Old Arkhip sits every day by the roots of a wizened, hunchbacked willow, fishing and exchanging whispered stories with the ancient tree. One of these takes Arkhip three decades back in time, to a quiet day in early spring when a strange encounter shook him momentarily from the rural bliss in which he lived, catapulting him into a world of crime, corruption, violence and murder. A quintessential example of Chekhov’s artistry, ‘The Willow’ is here accompanied by thirty-two other short stories – some of them never or rarely translated into English – which are representative of the three main phases of the author’s career: the short, light-hearted pieces of the late 1880s, the darker, more pessimistic tales of his maturity and the psychologically nuanced stories he wrote towards the end of his life. Taken together, this collection is further proof of Chekhov’s unparalleled skills as a practitioner of the short-story genre.

The essential edition of the greatest stories by the Russian master of the form Chekhov was without doubt one of the greatest observers of human nature in all its untidy complexity. His short stories, written throughout his life and newly translated for this essential collection, are exquisite masterpieces in miniature. Here are tales offering a glimpse of beauty, the memory of a mistaken kiss, daydreams of adultery, a lifetime of marital neglect, the frailty of life, the inevitability of death, and the hilarious pomposity of ordinary men and women. They range from the lighthearted comic tales of his early years to some of the most achingly profound stories ever composed.

Weird isn't it. Years of the same old thing and then suddenly, without warning, tomorrow is a stranger. An old starship. Far from Earth. Prema Ramesh, the ship's grieving commander, seeks solace in the sacred mission of her ancestors: leading the remnants of humanity towards the Destination. A bountiful world on which their descendants will one day thrive. But after centuries in the void, the creaking vessel is falling apart, its crew is suffering. What good is a promised paradise when the present is unbearable? So when rumour spreads of another viable, much closer planet, the crew begin to dream of different possibilities. It could all end now. A new future beckons. But first the old structures must crumble. They won't fall without a fight. A playful adaptation of Chekhov's tragicomic final work. Joy in the infinite, loss on a galactic scale, small lives and great ambitions adrift in the cosmos. This edition is published to coincide with the world premiere at the Yard Theatre, London, in September 2022. A The Yard Theatre, ETT and HOME Manchester production, co-commissioned by The Yard Theatre and ETT.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Widely considered to be one of greatest ever writers of the form, Anton Chekhov's short stories offer unforgettable character, crystalline expression, and deep, powerful mystery. Collected here are five of his very best tales, 'The Lady with the Little Dog', 'The House with the Mezzanine', and the trilogy of stories, 'The Man in the Case', 'Gooseberries' and 'About Love'.

We need the theatre, couldn’t, couldn’t do without it. Could we? A successful actress visits her brother’s isolated estate far from the city, throwing the frustrated residents unfulfilled ambitions into sharp relief. As her son attempts to impress with a self-penned play, putting much more than his pride at stake, others dream of fame, love and the ability to change their past. Chekhov’s darkly comic masterpiece is reignited for the 21st century by one of the most exciting new voices in British Theatre, Anya Reiss, Winner of the Most Promising Playwright at both the Evening Standard and Critics’ Circle awards. This updated and revised edition was published following the West End production directed by Jamie Lloyd in 2022.

Chekhov's iconic characters are relocated to Nigeria in this bold new adaptation. Owerri, 1967, on the brink of the Biafran Civil War. Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos. Fuelled by foreign intervention, the conflict encroaches on their provincial village, and the sisters long to return to their former home in Lagos. Following his smash-hit Barber Shop Chronicles, Inua Ellams returns to the National Theatre with this heartbreaking retelling of Chekhov's classic play.

I don't know what it is I'm going to do but I'm going to do something. I'm going to be someone. I am! I'm sick of just being me. I'm going to be someone else. Someone better. I'm going to make a difference. Three sisters, Orla, Marianne and Erin, dream of escaping their tedious suburban lives for a fresh start in America. It is Erin's eighteenth birthday and, as the sun shines and guests assemble, everything for a fleeting moment feels possible. Relocated from a Russian provincial town in 1900 to East Belfast in the 1990s, Lucy Caldwell's new version of Chekhov's Three Sisters opened at the Lyric Theatre, Belfast in October 2016.

