Christian Thielemann conducts the Munich Philharmonic Orchestra in these performances of Bruckner's symphonies No. 4 and 7.

Conductor Franz Welser-Möst leads the Cleveland Orchestra in a performance of Bruckner's Symphony No. 4, recorded at the Stiftsbasilika, St. Florian, Austria in 2012.

Conductor Franz Welser-Most leads the Cleveland Orchestra in a performance of Bruckner's Symphony No. 7 in E Major at the Severance Hall, Cleveland in 2008.

Christian Thielemann conducts the Staatskapelle Dresden in a performance of Bruckner's Symphony No. 8, recorded in 2012 at the Semperoper.

Daniel Barenboim conducts the Staatskapelle Berlin in this performance of Anton Bruckner's Symphony No. 6 in A major, recorded at the Berliner Philharmonie in 2010.

Daniel Barenboim leads the Staatskapelle Berlin in this performance of Bruckner's Symphony No. 4, recorded live at the Philharmonie Berlin on 20th June 2010.

Suitable for SATB (with divisions) unaccompanied, this work is a setting of the Gradual for Maundy Thursday, dating from 1884, the period of the Seventh Symphony and the Te Deum.

Unlike so many of his symphonies, Bruckner's "Te Deum" was an unqualified success from the very first. The compser even referred to the piece as "the pride of my life." The vocal score prepared by Bruckner's friend Josef Schalk and first published by C.F. Peters is offered here in a digitally enhanced reprint featuring measure numbers, contents, instrumentation. Compatible with the widely available public domain orchestral from Kalmus, Luck's and elsewhere.

The acclaimed American soprano Renée Fleming accompanies Christian Thielemann in his first concert as Principal Conductor of the Staatskapelle Dresden. In addition to a performance of Bruckner's Symphony No. 7, a personal favourite of Thielemann, Renée Fleming sings a selection of romantic songs by the Austrian composer Hugo Wolf.

Composed in 1849 in memory of Bruckner's friend Franz Sailer, the Requiem in D minor was the composer's first large scale work. The premiere was given at the St. Florian Abbey in Linz on September 15, 1849 under Bruckner's direction. The vocal score reissued here was originally prepared by Ludwig Berberich in the decades after the first world war. Not a mere reprint, it has been digitally enhanced with measure numbers, contents, instrumentation and is compatible with the widely available public domain orchestral from Kalmus, Luck's and elsewhere.

Composed originally in 1869, this Bruckner mass is unique in its wind ensemble accompaniment. The composer made revisions in 1882 and the new version was premiered in 1885 at the same venue of the original premiere 16 years before - the Cathedral of the Immaculate Conception in Linz, Austria. The vocal score here is reprinted from the authoritative score by Kurt Soldan and issued by C.F. Peters in the early 20th century.

Composed in 1849 in memory of Bruckner's friend Franz Sailer, the Requiem in D minor was the composer's first large scale work. The premiere was given at the St. Florian Abbey in Linz on September 15, 1849 under Bruckner's direction. This easy-to-read study score is a digitally-enhanced reprint of the full score edited by Robert Haas which first appeared in the years prior to the Second World War.

Composed in 1892 as he he was working on his Ninth Symphony, Psalm 150 is Bruckner's final sacred work. The composer had set various psalms over the course of his career before finally turning to the very last of the Book of Psalms, No. 150. It is one of the most musical of all, invoking a veritable orchestra of percussion, wind, and string instruments to join the people's voices in praise of God with music and dance.