'Utterly gripping and consistently witty' Damian Thompson, Literary Review 'An absolutely splendid book' A. N. Wilson, The Spectator The story of Catholic Emancipation begins with the violent Anti-Catholic Gordon Riots in 1780, fuelled by the reduction in Penal Laws against the Roman Catholics harking back to the sixteenth century. Some fifty years later, the passing of the Emancipation Bill was hailed as a 'bloodless revolution'. Had the Irish Catholics been a 'millstone', as described by an English aristocrat, or were they the prime movers? While the English Catholic aristocracy and the Irish peasants and merchants approached the Catholic Question in very different ways, they manifestly shared the same objective. Antonia Fraser brings colour and humour to the vivid drama with its huge cast of characters: George III, who opposed Emancipation on the basis of the Coronation Oath; his son, the indulgent Prince of Wales, who was enamoured with the Catholic Maria Fitzherbert before the voluptuous Lady Conyngham; Wellington and the 'born Tory' Peel vying for leadership; 'roaring' Lord Winchilsea; the heroic Daniel O'Connell. Expertly written and deftly argued, The King and Catholics is also a distant mirror of our times, reflecting the political issues arising from religious intolerance.

From the outset, Caroline Lamb had a rebellious nature. From childhood she grew increasingly troublesome, experimenting with sedatives like laudanum, and she had a special governess to control her. She also had a merciless wit and talent for mimicry. She spoke French and German fluently, knew Greek and Latin, and sketched impressive portraits. As the niece of Georgiana, Duchess of Devonshire, she was already well connected, and her courtly skills resulted in her marriage to the Hon. William Lamb (later Lord Melbourne) at the age on nineteen. For a few years they enjoyed a happy marriage, despite Lamb's siblings and mother-in-law detesting her and referring to her as 'the little beast'. In 1812 Caroline embarked on a well-publicised affair with the poet Lord Byron - he was 24, she 26. Her phrase 'mad, bad and dangerous to know' became his lasting epitaph. When he broke things off, Caroline made increasingly public attempts to reunite. Her obsession came to define much of her later life, as well as influencing her own writing - most notably the Gothic novel Glenarvon - and Byron's. Antonia Fraser's vividly compelling biography animates the life of 'a free spirit' who was far more than mad, bad and dangerous to know.

No Englishman has made more impact on the history of his nation than Oliver Cromwell; few have been so persistently maligned in the folklore of history. The central purpose of Antonia Fraser's book is the recreation of his life and character, freed from the distortions of myth and Royalist propaganda. Cromwell was a man of contradictions and surprising charm. The ruthless Psalm-singing General of the battlefields was also a country gentleman who, after his victory at Worcester paused to hawk in the fields nearby; the stern Puritan was also an exceptionally doting father; the most decisive and ruthless of commanders was also the passionate connoisseur of music; the strong man of England was prey to exhausting prolonged bouts of irresolution and as Lord Protector kept England on tenterhooks for a week while he wrestled with his conscience whether to accept the Crown. Of Cromwell's fitness for high office, both military and civil, this text leaves no doubt. Under his rule English prestige abroad rose to a level unequalled since Elizabeth I. Yet - as Antonia Fraser's assessment shows - his campaign in Ireland has cast a shadow over his reputation. This biography displays insight into t

The inspiration for the annual Pleasure of Reading Prize A charming and revealing collection of essays from some of our best-loved writers about the pleasures of reading, with royalties donated to the Give a Book charity In this delightful collection forty-three acclaimed writers explain what first made them interested in literature, what inspired them to read and what makes them continue to do so. Original contributors include Margaret Atwood, J. G. Ballard, Melvyn Bragg, A. S. Byatt, Carol Ann Duffy, Simon Gray, Germaine Greer, Alan Hollinghurst, Doris Lessing, Candia McWilliam, Edna O'Brien, Ruth Rendell, Tom Stoppard, Sue Townsend and Jeanette Winterson, while this new edition includes essays from five new writers, Emily Berry, Kamila Shamsie, Rory Stewart, Katie Waldegrave and Tom Wells. Royalties generated from this project will go to Give a Book, www.giveabook.org.uk, a charity set up in 2011 that seeks to get books to places where they will be of particular benefit. Give a Book works in conjunction with Age UK, Prison Reading Groups, Maggie's Centres, which help people affected by cancer, and various schools and literacy projects, such as Beanstalk, where many pupils have never had a book of their own in their lives.

