The Red Badge of Courage (1895) is a vivid psychological account of a young man's experience of fighting in the American Civil War, based on Crane's reading of popular descriptions of battle. The intensity of its narrative and its naturalistic power earned Crane instant success, and led to his spending most of his brief remaining life war reporting. The other stories collected in this volume draw on this experience; `The Open Boat' (1898) was inspired by his fifty hour struggle with waves after his ship was sunk during an expedition to Cuba; `The Monster' (1899) is a bitterly ironic commentary on the ostracization of a doctor for harbouring the servant who was disfigured and lost his sanity rescuing his son. As a rare example of Crane working in a vein of American Gothic, it is particularly striking for its treatment of race and social injustice. `The Blue Hotel' traces the events that lead to a murder at a bar in a small Nebraska town. This edition is the most generously annotated edition of Crane's work, exploring it from a fresh critical perspective and focusing on his place as an experimental writer, his modernist legacy and his social as well as literary revisionism. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book explores the uncanny afterlife of modernist ideals in the second half of the twentieth century. Rejecting the familiar notion that modernism dissolved during the 1930s, it argues that the fusion of rationalism and mysticism which characterises modernist poetics was sustained long after its politics had been discredited by the events of World War Two. The book's central concern is why the aesthetic mysticism that Walter Benjamin called the faith of those 'who made common cause with Fascism' continued to be a guiding principle for literary elites and countercultural movements alike. New light is shed on the relationship between occultism and the Pound tradition, especially in terms of Pound's influence on post-1945 Anglo-American poetry, and a critical theory of 'late modernism' is offered which shows how belated notions of cultural redemption have survived in contemporary poetry. This wide-ranging contextual study focuses on the poetry of Ezra Pound, Charles Olson, Paul Celan, and J H Prynne, and explores the development of modernist culture through its theories of phenomenology, psychoanalysis, science, ethnography, and ancient history. -- .

Anthony Mellors was born in the fen country, where he had a troubled childhood and failed to attend various schools. He worked as a lithographic artist for printing firms in Skegness and Great Malvern, and lived in Exeter with a group of itinerant painters, before going up to read English at the universities of Sussex and Oxford. He has since lectured in English and American Literature at universities in Oxford, Durham, Manchester, and Birmingham, as well as helping to maintain the collection at The Poetry Library in London and (reluctantly) becoming a house restorer. In 1990, he founded (with Andrew Lawson) fragmente: a magazine of contemporary poetics. At the time of writing, he lives in north Norfolk.