"Anne Washburn's downright brilliant play has arrived to leave you dizzy with the scope and dazzle of its ideas." - The New York Times It's the end of everything in contemporary America. A future without power. But what will survive? Mr Burns asks how the stories we tell make us the people we are, explodes the boundaries between pop and high culture and, when society has crumbled, imagines the future for America's most famous family. A delightfully bizarre, funny, bleak and wonderful play that challenges dramatic form and the nature of theatre as storytelling. Published for the first time in Methuen Drama's Modern Classics series, this edition features a new introduction by Charlotte Higgins.

Anne Washburn is the recipient of the 2015 Whiting Award for Drama Ladies and gentlemen, welcome to tech. Around you, a company of 14 is engaged in the very peculiar-and peculiarly impossible-task of making a new play. You'll have a seat next to the sound designer as he mixes cues. You'll eavesdrop on backstage gossip as it happens over headset. You'll watch the director struggle to contain the uncontainable. Anne Washburn (Mr. Burns) took notes during her tech rehearsals over the years. 10

A group gathers at a remote ranch in the Texas Hill Country to mourn the loss of a friend they haven't seen in years. As they mine through their pasts, it may be more than just the loss of a friend that binds them. The past and present begin to blur in Anne Washburn's haunting exploration of friendship and loss.

Between light and shadow, science and superstition, fear and knowledge is a dimension of imagination. An area we call the Twilight Zone. Adapted by Anne Washburn (Mr Burns) and directed by Olivier Award-winner Richard Jones, this world premiere production of the acclaimed CBS Television Series The Twilight Zone lands on stage for the first time in its history. Or its present. Or its future. Stage magic and fantasy unite as the ordinary becomes extraordinary.

This companion to the bestselling The Wes Anderson Collection is the only book to take readers behind the scenes of The Grand Budapest Hotel. Through a series of in-depth interviews between writer/director Wes Anderson and cultural critic Matt Zoller Seitz, Anderson shares the story behind the film's conception, personal anecdotes about the making of the film, and the wide variety of sources that inspired him-from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes of turn-of-the-century Middle Europe. The book also features interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn. Previously unpublished behind-the-scenes photos, ephemera and artwork lavishly illustrate these interviews and essays. The Wes Anderson Collection: The Grand Budapest Hotel stays true to Seitz's previous book on Anderson's first seven feature films,The Wes Anderson Collectionwith an artful design and playful illustrations that capture the spirit of Anderson's inimitable aesthetic. Together, they offer a complete, definitive overview of Anderson's filmography to date. Praise for the film, The Grand Budapest Hotel: Nine Academy Award (R) nominations, including Best Picture, Directing, and Writing - Original Screenplay; Best Film - Musical or Comedy, Winner of the Golden Globe for Best Motion Picture, 5 BAFTA awards, including Best Original Screen Play; Best Production Design, Best Costume Design; Best Make Up & Hair and Best Original Music.

Lost-in-translation business trips and global travel are put under the microscope in "The Internationalist," a play of wit, romance, misunderstandings and the mysteries of communication.
Lowell goes abroad on business. He thinks he's in one of those great American films where you go to a foreign land and there's romance and adventure. However Lowell soon discovers that he's not in one of those movies, he's in one of those foreign films where nothing is as it seems, where there is no clear hero, and most importantly: no subtitles.

From across the room I saw the President, torchlight playing across his visage. And the violins began, and the low rumble of the timpani. I screamed. I ran. An old farmhouse upstate. Snow is falling. Mountains are falling. Something is breaking apart. You are formally invited to dinner with the 45th President of the United States. Anne Washburn (The Twilight Zone, Mr Burns) returns with a sinister and sensational new play, directed by Almeida Artistic Director Rupert Goold.