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For those interested in continuing the struggle for decolonization,
the word "multiculturalism" is mostly a sad joke. After all,
institutionalized multiculturalism today is a managerial muck of
buzzwords, branding strategies, and virtue signaling that has
nothing to do with real struggles against racism and colonialism.
But Decolonize Multiculturalism unearths a buried history.
Decolonize Multiculturalism focuses on the story of the student and
youth movements of the 1960s and 1970s, inspired by global
movements for decolonization and anti-racism, who aimed to
fundamentally transform their society, as well as the violent
repression of these movements by the state, corporations, and
university administrations. Part of the response has been sheer
violence-campus policing, for example, only began in the 1970s,
paving the way for the militarized campuses of today-with
institutionalized multiculturalism acting like the velvet glove
around the iron fist of state violence. But this means that today's
multiculturalism also contains residues of the original radical
demands of the student and youth movements that it aims to repress:
to open up the university, to wrench it from its settler colonial,
white supremacist, and patriarchal capitalist origins, and to
transform it into a place of radical democratic possibility.
Frantz Fanon was a fearless critic of colonialism and a key figure
in Algeria's struggle for independence. Since his untimely death in
1961, Fanon's intellectual reputation has grown on the strength of
works such as "Black Skin, White Masks" and "The Wretched of the
Earth" with their insights into issues of race and colonialism.
"Frantz Fanon: Critical Perspectives" addresses Fanon's
extraordinary, often controversial writings, and examines the ways
in which his work can shed light on contemporary issues in cultural
politics. In the opening section, "Re-reading Fanon's Legacy",
contributors examine Fanon's commitment to the Algerian revolution
and address debates concerning gender and sexual politics. The
second section places Fanon's work in the context of contemporary
debates in cultural studies, asking how Fanon's work might both
contribute to and remake contemporary cultural studies. Finally
contributors turn to the question of how Fanon's legacy could
influence future political and intellectual thought, imagining what
future cultural work that builds on Fanon's insights might look
like.; Embracing feminist theory, cultural studies and
postcolonialism, this text seeks to offer n
Frantz Fanon was a fearless critic of colonialism and a key figure in Algeria's struggle for independence. Frantz Fanon: Critical Perspectives addresses Fanon's extraordinary, often contraversial writings, and examines the ways in which his work can shed light on contemporary issues in cultural politics. Embracing feminist theory, cultural studies and postcolonialism, Frantz Fanon: Critical Perspectives offers new directions for cultural and political thought in the postcolonial era.
This book focuses on a reading of Frantz Fanon's work and life,
asking how the work of a revolutionary writer such as Fanon might
be best appropriated for contemporary political and cultural
issues. Separate chapters introduce Fanon's life and examine the
question of Fanon as our contemporary; review the field of "Fanon
studies" that has grown up around his work; bring Fanon into
conversation with the critical contemporary figures Edward Said,
Michel Foucault, Jamaica Kincaid, and Paul Gilroy; and turn to
Fanon's work to think through the contemporary popular uprisings
that have come to be known as the "Arab Spring." The book concludes
by arguing that a re-evaluation of Fanon's life and work can
provide us with a particular set of lessons about solidarity,
lessons that are crucial for the contemporary political struggles
that face us today and that will continue to confront us in the
future. Finding Something Different: Frantz Fanon and the Future of
Cultural Politics is inspired by Fanon's unsparing struggle against
the depredations of racism and colonialism, and his lifelong
commitment to finding something different.
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