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For two centuries, Gesamtkunstwerk-the ideal of the "total work of
art"-has exerted a powerful influence over artistic discourse and
practice, spurring new forms of collaboration and provoking debates
over the political instrumentalization of art. Despite its popular
conflation with the work of Richard Wagner, Gesamtkunstwerk's
lineage and legacies extend well beyond German Romanticism, as this
wide-ranging collection demonstrates. In eleven compact chapters,
scholars from a variety of disciplines trace the idea's evolution
in German-speaking Europe, from its foundations in the early
nineteenth century to its manifold articulations and reimaginings
in the twentieth century and beyond, providing an uncommonly broad
perspective on a distinctly modern cultural form.
For two centuries, Gesamtkunstwerk-the ideal of the "total work of
art"-has exerted a powerful influence over artistic discourse and
practice, spurring new forms of collaboration and provoking debates
over the political instrumentalization of art. Despite its popular
conflation with the work of Richard Wagner, Gesamtkunstwerk's
lineage and legacies extend well beyond German Romanticism, as this
wide-ranging collection demonstrates. In eleven compact chapters,
scholars from a variety of disciplines trace the idea's evolution
in German-speaking Europe, from its foundations in the early
nineteenth century to its manifold articulations and reimaginings
in the twentieth century and beyond, providing an uncommonly broad
perspective on a distinctly modern cultural form.
In August 1961, seventeen-year-old Rita Kuczynski was living with
her grandmother and studying piano at a conservatory in West
Berlin. Caught in East Berlin by the rise of the Berlin Wall while
on a summer visit to her parents, she found herself trapped behind
the Iron Curtain for the next twenty-eight years. Kuczynski's
fascinating memoir relates her experiences of life in East Germany
as a student, a fledgling academic philosopher, an independent
writer, and, above all, as a woman. Though she was never a true
believer in Communism, Rita gained entry into the circles of the
East German intellectual elite through her husband Thomas
Kuczynski. There, in the privileged world that she calls "the
gardens of the nomenklatura," she saw first-hand the contradictions
at the heart of life for the East German intelligentsia. Published
in English for the very first time twenty-six years after the fall
of the Berlin Wall, Wall Flower offers a rare - and critical - look
at life among the East German elite. Told with wry wit and
considerable candor, Kuczynski's story offers a fascinating
perspective on the rise and fall of East Germany.
This handbook offers a guide to research on religious culture
during Europe's long 19th century. It is organized around the
concept of "religious culture".This focus encourages assessments of
the evolution of religious belief & promotes attention to
religion's changing role in the formation of personal and group
identities, the shifting ties between faith and politics, and the
religious motivations for social engagement.
In August 1961, seventeen-year-old Rita Kuczynski was living with
her grandmother and studying piano at a conservatory in West
Berlin. Caught in East Berlin by the rise of the Berlin Wall while
on a summer visit to her parents, she found herself trapped behind
the Iron Curtain for the next twenty-eight years. Kuczynski's
fascinating memoir relates her experiences of life in East Germany
as a student, a fledgling academic philosopher, an independent
writer, and, above all, as a woman. Though she was never a true
believer in Communism, Rita gained entry into the circles of the
East German intellectual elite through her husband Thomas
Kuczynski. There, in the privileged world that she calls "the
gardens of the nomenklatura," she saw first-hand the contradictions
at the heart of life for the East German intelligentsia. Published
in English for the very first time twenty-six years after the fall
of the Berlin Wall, Wall Flower offers a rare - and critical - look
at life among the East German elite. Told with wry wit and
considerable candor, Kuczynski's story offers a fascinating
perspective on the rise and fall of East Germany.
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