A Methuen Student Edition of Chekhov's classic play in Michael Frayn's acclaimed translation 'The play has been flooded with light, like a room with the curtains drawn back' John Peter, Sunday Times 'The direct simplicity of this new translation ... uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny ...' Jack Tinker, Daily Mail When it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre with Stanslasky as Trigorin and was an immediate success. Checkhov's description of the play was characteristically self-mocking: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love". Michael Frayn's translation was commissioned by the Oxford Playhouse Company.

This volume includes The Seagull, a about the battle for power between a mother and her son which ends in tragedy; Uncle Vanya tells of two obsessive love affairs that lead nowhere, and a flirtation that brings disaster; Three Sisters in which three siblings wrestle with their futures and The Cherry Orchard where the old must inevitably give way to the new. Haunting and elusive, these four great late masterpieces have found in Michael Frayn a translator who perfectly captures their delicate balance of the tragic and the absurd. The volume also contains four of Chekhov's early short 'vaudevilles' as well as a substantial introduction by Michael Frayn. "The critical clamour for a Complete Chekhov in Michael Frayn's translation has borne fruit" (Sunday Times)

Twenty-two lesser-known short stories from Anton Chekhov (1860-1904), including The Horse-Stealers, Ward No. 6, and the Petchenyeg.

Old Arkhip sits every day by the roots of a wizened, hunchbacked willow, fishing and exchanging whispered stories with the ancient tree. One of these takes Arkhip three decades back in time, to a quiet day in early spring when a strange encounter shook him momentarily from the rural bliss in which he lived, catapulting him into a world of crime, corruption, violence and murder. A quintessential example of Chekhov’s artistry, ‘The Willow’ is here accompanied by thirty-two other short stories – some of them never or rarely translated into English – which are representative of the three main phases of the author’s career: the short, light-hearted pieces of the late 1880s, the darker, more pessimistic tales of his maturity and the psychologically nuanced stories he wrote towards the end of his life. Taken together, this collection is further proof of Chekhov’s unparalleled skills as a practitioner of the short-story genre.

This superb play by Anton Chekhov presents drama and romance between an ensemble cast of vivid, evocative characters. We join Sorin, a retired government servant who lives on his estate with his wife who is a famed stage actress named Arkadina. Their son, Konstantin Treplyov, is a playwright who has recently published an unconventional work which has attracted much public attention. However, in spite of his artistic talents Konstantin is prone to troubles of mood. His habit of shooting seagulls influences the plot, and provides the play with its title. In keeping with his penchant for romantic flair, Chekhov establishes potential romances early in the story. Masha, the estate keeper's daughter, is taken by Konstantin but herself liked by a schoolteacher named Medvedenko. These romances in turn fuel the plot - as the reader is left guessing as to who will pair off with whom.