A delightfully captivating journey across the medieval world, seen through the eyes of those who travelled across it From the bustling bazaars of Tabriz, to the mysterious island of Caldihe, where sheep were said to grow on trees, Anthony Bale brings history alive in A Travel Guide to the Middle Ages, inviting the reader to travel across a medieval world punctuated with miraculous wonders and long-lost landmarks. Journeying alongside scholars, spies and saints, from western Europe to the Far East, the Antipodes, and the ends of the world, this is no ordinary travel guide, containing everything from profane pilgrim badges, Venetian laxatives and flying coffins to encounters with bandits and trysts with princesses. Using previously untranslated contemporary accounts from as far and wide as Turkey, Iceland, Armenia, north Africa, and Russia, A Travel Guide to the Middle Ages is a living atlas that blurs the distinction between real and imagined places, offering the reader a vivid and unforgettable insight into how medieval people understood their world.

Europeans of the Middle Ages were the first to use travel guides to orient their wanderings through a world punctuated with miraculous wonders and long-lost landmarks. Medievalist Anthony Bale gives us a vivid and alluring on-the-ground and ship’s view, recounting the advice that circulated among those venturing to the road for pilgrimage, trade, diplomacy, and war. He takes us on the streets of Rome, more ruin than tourist spot, and by ass to those of Jerusalem under Mamluk control. We learn of believed-in—but fantastical—places, like one where lambs grow on trees. Throughout, we experience ships stuck in doldrums, lurking bandits, and wondrous monuments. Using previously untranslated contemporaneous documents from places disparate as Turkey, Iceland, North Africa, and Russia, Bale serves as our guide into how medieval Europeans understood—and often misunderstood—the larger world.

The shocking massacre of the Jews in York, 1190, is here re-examined in its historical context along with the circumstances and processes through which Christian and Jewish neighbours became enemies and victims. The mass suicide and murder of the men, women and children of the Jewish community in York on 16 March 1190 is one of the most scarring events in the history of Anglo-Judaism, and an aspect of England's medieval past which is widely remembered around the world. However, the York massacre was in fact only one of a series of attacks on communities of Jews across England in 1189-90; they were violent expressions of wider new constructs of the nature of Christian and Jewish communities, and the targeted outcries of local townspeople, whose emerging urban politics were enmeshed within the swiftly developing structures of royal government. This new collection considers the massacreas central to the narrative of English and Jewish history around 1200. Its chapters broaden the contexts within which the narrative is usually considered and explore how a narrative of events in 1190 was built up, both at the timeand in following years. They also focus on two main strands: the role of narrative in shaping events and their subsequent perception; and the degree of convivencia between Jews and Christians and consideration of the circumstances and processes through which neighbours became enemies and victims. Sarah Rees Jones is Senior Lecturer in History, Sethina Watson Lecturer, at the University of York. Contributors: Sethina Watson, Sarah Rees Jones, Joe Hillaby, Nicholas Vincent, Alan Cooper, Robert C. Stacey, Paul Hyams, Robin R. Mundill, Thomas Roche, Eva de Visscher, Pinchas Roth, Ethan Zadoff, Anna Sapir Abulafia, Heather Blurton, Matthew Mesley, Carlee A.Bradbury, Hannah Johnson, Jeffrey J. Cohen, Anthony Bale

