Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A virulent disease carried by foxes is spreading across Europe. In London an urgent cull is underway, spearheaded by Frank Smith, the young master of the Hyde Park Hunt. But for Britain's paranoid Prime Minister, fox flu is a chance to foist the ultimate in surveillance technology on an unsuspecting population: the Mulberry Tree system, secretly bought from the Chinese. When biochemist Christophe Hardy discovers the conspiracy, he finds himself caught up in a chase which starts in Beijing and ends in Northumbria involving animal rights activists, a beautiful female missionary, high-society Chinese assassins, and the world most innovative catering venture, the Pu Dong Pudding Company.

A child is born to a single mother. His feckless father has vanished, leaving the mother to cope as best she can, watched over by a kindly Jamaican. A country cottage is visited by a young hotographer, whose happiest days of childhood were spent there; he longs to live in it again but first must negotiate the duplicities of adult and professional politics. Intimations of immortality, nostalgia and dreams of excape to a reggae or post-hippy lifestyle permeate these interwoven histories. A vivid London of the day-before-yesterday is evoked against apprehensions of a more ideal form of existence.

The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century. This book is the generously illustrated, lavishly documented, critically narrated story of one of the most significant art collectives of the late twentieth century. In 1984, three groups of artists in post-Tito Yugoslavia-the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater-came together to form the Neue Slowenische Kunst (NSK) art collective. Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that "art and totalitarianism are not mutually exclusive." Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere. Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK's collective practice during the final decade of Yugoslavia-from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK's work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same. Copublished with Moderna Galerija / Museum of Modern Art, Ljubljana, Slovenia. Contributors Eda Cufer, Goran Dordevic, Slavoj Zizek, Marina Grzinic, Rastko Mocnik, Marina Grzinic, Lev Kreft, Tomaz Mastnak, Mladen Dolar, Chrissie Iles, Boris Groys, Inke Arns, Alexei Monroe, Catherine Wood, Daniel Ricardo Quiles, Anthony Gardner, Barbara Borcic, Alexei Yurchak, Dejan Krsic, and others Exhibition Moderna galerija, Ljubljana: 12 May-17 August 2015 Van Abbemuseum, Eindhoven: March-August, 2016 Garage Museum of Contemporary Art, Moscow: Fall 2016