In Cromwell, award-winning biographer Antonia Fraser tells of one of England's most celebrated and controversial figures, often misunderstood and demonized as a puritanical zealot. Oliver Cromwell rose from humble beginnings to spearhead the rebellion against King, Charles I, who was beheaded in 1649, and led his soldiers into the last battle against the Royalists and King Charles II at Worcester, ending the civil war in 1651. Fraser shows how England's prestige and prosperity grew under Cromwell, reversing the decline it had suffered since Queen Elizabeth I's death.

Christian Dior (1905-1957) rocketed to fame with his first collection in 1947 when the "New Look" took the world by storm. This charming and modest autobiography gives a fascinating and detailed insight into the workings of a great fashion house, while revealing the private man behind the high-profile establishment. It is also a unique portrait of classic Paris haute couture of the 1950s and offers a rare glimpse behind the scenes. Dior details his childhood in Granville, the family and friends closest to him, his most difficult years and sudden success, as well as his sources of inspiration and creative processes.

Author of Marie Antoinette
She was the quintessential queen: statuesque, regal, dazzlingly beautiful. Her royal birth gave her claim to the thrones of two nations; her marriage to the young French dauphin promised to place a third glorious crown on her noble head.
Instead, Mary Stuart became the victim of her own impulsive heart, scandalizing her world with a foolish passion that would lead to abduction, rape and even murder. Betrayed by those she most trusted, she would be lured into a deadly game of power, only to lose to her envious and unforgiving cousin, Elizabeth I.
Here is her story, a queen who lost a throne for love, a monarch pampered and adored even as she was led to her beheading, the unforgettable woman who became a legend for all time.

'Before biography was fashionable, Antonia Fraser made the past popular' Guardian 'As a pure storyteller, Antonia Fraser has few equals' Sunday Times CAROLINE NORTON, a nineteenth-century heroine who wanted justice for women. Poet, pamphleteer and artist's muse, Caroline Norton dazzled nineteenth-century society with her vivacity and intelligence. After her marriage in 1828 to the MP George Norton, she continued to attract friends and admirers to her salon in Westminster, which included the young Disraeli. Most prominent among her admirers was the widowed Prime Minister, Lord Melbourne. Racked with jealousy, George Norton took the Prime Minister to court, suing him for damages on account of his 'Criminal Conversation' (adultery) with Caroline. A dramatic trial followed. Despite the unexpected and sensational result - acquittal - Norton legally denied Caroline access to her three children under seven. He also claimed her income as an author for himself, since the copyrights of a married woman belonged to her husband. Yet Caroline refused to despair. Beset by the personal cruelties perpetrated by her husband and a society whose rules were set against her, she chose to fight, not surrender. She channelled her energies in an area of much-needed reform: the rights of a married woman and specifically those of a mother. Over the next few years she campaigned tirelessly, achieving her first landmark victory with the Infant Custody Act of 1839. Provisions which are now taken for granted, such as the right of a mother to have access to her own children, owe much to Caroline, who was determined to secure justice for women at all levels of society from the privileged to the dispossessed. Award-winning historian Antonia Fraser brilliantly portrays a woman, at once courageous and compassionate, who refused to be curbed by the personal and political constraints of her time.

'As he turned ... he had the extraordinary impression of a man in full armour rearing up in front of him ... It was the last thing he saw, before he hurtled downwards to a certain death' An untimely death and the reappearance of a ghost lead television reporter Jemima Shore into a mysterious case of sex, violence and the supernatural. When the butler plummets from the battlements of Lackland Court, it becomes clear that the ghost of the legendary Civil War poet and soldier, Decimus Meredith, is not the only suspect. Jemima must look to history and delve deep into the ancient hall's past to solve yet another baffling mystery.

'We don't want to hurt her. We must remember that. All of us. She is after all innocent ... Well, isn't she?' As preparations for the royal wedding advance, a secret organisation is formulating plans that will have dangerous consequences. They need a gesture that will call attention to the rights and wrongs of those who have no voice of their own. And what better way than to target the royal bride? Meanwhile, Jemima Shore is grappling with the royal wedding in her own way - as a commentator. So she happens to be on hand when things go badly wrong...

An atmospheric and gripping mystery from Lady Antonia Fraser's Jemima Shore series. How well do we ever know our friends? When Jemima Shore offers to flat-sit for her friend Chloe, the last thing she is expecting is threatening anonymous phone calls on her very first night. A vicious assault by Chloe's ex-lover the next morning forces Jemima to accept that she knows very little about her friend's life. Fuming, she decides to confront her. But then she realises that Chloe never reached her destination ... and Jemima is not the only person trying to get in touch with her. It seems she was playing a dangerous game - and Jemima has been left with the aftermath. The only trouble is, Chloe was playing with some of the most influential people in London - people who will stop at nothing to keep their secrets hidden.