New essays on Chaucer's engagement with religion and the religious controversies of the fourteenth century. How do critics, religious scholars and historians in the early twenty-first century view Chaucer's relationship to religion? And how can he be taught and studied in an increasingly secular and multi-cultural environment? The essays here, on [the Canterbury Tales, Troilus and Criseyde, lyrics and dream poems, aim to provide an orientation on the study of the the religions, the religious traditions and the religious controversies of his era - and to offer new perspectives upon them. Using a variety of theoretical, critical and historical approaches, they deal with topics that include Chaucer in relation to lollardy, devotion to the saint and the Virgin Mary, Judaism andIslam, and the Bible; attitudes towards sex, marriage and love; ethics, both Christian and secular; ideas on death and the Judgement; Chaucer's handling of religious genres such as hagiography and miracles, as well as other literary traditions - romance, ballade, dream poetry, fablliaux and the middle ages' classical inheritance - which pose challenges to religious world views. These are complemented by discussion of a range of issues related to teachingChaucer in Britain and America today, drawn from practical experience. Contributors: Anthony Bale, Alcuin Blamires, Laurel Broughton, Helen Cooper, Graham D. Caie, Roger Dalrymple, Dee Dyas, D. Thomas Hanks Jr., Stephen Knight, Carl Phelpstead, Helen Phillips, David Raybin, Sherry Reames, Jill Rudd.

This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry. This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry. The major poets of thecentury, John Lydgate and Thomas Hoccleve, receive detailed analysis, alongside perhaps lesser-known authors: John Capgrave, Osbern Bokenham, Peter Idley, George Ashby and John Audelay. In addition, several essays examine genres and topics, including romance, popular, historical and scientific poetry, and translations from the classics. Other chapters investigate the crucial contexts for approaching poetry of this period: manuscript circulation, patronageand the influence of Chaucer. Julia Boffey is Professor of Medieval Studies at Queen Mary, University of London; A.S.G. Edwards is Professor of Medieval Manuscripts at the University of Kent. Contributors: Anthony Bale, Julia Boffey, A.S.G. Edwards, Susanna Fein, Alfred Hiatt, Simon Horobin, Sarah James, Andrew King, Sheila Lindenbaum, Joanna Martin, Carol Meale, Robert Meyer-Lee, Ad Putter, John Scattergood, Anke Timmermann, DanielWakelin, David Watt.

This interdisciplinary study explores images of Jews and Judaism in late medieval English literature and culture. Using four main categories - history, miracle, cult and Passion - Anthony Bale demonstrates how varied and changing ideas of Judaism coexisted within well-known anti-semitic literary and visual models, depending on context, authorship and audience. He examines the ways in which English writers, artists and readers used and abused the Jewish image in the period following the Jews' expulsion from England in 1290. The texts are analysed in their manuscript and print contexts in order to show local responses and changing meanings. This important work opens up fresh texts, sources and approaches for understanding medieval anti-semitism and shows how anti-semitic stereotypes came to be such potent images which would endure far beyond the Middle Ages.

This interdisciplinary study explores images of Jews and Judaism in late medieval English literature and culture. Using four main categories - history, miracle, cult and Passion - Anthony Bale demonstrates how varied and changing ideas of Judaism coexisted within well-known anti-semitic literary and visual models, depending on context, authorship and audience. He examines the ways in which English writers, artists and readers used and abused the Jewish image in the period following the Jews' expulsion from England in 1290. The texts are analysed in their manuscript and print contexts in order to show local responses and changing meanings. This important work opens up fresh texts, sources and approaches for understanding medieval anti-semitism and shows how anti-semitic stereotypes came to be such potent images which would endure far beyond the Middle Ages.

An examination of the erotic in medieval literature which includes articles on the role of clothing and nudity, the tension between eroticism and transgression and religion and the erotic. This volume examines the erotic in the literature of medieval Britain, primarily in Middle English, but also in Latin, Welsh and Old French. Seeking to discover the nature of the erotic and how it differs from modern erotics, thecontributors address topics such as the Wife of Bath's opinions on marital eroticism, the role of clothing and nudity, the tension between eroticism and transgression, the interplay between religion and the erotic, and the hedonistic horrors of the cannibalistic Giant of Mont St Michel. Amanda Hopkins teaches in the Department of English and Comparative Literary Studies and the department of French at the University of Warwick. Cory James Rushton is in the Department of English at St. Francis Xavier University, Nova Scotia, Canada. Contributors: Anthony Bale, Jane Bliss, Michael Cichon, Thomas H. Crofts III, Alex Davis, Kristina Hildebrand, Amanda Hopkins,Simon Meecham-Jones, Sue Niebrzydowski, Margaret Robson, Robert Rouse, Cory James Rushton, Corinne Saunders.

