The Untimely Meditations comprises of four essays, which are presented here in the high-quality translations of Anthony Ludovici and Adrian Collins. These early writings by Nietzsche displays much of the promise which was to unfurl later in the philosopher's life. These four essays, all different in subject and tone yet tangentially related, are also known by the title Thoughts Out of Season, and were originally published in two parts between 1873 and 1876. In each essay, Nietzsche examines aspects of modern culture and art. In the first, third and final essays he singles out a single personage as representative or influential upon of the present day, subjecting each to a philosophic critique. The first two essays are openly polemical and critical, whilst the final two offer a non-hostile and complimenting tone, with parts praising their subjects.

In this hardcover edition, Nietzsche's classic critique of the composer Wagner is paired with three other works, including The Antichrist, in translations to English which render the philosopher's arguments vividly cogent. First published in 1888, The Case for Wagner is a selection of essays and aphorisms levy a variety of criticisms, with Nietzsche ironically making a comparison between Wagner and a French composer, Georges Bizet. The Antichrist comprises a total of sixty-two short chapters, each containing a distinct philosophical argument or angle upon the targets of Christianity, organised religion, and those who masquerade as faithful but are in actuality anything but. This edition also includes a selection of aphorisms penned by Nietzsche, many of which effectively summarize points he visited in his philosophy.

Written between 1873 and 1876, The "Untimely Meditations," or "Thoughts out of Season" is a collection of four essays by famed philosopher Friedrich Nietzsche. In the first essay 'David Strauss: the Confessor and the Writer', Nietzsche attacks David Strauss' "The Old and the New Faith: A Confession." In the second essay 'On the Use and Abuse of History for Life', Nietzsche presents an alternative way of reading history, one where living life becomes the primary concern. In the third essay 'Schopenhauer as Educator', Nietzsche describes how the philosophic genius of Schopenhauer might bring on a resurgence of German culture. In the fourth and final essay 'Richard Wagner in Bayreuth', Nietzsche investigates the music, drama and personality of Richard Wagner. Nietzsche originally planned this work to comprise thirteen essays but it is suggested that he lost interest in the work after writing just four. In this early philosophical work one can begin to see the development of a brilliant philosophical mind, which would become more evidenced by his later works.

Nietzsche's classic critique of the composer Wagner is paired with three other works, including The Antichrist, in translations to English which render the philosopher's arguments vividly cogent. First published in 1888, The Case for Wagner is a selection of essays and aphorisms levy a variety of criticisms, with Nietzsche ironically making a comparison between Wagner and a French composer, Georges Bizet. The Antichrist comprises a total of sixty-two short chapters, each containing a distinct philosophical argument or angle upon the targets of Christianity, organised religion, and those who masquerade as faithful but are in actuality anything but. This edition also includes a selection of aphorisms penned by Nietzsche, many of which effectively summarize points he visited in his philosophy.

To the reader who knows Nietzsche, who has studied his Zarathustra and understood it, and who, in addition, has digested the works entitled Beyond Good and Evil, The Genealogy of Morals, The Twilight of the Idols, and The Antichrist, - to such a reader everything in this volume will be perfectly clear and comprehensible. In the attack on Strauss he will immediately detect the germ of the whole of Nietzsche's subsequent attitude towards too hasty contentment and the foolish beatitude of the "easily pleased"; in the paper on Wagner he will recognise Nietzsche the indefatigable borer, miner and underminer, seeking to define his ideals, striving after self-knowledge above all, and availing himself of any contemporary approximation to his ideal man, in order to press it forward as the incarnation of his thoughts. Wagner the reformer of mankind Wagner the dithyrambic dramatist -The reader who knows Nietzsche will not be misled by these expressions.