An atmospheric and gripping mystery from Lady Antonia Fraser's Jemima Shore series. 'Was that what you thought - that you would come back, come back here to beautiful Lark, and get away with it, did you expect that? I can hardly believe it, even of you...' A series of murders have shocked the sleepy, rural village of Lark. The deaths all coincide with the reappearance of actress Christabel Herriot - it is clear that someone has decided her return is not to be tolerated. Amidst the gossip surrounding her reckless affair, Christabel decides to resume her theatrical career, joining a company performing at the Larminster Festival. Jemima Shore has been asked to present a programme on the Festival, so when it becomes clear that Christabel's life is in serious danger, Jemima is on the case again.

In May 1978 Harold Pinter and Antonia Fraser visited Israel at the time of the 30th Anniversary of Independence. It was three years after they first lived together; neither had set foot in Israel before. Based in Jerusalem, they toured many of the country's historic sites: from Bethlehem to the fortress of Masada, encountering future Prime Minister Shimon Peres, Mayor of Jerusalem Teddy Kollek, Jackie Kennedy and a long-lost cousin of Harold's on a kibbutz. It was a trip during which Pinter's feelings about his heritage emerged for the first time. As he said himself: 'For the first time I feel Jewish'. This diary was kept daily by Antonia Fraser: the vivid narrative and descriptions (Antonia swimming in the Dead Sea while Harold had a beer) are leavened with humour, occasionally wry where Harold's quirks were concerned, and always tender. Above all, it is a unique picture of a time and place - and a touching insight into fifteen days in the lives of two writers, one Jewish, one Catholic, one a playwright and one a biographer, who were also a devoted couple.

An atmospheric and gripping mystery set in Oxford - perfect for fans of MORSE and ENDEAVOUR Lord Saffron, one of the young bloods at Oxford University, is heir to a considerable fortune. But while making a documentary about the exotic lifestyles of the university's over-privileged set, Jemima Shore discovers that this handsome young man, with his lavish dances and sumptuous weekend parties, is not quite what he seems. And when a student is murdered and a series of attempts are made on Saffron's life, Jemima realises that she has started a terrible chain of events...

Still a controversial figure, Marie Antoinette's dramatic life-story continues to arouse mixed emotions. To many people, she is still "la reine mechante", whose extravagance and frivolity helped to bring down the French monarchy; her indifference to popular suffering epitomised by the (apocryphal) words: "let them eat cake". Others are equally passionate in her defence: to them, she is a victim of misogyny. In this biography Antonia Fraser examines her influence over the king, Louis XVI, the accusations and sexual slurs made against her, her patronage of the arts which enhanced French cultural life, her imprisonment, the death threats made against her, rumours of lesbian affairs, her trial (during which her young son was forced to testify to sexual abuse by his mother) and her eventual execution by guillotine in 1793.

Louis XIV, the highly-feted "Sun King," was renowned for his political and cultural influence and for raising France to a new level of prominence in seventeenth-century Europe. And yet, as Antonia Fraser keenly describes, he was equally legendary in the domestic sphere. Indeed, a panoply of women -- his wife Anne; mistresses such as Louise de la Valliere, Athenais de Montespan, and the puritanical Madame de Maintenon; and an array of courtesans -- moved in and out of the court. The highly visible presence of these women raises many questions about their position in both Louis XIV's life and in France at large. With careful research and vivid, engaging prose, Fraser makes the multifaceted life of one of the most famous European monarchs accessible and vibrantly current.

Mistresses and wives, mothers and daughters - Antonia Fraser brilliantly explores the relationships which existed between The Sun King and the women in his life. This includes not only Louis XIV's mistresses, principally Louise de La Valliere, Athenais de Montespan, and the puritanical Madame de Maintenon, but also the wider story of his relationships with women in general, including his mother Anne of Austria, his two sisters-in-law who were Duchesses d'Orleans in succession, Henriette-Anne and Liselotte, his wayward illegitimate daughters, and lastly Adelaide, the beloved child-wife of his grandson.

