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Contemporary Cuba is opening up to the rest of the world. Its
colonial past and the Communist revolution have left a lasting
imprint on society, yet there is a tangible sense of rapid change
which is reflected in the island's national cinema. New screen
technologies and digital distribution media have supported the
efficacy and global reach of Cuban filmmakers whose work, somewhat
in lieu of adequate distribution and traditional screening
facilities in Cuba itself, is often disseminated via 'flash' (USB
memory sticks).Channelling an energetic DIY attitude through
grassroots movements and ad-hoc resourcefulness, the new filmmakers
of Cuba have inspired the editors of this book to embrace their
contagious enthusiasm through essays on authentic Cuban cinema.
Whilst the book provides a comprehensive overview of the history
behind current practices, it also moves beyond this to examine key
case studies as well as 'snapshots' of individuals working within
the industry today. Chapters celebrate the shared creativity as
well as diversity of Cuban cinema, including both productions of
the Cuban Film Institute's (ICAIC) as well as those from the
industry margins. The films discussed demonstrate a driving
cinematic force through social criticism, the emphasis of debate
and historical change through film, reassessments of gender
relations, the use of new technologies and much more.
Contemporary Cuba is opening up to the rest of the world. Its
colonial past and the Communist revolution have left a lasting
imprint on society, yet there is a tangible sense of rapid change
which is reflected in the island's national cinema. New screen
technologies and digital distribution media have supported the
efficacy and global reach of Cuban filmmakers whose work, somewhat
in lieu of adequate distribution and traditional screening
facilities in Cuba itself, is often disseminated via 'flash' (USB
memory sticks).Channelling an energetic DIY attitude through
grassroots movements and ad-hoc resourcefulness, the new filmmakers
of Cuba have inspired the editors of this book to embrace their
contagious enthusiasm through essays on authentic Cuban cinema.
Whilst the book provides a comprehensive overview of the history
behind current practices, it also moves beyond this to examine key
case studies as well as 'snapshots' of individuals working within
the industry today. Chapters celebrate the shared creativity as
well as diversity of Cuban cinema, including both productions of
the Cuban Film Institute's (ICAIC) as well as those from the
industry margins. The films discussed demonstrate a driving
cinematic force through social criticism, the emphasis of debate
and historical change through film, reassessments of gender
relations, the use of new technologies and much more.
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