'Alas that I ever did sin! It is so merry in Heaven!' The Book of Margery Kempe (c. 1436-8) is the extraordinary account of a medieval wife, mother, and mystic. Known as the earliest autobiography written in the English language, Kempe's Book describes the dramatic transformation of its heroine from failed businesswoman and lustful young wife to devout and chaste pilgrim. She vividly describes her prayers and visions, as well as the temptations in daily life to which she succumbed before dedicating herself to her spiritual calling. She travelled to the most holy sites of the medieval world, including Rome and Jerusalem. In her life and her boisterous devotion, Kempe antagonized many of those around her; yet she also garnered friends and supporters who helped to record her experiences. Her Book opens a window on to the medieval world, and provides a fascinating portrait of one woman's life, aspirations, and prayers. This new translation preserves the forceful narrative voice of Kempe's Book and includes a wide-ranging introduction and useful notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 36-Reviews-emphasizes new research in the field, with a particular focus on work from emerging scholars. Thus, this volume includes twenty-four reviews and three review articles of recent scholarly publications, along with five original articles. The first article "The Ultimate Transgression of the Courtly World" by Albrecht Classen analyzes German texts and melodies to reveal the social strife between the lower and upper classes. John Garrison's essay "One Mind, One Heart, One Purse," referencing the text Troilus and Criseyde, suggests that a medieval treatise on friendship is appropriate and engaging. Offering a solution to one of history's most vexing problems is John Bugbee's essay "Solving Dorigen Trilemma" by examining the tension between oath and law in the Franklin's and Physician's Tales. Karen Green's essay "What Were the Ladies in the City Reading? The Libraries of Christine de Pizaan's Contemporaries" provides a clearer insight into the intellect of Christine and her colleagues. Along with these articles, twenty-four reviews, from the United States and all over the world, are included, truly making Medievalia et Humanistica an international publication. To reflect the submissions and audience for Medievalia et Humanistica, the editorial and review boards have been expended to include ten members from the United States and ten international

The cult of St Edmund was one of the most important in medieval England, and further afield, as the pieces here show. St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings and spawned a rich array of visual,literary, musical and political artefacts. Celebrated throughout England, especially at the abbey of Bury St Edmunds, it also inspired separate cults in France, Iceland and Italy. The essays in this collection offer a range of readings from a variety of disciplines - literature, history, music, art history - and of sources - chronicles, poems, theological material - providing an overview of the multi-faceted nature of St Edmund's cult, from the ninthcentury to the early modern period. They demonstrate the openness and dynamism of a medieval saint's cult, showing how the saint's image could be used in many and changing contexts: Edmund's image was bent to various political andpropagandistic ends, often articulating conflicting messages and ideals, negotiating identity, politics and belief. CONTRIBUTORS: ANTHONY BALE, CARL PHELPSTEAD, ALISON FINLAY, PAUL ANTONY HAYWARD, LISA COLTON, REBECCA PINNER, A.S.G. EDWARDS, ALEXANDRA GILLESPIE

How were the Crusades, and the crusaders, narrated, described, and romanticised by the various communities that experienced or remembered them? This Companion provides a critical overview of the diverse and multilingual literary output connected with crusading over the last millennium, from the first writings which sought to understand and report on what was happening, to contemporary medievalism, in which crusading is a potent image of holy war and jihad. The chapters show the enduring legacy of the crusaders' imagery, from the chansons de geste to Walter Scott, from Charlemagne to Orlando Bloom. Whilst the crusaders' hold on Jerusalem was relatively short-lived, the desire for Jerusalem has had a long afterlife in many cultural contexts and media.

