The volume brings together eight new essays on Amos, which focus on a range of issues within the book. They represent a number of different approaches to the text from the text-critical to teh psychoanalytical, and from composition to reception. Arising out of a symposium to honour John Barton for his 60th birthday, the essays all respond, either directly or indirectly, to his Amos's Oracles Against the Nations, and to his lifelong concern with both ethics and method in biblical study.

How was it possible that Greeks often wrote their laws on the walls of their temples, but - in contrast to other ancient societies - never transformed these written civic laws into a religious law? Did it matter whether laws were inscribed in stone, clay, or on a scroll? And above all, how did written law shape a society in which the majority population was illiterate? This volume addresses the similarities and differences in the role played by law and religion in various societies across the Eastern Mediterranean. Bringing together a collection of 14 essays from scholars of the Hebrew Bible, Ancient Greece, the Ancient Near East, Qumran, Elephantine, the Nabateans, and the early Arab world, it also approaches these subjects in an all-encompassing manner, looking in detail at the notion of law and religion in the Eastern Mediterranean as a whole in both the geographical as well as the historical space.

Based on a detailed literary critical analysis of the books of the prophets Nahum, Zephaniah, Obadiah and Joel, this study investigates the relations of Israel to the peoples. The classical analysis of the biblical books is supplemented with reflections on the theory of ethnicity in antiquity.

The essays compiled in this festschrift deal with different aspects of the literary genesis and the biblical and non-biblical reception of the patriarchal narratives (Gen 12-50). Besides classic literary-critical approaches, cultural anthropological and religious-historical perspectives are also discussed. Current proposals concerning the origins of the Pentateuch are subjected to critical examination and developed further. This collection of essays pays tribute to Matthias Kockert, long-standing editor of the book review in the Zeitschrift fur Alttestamentliche Wissenschaft (ZAW) and commentator of the Abraham narrative."

The volume brings together eight new essays on Amos, which focus on a range of issues within the book. They represent a number of different approaches to the text from the text-critical to teh psychoanalytical, and from composition to reception. Arising out of a symposium to honour John Barton for his 60th birthday, the essays all respond, either directly or indirectly, to his "Amos's Oracles Against the Nations," and to his lifelong concern with both ethics and method in biblical study.

Jerome H. Neyrey, Professor of New Testament at the University of Notre Dame since 1992, is widely recognized for his groundbreaking contributions to social-scientific criticism of the Gospels and the Epistles. In this Festschrift the contributors notably advance the cause of social-scientific New Testament study. David Aune writes on Christian beginnings and cognitive dissonance theory, Zeba Crook on constructing a model of ancient prayer, Craig deVos on good news to the poor in Luke, John H. Elliott on envy and the evil eye, Philip Esler on the development of a non-ethnic group identity in John, Bruce Malina and John Pilch on the wrath of God, Halvor Moxnes on masculinity and place in Luke, Douglas Oakman on coinage in the Judean temple system, Carolyn Osiek on motivation for the conversion of women in early Christianity, Eric Stewart on the city in Mark, and Gerd Theissen on early Christian communities and ancient organizations.

The collection of essays contains nineteen contributions that aim at locating the Song of Songs in its ancient context as well as addressing problems of interpretation and the reception of this biblical book in later literature. In contrast to previous studies this work devotes considerable attention to parallels from the Greek world without neglecting the Ancient Near East or Egypt. Several contributions deal with the use of the Song in Byzantine, Medieval, German Romantic and modern Greek Literature. Due to the interdisciplinary nature of the collection new perspectives and avenues of approach are opened.