Breaking and Entering is a modern drama which revolves around a series of thefts - some criminal, some emotional - set against a backdrop of London's changing geographical and cultural landscape. Will (Jude Law)) is a partner in a thriving landscape architecture firm which he runs with his friend, Sandy (Martin Freeman). Professionally, things could not be better but Will spends less and less time at home with his beautiful, melancholy partner, Liv (Robin Wright Penn) and her troubled 12 year-old daughter, Bea. Will's office has recently relocated to King's Cross, the centre of Europe's most ambitious urban regeneration site and their state-of-the-art studio repeatedly attracts the attention of a local gang of thieves. After one of the break-ins, Will follows teenaged freerunner Miro (Rafi Gavron) back to the apartment he shares with his mother, Amira (Juliette Binoche), a Bosnian refugee. With his relationship already in crisis, Will embarks on a passionate journey into both the wilder side of himself and the city in which he lives.

An acutely sensitive, moving portrayal of the lives of a group of women which reflects the attitudes and feelings of women today, depicted in a series of settings which flow gently into each other. Caroline, pregnant by one of her boyfriends, escapes to her seaside birthplace where she is visited by friends. The reaction of these women to each other whilst awaiting the birth is sympathetically told and we become totally involved in the heights and depths of their collective emotions and thoughts.10 women

Set in York in 1392, this play tells of a performance of the Mystery Plays. For the townspeople the competition is fierce to attract the attention of the Royal Party and to impress them at all costs. But the message of Mystery cycle as performed is strong, clear and truthful. This remarkable and beautifully written play is highly original, often very funny and ultimately deeply moving.4 women, 12 men

Anthony MinghellaFull Length, Comedic Drama

Characters: 7 male, 5 female

Interior and exterior scenes or one unit set.

Written by the late writer/director of many cinematic hits including The English Patient, this play explores British imperialism and the exploitation of indiginous culture focussing on five English tourists in Bangkok.

"The best new English play since Benefactors. It asks all the right questions while managing also to be a bittersweet comedy about impossible sexual differences."-Punch

"Under a deceptively comic surface, Anthony Minghella's play offers a dark and troubled view of both Eastern and Western values."-London Guardian

"An extremely funny play but also a scathing indictment of our so called civilized society."- Time Out

"Strong, brave, uncomfortable, provocative."-London City Limits

A former playwright with only two movies under his belt, Anthony Minghella took Hollywood by storm in 1996 with "The English Patient," a universally lauded epic described by Roger Ebert as "[A] poetic, evocative film . . . told with sweep and visual richness." This robust romance garnered nine Academy Awards, amongst them Best Picture and Best Director. His follow-up, "The Talented Mr. Ripley," combined stunning vistas with the masterful suspense of studio-era Hollywood; praised by the "New York Times'" Janet Maslin as a "hypnotic, sensually charged adaptation," the film also found the attention of the Academy, receiving five nominations. With yet another ambitious adaptation creating tremendous buzz--Charles Frazier's best-selling "Cold Mountain"--Minghella is well on his way to becoming one of the most respected directors of the decade.
A thorough craftsman painstakingly involved with each step of the moviemaking process, Minghella here shares knowledge gleaned from years of experience as a musician and writer for the theater. Praised for his ability to adapt the psychological density of the novel to the silver screen, he discusses the screenwriting process at length, imparting valuable lessons regarding pacing and narrative with a refreshing perspective as unique as the characters that pass before his lens.

A collection of screen and radio plays including: Cigarettes and Chocolate "one of the best radio plays I ever heard...profoundly original" (Financial Times); Hang Up "an intense and brilliantly realised study of a love affair" (Telegraph); What If It's Raining? "a tender, sensitive play while also being the most no-bones-about-it account of adultery I have seen on TV" (Guardian); Truly, Madly, Deeply (which starred Juliet Stevenson and Alan Rickman) - "This lovely, original comedy...is the work of a mature artist, one with the skill to draw us into a fresh and startlingly humane vision of urban life." (The New York Times)

Anthony Minghella's writing "sets a standard of emotional truth and clarity so sublimely high that everything around it looks stale, flat, tawdry and obvious" (The Times) Whale Music is: "genuinely tender, poignant and spikily anti-amle all at once" (Daily Mail); A Little Like Drowning "makes you laugh, makes you cry and makes you think" (Guardian); Two Planks and A Passion "is one of the best new plays I have seen in the past decade" (Financial Times)