Anton Chekhov's play Uncle Vanya in a new version by Christopher Hampton. This version will be first staged at the Vaudeville Theatre, London, on 25 October 2012 and run until 16 February 2013. 'It's often said that the best of the Chekhov plays is the one you've seen most recently. Uncle Vanya doesn't have a suicide, like The Seagull, or an adulterous couple and a duel more or less indistinguishable from murder, like Three Sisters; nor does it seem to announce the end of an era, like The Cherry Orchard: all it has is a series of ludicrously bungled attempts at murder and suicide and adultery. Perhaps these failures are what makes it feel the saddest and most truthful of these great tragi-comedies, in which, possibly unique to all drama, not a single word seems redundant or out of place.' - From the author's introduction.

"I did have hallucinations, but did they harm anyone? Who did they harm, that's what I'd like to know!' From the supreme artist of the short story, three disturbing tales of supernatural hallucinations, hysterical obsession and moral decay. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

Of the two hundred stories that Anton Chekhov wrote, the twenty stories that appear in this extraordinary collection were personally chosen by Richard Ford--an accomplished storyteller in his own right. Included are the familiar masterpieces--"The Kiss," "The Darling," and "The Lady with the Dog"--as well as several brilliant lesser-known tales such as "A Blunder," "Hush ," and "Champagne." These stories, ordered from 1886 to 1899, are drawn from Chekhov's most fruitful years as a short-story writer. A truly balanced selection, they exhibit the qualities that make Chekhov one of the greatest fiction writers of all time: his gift for detail, dialogue, and humor; his emotional perception and compassion; and his understanding that life's most important moments are often the most overlooked.

"The reason we like Chekhov so much, now at our century's end," writes Ford in his perceptive introduction, "is because his stories from the last century's end feel so modern to us, are so much of our own time and mind." Exquisitely translated by the renowned Constance Garnett, these stories present a wonderful opportunity to introduce yourself--or become reaquainted with--an artist whose genius and influence only increase with every passing generation.

Only a year ago, the landowner Nikolai Ivanov was full of energy and optimism, in love with his wife and working hard. Now, for no reason he can understand, Ivanov is overcome with inertia and self-disgust. His wife is dying and he feels nothing. He is drowning in debt and despair, and he does nothing. Is it him? Is it Russia? And is the possibility of happiness with the young woman who loves him just a cruel illusion? Ivanov was the 27-year-old Chekhov's shot at despatching the 'superfluous man' of Russian literature, and in surrounding him with a brilliantly drawn set of provincial types he created some of the best comedy he was ever to write. Ivanov in this version was first presented by the Donmar Warehouse at the Wyndham's Theatre, London, on 12 September 2008.

With an Introduction and Notes by Joe Andrew, Professor of Russian Literature, Keele University. Anton Chekhov is widely regarded as one of the greatest writers of short stories. He constructs stories where action and drama are implied rather than described openly, and which leave much to the reader's imagination. This collection contains some of the most important of his earliest and shortest comic sketches, as well as examples of his great, mature works. Throughout, the doctor-turned-writer displays compassion for human suffering and misfortune, but is always able to see the comical, even farcical aspects of the human condition. Chekhov sees and depicts life with unwavering honesty and truthfulness, although a clear moral sense can be detected beneath his apparent objectivity.

Anton Chekhov's short novels are here brought together in one volume for the first time, in a masterly new translation by the award-winning translators Richard Pevear and Larissa Volokhonsky.
Chekhov, widely hailed as the supreme master of the short story, also wrote five works long enough to be called short novels. "The Steppe-the most lyrical of the five-is an account of a nine-year-old boy's frightening journey by wagon train across the steppe of southern Russia to enroll in a distant school. "The Duel sets two decadent figures-a fanatical rationalist and a man of literary sensibility-on a collision course that ends in a series of surprising reversals. In "The Story of an Unknown Man, a political radical plans to spy on an important official by serving as valet to his son, however, as he gradually becomes involved as a silent witness in the intimate life of his young employer, he finds that his own terminal illness has changed his long-held priorities in startling ways. "Three Years recounts a complex series of ironies in the personal life of a rich but passive Moscow merchant, engaging time as a narrative element in a way unusual in Chekhov's fiction. In "My Life, a man renounces wealth and social position for a life of manual labor, and the resulting conflict between the moral simplicity of his ideals and the complex realities of human nauture culminates in an apocalyptic vision that is unique in Chekhov's work.
In these five short novels, Chekhov's masterful storytelling and his profound understanding of human nature are brilliantly evinced.

I know now, Kostya, I understand that in our work - doesn't matter whether it's acting or writing - what's important isn't fame or glamour, none of the things I used to dream about, it's the ability to endure. The Seagull is one of the great plays about writing. It superbly captures the struggle for new forms, the frustrations and fulfilments of putting words on a page. Chekhov, in his first major play, staged a vital argument about the theatre which still resonates today. Christopher Hampton's new version of this classic, directed by Ian Rickson in his last production as Artistic Director of the Royal Court Theatre, London, premiered in January 2007.

