This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Manual De Literatura: Principios Generales De Retorica Y Poetica Antonio Gil y Zarate Gaspar y Roig, 1856

On November 2 1837 the opening of Carlos II el Hechizado (Charles II the bewitched) at the Teatro del Principe in Madrid, Spain, became one of the greatest scandals of its times. The play is about an alleged spell cast on Charles II, the last Habsburg who reigned in Spain, by a young girl accused of the crime by a libidinous priest, father Froilan. The king condemns the girl to burn at the stake, in spite of knowing that she is his own daughter. The contemporary critique attacked the play blaming it of immorality and exaggeration, of containing scenes of base melodramatic quality and macabre iconography, and the lack of respect shown by the author towards the historical main character and the Catholic church. In spite of all this the play remained on stage for eleven days, and it was restaged repeatedly until the last third of the XIX Century. This obeys mainly to the fact that the exorcism endured by the monarch, the imprisonment of the two young lovers in the Santo Oficio dungeons, the conjectures on the succession at the Escorial pantheon, the popular revolt against the oppressing nobility, are attractive episodes that, conveniently presented by Antonio Gil y Zarate (1796-1861), contribute to a romantic and exceptional interpretation of the unhappy ending of Charles II (1661-1700), king of Spain between 1665 until his death. This critical and annotated edition by prof Montserrat Ribao constitutes a great enhancement to any course on Spanish literature and drama of the Romantic period.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Resumen Historico De La Literatura Espanola: Segunda Parte Del Manual De Literatura Antonio Gil y Zarate Impr. y Libr. de Gaspar y Roig, 1851 Literary Criticism; European; Spanish & Portuguese; Literary Criticism / European / Spanish & Portuguese; Literatura castellana

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.