Following a youth of poverty and bitter exile after his father's execution, the ousted king first challenged, then made his magnificent escape from, Cromwell's troops before he was eventually restored to his throne in triumph in 1660. Spanning his life both before and after the Restoration, Antonia Fraser's lively and fascinating biography captures all the vitality of the man and the expansiveness of the age.

France’s beleaguered queen, Marie Antoinette, wrongly accused of uttering the infamous “Let them eat cake,” was the subject of ridicule and curiosity even before her death; she has since been the object of debate and speculation and the fascination so often accorded tragic figures in history. Married in mere girlhood, this essentially lighthearted, privileged, but otherwise unremarkable child was thrust into an unparalleled time and place, and was commanded by circumstance to play a significant role in history. Antonia Fraser’s lavish and engaging portrait of Marie Antoinette, one of the most recognizable women in European history, excites compassion and regard for all aspects of her subject, immersing the reader not only in the coming-of-age of a graceful woman, but also in the unraveling of an era.

The story of Catholic Emancipation begins with the violent Anti-Catholic Gordon Riots in 1780, fuelled by the reduction in Penal Laws against the Roman Catholics harking back to the sixteenth century. Some fifty years later, the passing of the Emancipation Bill was hailed as a 'bloodless revolution'. Had the Irish Catholics been a 'millstone', as described by an English aristocrat, or were they the prime movers? While the English Catholic aristocracy and the Irish peasants and merchants approached the Catholic Question in very different ways, they manifestly shared the same objective. Antonia Fraser brings colour and humour to the vivid drama with its huge cast of characters: George III, who opposed Emancipation on the basis of the Coronation Oath; his son, the indulgent Prince of Wales, who was enamoured with the Catholic Maria Fitzherbert before the voluptuous Lady Conyngham; Wellington and the 'born Tory' Peel vying for leadership; 'roaring' Lord Winchilsea; the heroic Daniel O'Connell. Expertly written and deftly argued, THE KING AND THE CATHOLICS is also a distant mirror of our times, reflecting the political issues arising from religious intolerance.

A unique testimony to modern literature's most celebrated and enduring marriage. 'I first saw Harold across a crowded room, but it was lunchtime, not some enchanted evening, and we did not speak.' When Antonia Fraser met Harold Pinter she was a celebrated biographer and he was Britain's finest playwright. Both were already married - Pinter to the actress Vivien Merchant and Fraser to the politician Hugh Fraser - but their union seemed inevitable from the moment they met: 'I would have found you somehow', Pinter told Fraser. Their relationship flourished until Pinter's death on Christmas Eve 2008 and was a source of delight and inspiration to them both until the very end. Fraser uses her Diaries and her own recollections to tell a touching love story. But this is also a memoir of a partnership between two of the greatest literary talents, with fascinating glimpses into their creativity and their illustrious circle of friends from the literary, political and theatrical world.

'Before biography was fashionable, Antonia Fraser made the past popular' Guardian 'As a pure storyteller, Antonia Fraser has few equals' Sunday Times CAROLINE NORTON, a nineteenth-century heroine who wanted justice for women. Poet, pamphleteer and artist's muse, Caroline Norton dazzled 19-century society with her vivacity and intelligence. In 1836 Caroline underwent a dramatic trial when her jealous husband sued the Prime Minister, Lord Melbourne, for adultery. Provisions which are now taken for granted - such as the right of a mother to have access to her children - owe much to Caroline, who was determined to secure justice for women at all levels of society. Award-winning historian Antonia Fraser brilliantly portrays a woman who refused to be curbed by the personal and political constraints of her time.

The two-year revolution that totally changed how Britain is governed. Internationally bestselling historian Antonia Fraser's new book brilliantly evokes one year of pre-Victorian political and social history - the passing of the Great Reform Bill of 1832, an eventful and violent year that featured riots in Bristol, Manchester and Nottingham. The time-span of the book is from Wellington's intractable declaration in November 1830 that 'The beginning of reform is beginning of revolution' to 7 June 1832, when William IV reluctantly assented to the Great Reform Bill, under the double threat of the creation of 60 new peers in the House of Lords and the threat of revolution throughout the country. Wider themes of Irish and 'negro emancipation' underscore the narrative. The book is character driven; we learn of the Whig aristocrats prepared to whittle away their own power to bring liberty to the country, the all-too-conservative opposition who included the intransigent Duchess of Kent and Queen Adelaide and finally the 'revolutionaries' like William Cobbett, author of Rural Rides. These events led to a total change in the way Britain was governed, a two-year revolution that Antonia Fraser brings to vivid dramatic life.