This is a new account of the late-fourteenth-century mystic and pilgrim Margery Kempe. Kempe, who had 14 children, travelled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts her life, and tells her story through the places, relationships, objects and experiences that influenced her. Extensive quotation from Kempe's Book, and generous illustration, gives fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. Lastly there is the story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography.

How were the Crusades, and the crusaders, narrated, described, and romanticised by the various communities that experienced or remembered them? This Companion provides a critical overview of the diverse and multilingual literary output connected with crusading over the last millennium, from the first writings which sought to understand and report on what was happening, to contemporary medievalism, in which crusading is a potent image of holy war and jihad. The chapters show the enduring legacy of the crusaders' imagery, from the chansons de geste to Walter Scott, from Charlemagne to Orlando Bloom. Whilst the crusaders' hold on Jerusalem was relatively short-lived, the desire for Jerusalem has had a long afterlife in many cultural contexts and media.

The shocking massacre of the Jews in York, 1190, is here re-examined in its historical context along with the circumstances and processes through which Christian and Jewish neighbours became enemies and victims. The mass suicide and murder of the men, women and children of the Jewish community in York on 16 March 1190 is one of the most scarring events in the history of Anglo-Judaism, and an aspect of England's medieval past which is widely remembered around the world. However, the York massacre was in fact only one of a series of attacks on communities of Jews across England in 1189-90; they were violent expressions of wider new constructs of the nature of Christian and Jewish communities, and the targeted outcries of local townspeople, whose emerging urban politics were enmeshed within the swiftly developing structures of royal government. This new collection considers the massacreas central to the narrative of English and Jewish history around 1200. Its chapters broaden the contexts within which the narrative is usually considered and explore how a narrative of events in 1190 was built up, both at the timeand in following years. They also focus on two main strands: the role of narrative in shaping events and their subsequent perception; and the degree of convivencia between Jews and Christians and consideration of the circumstances and processes through which neighbours became enemies and victims. SARAH REES JONES is Professor, and SETHINA WATSON Senior Lecturer, in History at the University of York. Contributors: Sethina Watson, Sarah Rees Jones, Joe Hillaby, Nicholas Vincent, Alan Cooper, Robert C. Stacey, Paul Hyams, Robin R. Mundill, Thomas Roche, Eva de Visscher, Pinchas Roth, Ethan Zadoff, Anna Sapir Abulafia, Heather Blurton, Matthew Mesley, Carlee A. Bradbury, Hannah Johnson, Jeffrey J. Cohen, Anthony Bale

An examination of the erotic in medieval literature which includes articles on the role of clothing and nudity, the tension between eroticism and transgression and religion and the erotic. This volume examines the erotic in the literature of medieval Britain, primarily in Middle English, but also in Latin, Welsh and Old French. Seeking to discover the nature of the erotic and how it differs from modern erotics, thecontributors address topics such as the Wife of Bath's opinions on marital eroticism, the role of clothing and nudity, the tension between eroticism and transgression, the interplay between religion and the erotic, and the hedonistic horrors of the cannibalistic Giant of Mont St Michel. Contributors: ALEX DAVIS, SIMON MEECHAM-JONES, JANE BLISS, SUE NIEBRZYDOWSKI, KRISTINA HILDEBRAND, ANTHONY BALE, CORY JAMES RUSHTON, CORINNE SAUNDERS, AMANDA HOPKINS, ROBERT ROUSE, MARGARET ROBSON, THOMAS H. CROFTS III, MICHAEL CICHON. AMANDA HOPKINS teaches in the department of English and Comparative Literary Studies and the department of French at the University of Warwick; CORY RUSHTON is in the Department of English at St. Francis Xavier University, Nova Scotia, Canada.

