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Christian Thielemann conducts the Munich Philharmonic Orchestra in
these performances of Bruckner's symphonies No. 4 and 7.
A boxed collection featuring historical performances by three of
the Boston Symphony Orchestra's eminent music directors, Charles
Munch, Erich Leinsdorf and William Steinberg. Stretching from 1958
to 1970, the recordings feature works by amongst others Debussy,
Ravel, Mozart, Schubert, Tchaikovsky and Haydn.
Conductor Franz Welser-Möst leads the Cleveland Orchestra in a
performance of Bruckner's Symphony No. 4, recorded at the
Stiftsbasilika, St. Florian, Austria in 2012.
Conductor Franz Welser-Möst leads the Cleveland Orchestra in a
performance of Bruckner's Symphony No. 4, recorded at the
Stiftsbasilika, St. Florian, Austria in 2012.
Conductor Franz Welser-Most leads the Cleveland Orchestra in a
performance of Bruckner's Symphony No. 8 in E Major at the
Severance Hall, Cleveland in 2010.
Conductor Franz Welser-Most leads the Cleveland Orchestra in a
performance of Bruckner's Symphony No. 7 in E Major at the
Severance Hall, Cleveland in 2008.
Charles Munch conducts the Boston Symphony Orchestra in two rare
televised performances from Harvard University in the early 1960s.
Featured works include Haydn's 'Symphony No. 98', and Bruckner's
'Symphony No. 7'.
Daniel Barenboim conducts the Staatskapelle Berlin in these
performances of Bruckner's Symphonies Nos. 4-9, recorded at the
Berlin Philharmonie in June 2010.
Christian Thielemann conducts the Staatskapelle Dresden in a
performance of Bruckner's Symphony No. 8, recorded in 2012 at the
Semperoper.
Daniel Barenboim conducts the Staatskapelle Berlin in this
performance of Anton Bruckner's Symphony No. 6 in A major, recorded
at the Berliner Philharmonie in 2010.
Daniel Barenboim leads the Staatskapelle Berlin in this performance
of Bruckner's Symphony No. 4, recorded live at the Philharmonie
Berlin on 20th June 2010.
Christian Thielemann conducts the Munich Philharmonic Orchestra in
these performances of Bruckner's symphonies No. 4 and 7.
Suitable for SATB (with divisions) unaccompanied, this work is a
setting of the Gradual for Maundy Thursday, dating from 1884, the
period of the Seventh Symphony and the Te Deum.
Unlike so many of his symphonies, Bruckner's "Te Deum" was an
unqualified success from the very first. The compser even referred
to the piece as "the pride of my life." The vocal score prepared by
Bruckner's friend Josef Schalk and first published by C.F. Peters
is offered here in a digitally enhanced reprint featuring measure
numbers, contents, instrumentation. Compatible with the widely
available public domain orchestral from Kalmus, Luck's and
elsewhere.
The acclaimed American soprano Renée Fleming accompanies Christian
Thielemann in his first concert as Principal Conductor of the
Staatskapelle Dresden. In addition to a performance of Bruckner's
Symphony No. 7, a personal favourite of Thielemann, Renée Fleming
sings a selection of romantic songs by the Austrian composer Hugo
Wolf.
Composed in 1849 in memory of Bruckner's friend Franz Sailer, the
Requiem in D minor was the composer's first large scale work. The
premiere was given at the St. Florian Abbey in Linz on September
15, 1849 under Bruckner's direction. The vocal score reissued here
was originally prepared by Ludwig Berberich in the decades after
the first world war. Not a mere reprint, it has been digitally
enhanced with measure numbers, contents, instrumentation and is
compatible with the widely available public domain orchestral from
Kalmus, Luck's and elsewhere.
Composed originally in 1869, this Bruckner mass is unique in its
wind ensemble accompaniment. The composer made revisions in 1882
and the new version was premiered in 1885 at the same venue of the
original premiere 16 years before - the Cathedral of the Immaculate
Conception in Linz, Austria. The vocal score here is reprinted from
the authoritative score by Kurt Soldan and issued by C.F. Peters in
the early 20th century.
Composed in 1849 in memory of Bruckner's friend Franz Sailer, the
Requiem in D minor was the composer's first large scale work. The
premiere was given at the St. Florian Abbey in Linz on September
15, 1849 under Bruckner's direction. This easy-to-read study score
is a digitally-enhanced reprint of the full score edited by Robert
Haas which first appeared in the years prior to the Second World
War.
Composed in 1892 as he he was working on his Ninth Symphony, Psalm
150 is Bruckner's final sacred work. The composer had set various
psalms over the course of his career before finally turning to the
very last of the Book of Psalms, No. 150. It is one of the most
musical of all, invoking a veritable orchestra of percussion, wind,
and string instruments to join the people's voices in praise of God
with music and dance.
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