Acker, and Diane di Prima.
Waldman's experiences serve as a guide for others committed to
making the world a conscious and conscientious place that soars
with the discourse and activism of poetry and poethics.
"At Naropa University's Jack Kerouac School of Disembodied
Poetics, there has long been an illuminating, dynamic, ongoing
exchange of ideas about the history and legacy of the Beat
Generation--an exchange fortunately that has been carefully
archived and preserved. This valuable anthology does not further
embalm the 'legend' of the Beats. Instead it allows its readers to
hear authentic voices --Allen Ginsberg, William Burroughs, John
Clellon Holmes, Diane di Prima, Philip Whalen, etc.--as well as
introducing the thoughtful and responsible work of leading Beat
scholars."--Joyce Johnson Amassed from the riches of the Naropa
University audio archives, this collection offers an exciting new
look at the Beats--whose influence lives on in the art and politics
of our time. In this often spontaneous, conversational book,
readers are introduced to the hard truths behind being a Beat
woman, the haunting accuracy of William Burroughs's world-view, the
passion and energy of Allen Ginsberg and Anne Waldman, Jack
Kerouac's unexpected musicality, Diane DiPrima's foray into small
press publishing, Michael McClure's account of the famous first
reading of "Howl," and, most of all, the inspirations behind
America's most provocative and prescient thinkers.Contributors
include:
David Amram
Amiri Baraka
Ted Berrigan
Junior Burke
William S. Burroughs
Lorna Dee Cervantes
Ann Charters
Clark Coolidge
Gregory Corso
Diane di Prima
Lawrence Ferlinghetti
Rick Fields
Allen Ginsberg
David Henderson
Abbie Hoffman
John Clellon Holmes
Joyce Johnson
Hettie Jones
Edie Parker Kerouac
Joanne Kyger
Michael McClure
William S. Merwin
John Oughton
Marjorie Perloff
David Rome
Edward Sanders
Gary Snyder
Janine Pommy Vega
Steven Taylor
Chogyam Trungpa, Rinpoche
Anne Waldman
Philip Whalen
Laura Wright
Joshua Zim
Anne Waldman takes the opportunity with this twentieth-anniversary
expanded edition to add twenty poems to this collection that brings
into focus her lifelong engagement with "Chant" as central to
contemporary performative poetry. Here are spells, invocations,
laments, ritual rants. Archaic beliefs in magic and ecstasy meet
current notions of the power of the spoken word. Waldman writes,
"The poem is a textured energy field or modal structure. The poems
for performance seem to manifest as psychological states of mind.
They come together in a mental, verbal, physical, and emotional
form, making their particular demands on my voice and body. I am
the 'energumen.' The poem is the experience." Also included in this
book are three essays on the oral tradition in poetry. One essay
discusses the history and occasion of the title poem. The others
treat such topics as performance art and poetic tradition,
ethnopoetics, intoxication and transformation, Tibetan Buddhism,
and the renewed ascendency of feminine energy in writing. Anne
Waldman, world renowned for her high-energy poetry performances, is
the author of over thirty books and chapbooks of poetry. She is the
co-founder and director of The Jack Kerouac School of Disembodied
Poetics at the Naropa Institute in Boulder, Colorado. "Anne Waldman
is one of the fastest, wisest women to run with the wolves in some
time." -- The New York Times Book Review Anne Waldman, world
renowned for her high-energy poetry performances, is the co-founder
and director of The Jack Kerouac School of Disembodied Poetics at
the Naropa Institute in Boulder, Colorado. She is the author of
over thirty books and chapbooks of poetry including The Iovis
Trilogy: Colors in the Mechanism of Concealment, Voice's Daughter
of a Heart Yet to be Born, and Manatee/Humanity (Penguin Poets).
A collection of lectures transcribed from the audio archives of
Naropa University's Summer Writing Program that represent a
continuing lineage of experimental literary movements. New Weathers
asks us to consider how poetics might embolden deeper engagements
with the world. Collected from the alternative education zone
founded by Anne Waldman and Allen Ginsberg with the aim of opening
up discourse and fostering political engagement, these texts invoke
issues of gender and race-based injustice, the global climate
crisis, and our possible extinction. They weave through our poetic
community, the conversations we are having, the issues we are
facing-our "new weathers" to posit strategies of resistance. List
of Contributors: Paula Gunn Allen, Amiri Baraka, Dan Beachy-Quick,
Sherwin Bitsui, Robin Blaser, William S. Burroughs, Julie Carr,
J'Lyn Chapman, Jos Charles, Jack Collom, Samuel R. Delany, kari
edwards, Tongo Eisen-Martin, Tonya M. Foster, Forrest Gander, Alan
Gilbert, Allen Ginsberg, Renee Gladman, Robert Gluck, Lyn Hejinian,
Lisa Jarnot, Kevin Killian, Thurston Moore, Fred Moten, Eileen
Myles, Hoa Nguyen, Alice Notley, Akilah Oliver, M. NourbeSe Philip,
Margaret Randall, Roger Reeves, Ariana Reines, Lisa Robertson, Ed
Sanders, Andrew Schelling, Cedar Sigo, Eleni Sikelianos, Harry
Smith, Edwin Torres, Cecilia Vicuna, Asiya Wadud, Peter Warshall,
Eliot Weinberger, Peter Lamborn Wilson, and Ronaldo V. Wilson.
Partial parallel response to the making of a dance...
A fascinating new work from an internationally renowned poet
Acclaimed for her visionary, incantatory verse and her experimental
ethos, Anne Waldman's newest book-length poem is an allegory of a
radical spirit in lockdown, dominated by "Deciders" and "Imposters"
who threaten the future of poetry and its archive. A doppelganger
nightmare ensues: the imposter "Anne" is a succubus, and the
original Anne has to break free from a metaphorical castle of
torture and psychological domination. There are travels through
Vedic cosmology and ancient Japan before resolution on a treeless
tundra, where fragile life forms struggle to survive. Waldman's
oracular poem is a witty meditation on identity theft and a searing
plea for the primacy of imagination and for collective sanity in
our provocative yet precarious time.
A fascinating new work from an internationally renowned poet
Anne Waldman's new investigative hybrid-poem explores the nuances
of inter-species communication and compassion. It draws on animal
lore, animal encounters (with grey wolf and manatee), dreams,
evolutionary biology, neuroscience, and Buddhist ritual to render a
text of remarkable sympathy, reciprocity, and power. The poem asks
questions as well as urges further engagement with the endangered
(including our human selves). Part performance litany, part
survival kit, part worried mammalian soundings, Waldman explores,
as ever, what it means to inhabit our condition through language
and imagination inside a wheel of time. This is the mature work of
a philosophical field poet with a shamanic metabolism.
'Kill Or Cure', a bold prescriptive for these apocalyptic days,
brings together substantial new work as well as the best of Anne
Waldman's previously uncollected poetry. It includes credos,
manifestos, dreams, homages to literary predecessors, 'Shaman
Hisses You Slide Back Into The Night' (the journal poem written
during Bob Dylan's historic Rolling Thunder Revue), witty political
diatribes, travel vignettes, incantations, and a new section of the
ongoing epic poem 'Iovis, ' a powerful meditation on male energy.
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