The Undiscovered Chekhov gives us, in rich abundance, a new Chekhov. Peter Constantine's historic collection presents 38 new stories and with them a fresh interpretation of the Russian master. In contrast to the brooding representative of a dying century we have seen over and over, here is Chekhov's work from the 1880s, when Chekhov was in his twenties and his writing was sharp, witty and innovative.
Many of the stories in The Undiscovered Chekhov reveal Chekhov as a keen modernist. Emphasizing impressions and the juxtaposition of incongruent elements, instead of the straight narrative his readers were used to, these stories upturned many of the assumptions of storytelling of the period.
Here is "Sarah Bernhardt Comes to Town," written as a series of telegrams, beginning with "Have been drinking to Sarah's health all week Enchanting She actually dies standing up ..." In "Confession...," a thirty-nine year old bachelor recounts some of the fifteen times chance foiled his marriage plans. In "How I Came to be Lawfully Wed," a couple reminisces about the day they vowed to resist their parents' plans that they should marry. And in the more familiarly Chekhovian "Autumn," an alcoholic landowner fallen low and a peasant from his village meet far from home in a sad and haunting reunion in which the action of the story is far less important than the powerful impression it leaves with the reader that each man must live his life and has his reasons.

A masterpiece of Russian drama, now in a student edition Along with Three Sisters and The Cherry Orchard, Uncle Vanya is credited as one of Chekhov's masterpieces and a significant precursor of modern drama. Set on a country estate in late nineteenth century Russia, Uncle Vanya is in part a study of the enervation of Russian middle-class provincial life. The major dynamics between the characters themselves are centred on two obsessive love affairs that lead nowhere and a flirtation that brings disaster. Mixing the tragic and the absurd and dealing with a form that allows for ambiguity and contradiction, Uncle Vanya has been deemed "the first modernist play". (David Lan) "It is the element of might-have-been in Chekhov's characters that makes their sense of waste so tragic ...I know of no more moving climax in world drama." Guardian Definitive translation by acclaimed playwright Michael FraynMethuen Student Editions are expertly annotated texts of a wide range of plays. Contains the complete text of the play, the volume contains a chronology of the playwright's life and work; an introduction giving the background to the play; a discussion of various interpretations; and notes on individual words and phrases in the text

Drama Classics: The World's Great Plays at a Great Little Price Chekhov's early tragedy, translated and introduced by Stephen Mulrine. Arkadina, a famous actress, and her lover, a famous novelist, are spending the summer on her country estate, but their glamorous presence proves fatally disruptive to the lives of all those present, especially her son, Konstantin and Nina, the girl he loves. Anton Chekhov's play The Seagull was first staged at the Alexandrinsky Theatre in St Petersburg in October 1896. This translation by Stephen Mulrine, published in the Nick Hern Books Drama Classics series, was first staged by English Touring Theatre in 1997.

Anton Chekhov was a master whose daring work revolutionized theatre. Robert Burstein declared that "there are none who bring the drama to a higher realization of its human role." In "The Cherry Orchard," his last full-length play, an impoverished landowning family is unable to face the fact that their estate is about to be auctioned off. Lopakhin, a local merchant, presents numerous options to save it, including cutting down their prized cherry orchard. But the family is stricken with denial. "The Cherry Orchard" charts the precipitous descent of a wealthy family and in the process creates a bold meditation on social change and bourgeois materialism.

This stunning new translation presents the only truly complete edition of the plays of one of the greatest dramatists in history. Anton Chekhov is a unique force in modern drama, his works interpreted and adapted internationally and beloved for their brilliant wit and understanding of the human condition.This volume contains work never previously translated, including the newly discovered farce The Power of Hypnotism, the first version of Ivanov, Chekhov's early humorous dialogues, and a description of lost plays and those Chekhov intended to write but never did.

It is New Year's Eve, and Nellie, the pretty daughter of a landowning general, is sitting in her room looking in the mirror. Although she is tired and her eyes are half closed, she is spellbound as the reflection in the looking glass dissolves into a sea of grey mist, in which she starts to discern the beloved features of her fiance. As in a diorama, the scene keeps changing, and to the early snapshots of joyful marital life succeed other, more sinister images of care, sickness and bereavement, casting a long shadow onto the girl's future. With 'The Looking Glass' Chekhov captured the very essence of the Russian soul. This short story, along with the others included in this collection, demonstrates why he is considered the absolute master of the genre.