Taking its cue from a mix-tape culture that figured as a circulation of desire and communicative enthusiasm, the Agit-Disco project, initiated in 2007, now transmutes from an on-line project and Cd-r distribution process into book form. Agit-Disco brings together the music selections of its invited participants and covers a range of genres and styles that are offered, here, as a collective response to the remit: politics and music minus the propaganda. The Agit-Disco selector is responding to living self-knowledges; it is the report of a participant where music is often part of the formation of an oppositional or radical self. Or even just the survival of the human spirit and hunger for freedom. Coming with the original selector commentaries this book may yet well be further realised in the pulsing disco darkness. Agit-Disco Selectors: DJ Krautpleaser, Johnny Spencer, Tom Vague, Martin Dixon, Peter Haining, Stewart Home, Tom Jennings, Howard Slater, Mel Croucher, Simon Ford, Room 13 - Lochyside Scotland, Sian Addicott, Peter Conlin, Louise Carolin, Andy T, Sarah Falloon, Micheline Mason, Roger McKinley, Stefan Szczelkun, Neil Transpontine, Luca Parsi, John Eden, Tracey Moberley.

As the Creative City model for urban regeneration founders, Anthony Iles and Josephine Berry Slater take stock of an era of highly instrumentalised public art making. Focusing on artists and consultants who have engaged critically with the exclusionary politics of urban regeneration, their analysis locates such practice within a schematic history of urban development's neoliberal mode. Breaking down into a report and collection of interviews, this investigation consistently focuses on the possibility and forms of critical public art within a regime that fetishises 'creativity'. How, they ask, is critical art shaped by its interaction with this aspect of biopolitical governance? Featuring projects and interviews with Alberto Duman, Freee, Nils Norman, Laura Oldfield Ford and Roman Vasseur.

Edited by Clemens Apprich, Josephine Berry Slater, Anthony Iles and Oliver Lerone Schultz Felix Guattari's visionary term 'post-media', coined in 1990, heralded a break with mass media's production of conformity and the dawn of a new age of media from below. Understanding how digital convergence was remaking television, film, radio, print and telecommunications into new, hybrid forms, he advocated the production of 'enunciative assemblages' that break with the manufacture of normative subjectivities. In this anthology, historical texts are brought together with newly commissioned ones to explore the shifting ideas, speculative horizons and practices associated with post- media. In particular, the book seeks to explore what post- media practice might be in light of the commodification and homogenisation of digital networks in the age of Web 2.0, e-shopping and mass surveillance. With texts by: Adilkno, Clemens Apprich, Brian Holmes, Alejo Duque, Felipe Fonseca, Gary Genosko, Michael Goddard, Felix Guattari, Cadence Kinsey, Oliver Lerone Schultz, Rasa Smite & Raitis Smits, and Howard Slater Part of the PML Books series. A collaboration between Mute & the Post-Media Lab

In less than two decades, digital networks have moved from providing a macro background environment - actively accessible by only a small coterie of scientists, experts, and state or corporate agents - to pervading and augmenting our lives at an increasingly micrological level. As our world is plugged into the matrix, we know from direct experience that the pace of change is feverish, the scope infinite and the effects in need of constant reckoning. The Post-Media Lab offers a space in which to examine, reflect and operate upon the networked, mediatised society from an unhurried perspective. We seek to slow down the machinic pace of 'cybertime' just enough to allow for a different tempo of thought to engage and encompass it. Through a programme of four bi-annual residency cycles spanning 2012 and 2013, the Lab has provided participants (artists, technologists, film-makers, activists, cultural/media theorists) with the practical and intellectual support and resources to build real-world, aesthetic, technical or theoretical assemblages which operate acutely on the interface between digital networks and social and political life.

Felix Stalder's extended essay, Digital Solidarity, takes it's point of departure from the waves of new forms of networked political organisation which have met the onset of the global economic crisis of 2008. Following Karl Marx, Stalder lays out how in the current period there are emergent contradictions between applied innovation and technical progress and the economic institutions whch organise or restrain this progress. The contradictions between forces of production and relations of production are placed in a context in which we have left McLuhan's Gutenburg Galaxy behind for good and the struggles over where we will arrive are only just beginnning. A co-publication of Mute Books & the Post-Media Lab

In this volume, passionate texts from the last decade by artist and theory collective Claire Fontaine are brought together with an extended concluding essay and foreword. Moving across militant, aesthetic and poetic registers these texts consider what resistance might look like in the age of human capital, where all dimensions of the self are infiltrated and conscripted by capital in its pursuit of value. Their answer is the human strike - a strike against the demands on the self imposed by power - in the interest of 'changing ourselves', becoming who we want to become. This strike has been happening all along, throughout history, but has today reached a peak of political consciousness. This book was commissioned to accompany the Post-Media Lab's 'The Subsumption of Sociality' research theme. Published by Mute Books and Post-Media Lab