Medieval English Travel: A Critical Anthology is a comprehensive volume that consists of three sections: concise introductory essays written by leading specialists; an anthology of important and less well-known texts, grouped by destination; and a selection of supporting bibliographies organized by type of voyage. This anthology presents some texts for the first time in a modern edition. The first section consists of six companion essays on 'Places, Real and Imagined', 'Maps and the Organization of Space', 'Encounters', 'Codes and Languages', 'Trade and Exchange', and 'Politics and Diplomacy'. The organizing principle for the anthology is one of expansive geography. Starting with local English narratives, the section moves to France, en-route destinations, the Holy Land, and the Far East. In total, the anthology contains twenty-six texts or extracts, including new editions of Floris & Blancheflour, The Stacions of Rome, The Libelle of Englyshe Polycye, and Chaucers 'Squire's Tale', in addition to less familiar texts, such as Osbern Bokenham's Mappula Angliae, John Kay's Siege of Rhodes, 1480, and Richard Torkington's Diaries of Englysshe Travell. The supporting bibliographies, in turn, take a functional approach to travel, and support the texts by elucidating contexts for travel and travellers in five areas: 'commercial voyages', 'diplomatic and military travel', 'maps, rutters, and charts', 'practical needs, languages, and currencies', and 'religious voyages'.

Blood is something that all humans share: a vital force that courses through our veins - the giver of life. This book gathers together specially commissioned essays from leading scholars which reflect on the religious, historical, and medical dimensions of blood. Written for a broad audience and illustrated with full colour plates, the essays encompass history, literature, art history, religious studies and medical humanities and explore some of the most challenging issues surrounding blood and ritual. The themes covered include: blood in Christian and Jewish culture, medieval antisemitism, Shakespeare's Merchant of Venice, Jewish ritual, blood and 'race', Jews and genes.

In his Book of Marvels and Travels, Sir John Mandeville describes a journey from Europe to Jerusalem and on into Asia, and the many wonderful and monstrous peoples and practices in the East. Written in the fourteenth century, the Book is a captivating blend of fact and fantasy, an extraordinary travel narrative that offers some revealing and unexpected attitudes towards other races and religions. It was immensely popular, and numbered among its readers Chaucer, Columbus, and Thomas More. Here Mandeville tells us about the Sultan in Cairo, the Great Khan in China, and the mythical Christian prince Prester John. There are giants and pygmies, cannibals and Amazons, headless humans and people with a single foot so huge it can shield them from the sun. Forceful and opinionated, the narrator is by turns learned, playful, and moralizing, with an endless curiosity about different cultures.
Anthony Bale provides a lively new translation along with an introduction that considers questions of authorship and origins, the early travel narrative, Crusading and religious difference, fantasy and the European Age of Discovery, and Mandeville's pervasive popularity and influence. The book includes helpful notes on historical context that provide insights into medieval culture and attitudes. There are also three maps, an index of places and a general index, and a note on medieval measurements.
About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

John Lydgate wrote the 'Lives of Ss Edmund & Fremund' at the request of his abbot, William Curteys, to commemorate the stay of the young King Henry VI at the Benedictine abbey of Bury St Edmunds from Christmas Eve 1433 to shortly after Easter 1434 when Henry was received into confraternity. The work survives in thirteen manuscripts or fragments, and BL MS Harley 2278, on which the present edition of the 'Lives of Ss Edmund & Fremund' is based, was the copy of the poem presented to Henry VI, probably before 1444. The 'Lives' consists of a prologue, the Life of St Edmund as books one and two, the Life of St Fremund as book three, a conc1uding prayer to St Edmund, an envoy, and an address to Henry VI. The volume also presents the three texts that make up the 'Extra Miracles of St Edmund' which are found in four of the later manuscripts of the 'Lives' and independently in one manuscript. This edition of the 'Lives of Ss Edmund & Fremund' is the first to establish the text on the basis of the readings of all the manuscripts, and is also the first to include the 'Extra Miracles'. The edited texts are followed by a commentary, textual notes, a glossary of proper names, and a selective glossary.