The Films of Jess Franco looks at the work of Jesus ""Jess"" Franco (1930-2013), one of the most prolific and madly inventive filmmakers in the history of cinema. He is best known as the director of jazzy, erotically charged horror movies featuring mad scientists, lesbian vampires, and women in prison, but he also dabbled in a multitude of genres from comedy to science fiction to pornography. Although he built his career in the ghetto of low-budget exploitation cinema, he managed to create a body of work that is deeply personal, frequently political, and surprisingly poetic. Editors Antonio Lazaro-Reboll and Ian Olney have assembled a team of scholars to examine Franco's offbeat films, which command an international cult following and have developed a more mainstream audience in recent years. Arguing that his multifaceted, paradoxical cinema cannot be pinned down by any one single approach, this edited volume features twelve original essays on Franco's movies written from a variety of different perspectives. This collection does not avoid the methodologies most commonly used in the past to analyze Franco's work-auteur criticism, genre criticism, and cult film criticism-yet it does show how Franco's films complicate these critical approaches. The contributors open up fresh avenues for academic inquiry by considering his oeuvre from a range of viewpoints, including transnational film studies, cinephilia studies, and star studies. The Films of Jess Franco seeks to address the scholarly neglect of this legendary cult director and to broaden the conversation around the director's work in ways that will be of interest to fans and academics alike.

RFID and Wireless Sensors using Ultra-Wideband Technology explores how RFID-based technologies are becoming the first choice to realize the last (wireless) link in the chain between each element and the Internet due to their low cost and simplicity. Each day, more and more elements are being connected to the Internet of Things. In this book, ultra-wideband radio technology (in time domain) is exploited to realize this wireless link. Chipless, semi-passive and active RFID systems and wireless sensors and prototypes are proposed in terms of reader (setup and signal processing techniques) and tags (design, integration of sensors and performance). The authors include comprehensive theories, proposals of advanced techniques, and their implementation to help readers develop time-domain ultra-wideband radio technology for a variety of applications. This book is suitable for post-doctoral candidates, experienced researchers, and engineers developing RFID, tag antenna designs, chipless RFID, and sensor integration.

This book explores the horror boom since the 1960s. This is the first in-depth study in English of a rich cinematic tradition and its recent revival. It studies issues of production, audience and regulation and highlights the importance of Spanish horror film in the European horror tradition and the global culture of psychotronia. It provides an overview of key directors, cycles and representative films, such as Pan's Labyrinth and Aftermath and includes detailed analysis of the work of directors such as Jesus Franco, Amando de Ossorio, Narciso Ibanez Serrador, Eloy de la Iglesia, Jaume Balaguero, Nacho Cerda and Guillermo del Toro's 'Spanish' films. This is the first critical study on Spanish horror film to be published in English. It is an overview of key directors, cycles and representative films as well as of more obscure and neglected horror production. It also includes a focus on critical and cult contexts of reception in Spain, Great Britain and USA.

The Films of Jess Franco looks at the work of Jesus ""Jess"" Franco (1930-2013), one of the most prolific and madly inventive filmmakers in the history of cinema. He is best known as the director of jazzy, erotically charged horror movies featuring mad scientists, lesbian vampires, and women in prison, but he also dabbled in a multitude of genres from comedy to science fiction to pornography. Although he built his career in the ghetto of low-budget exploitation cinema, he managed to create a body of work that is deeply personal, frequently political, and surprisingly poetic. Editors Antonio Lazaro-Reboll and Ian Olney have assembled a team of scholars to examine Franco's offbeat films, which command an international cult following and have developed a more mainstream audience in recent years. Arguing that his multifaceted, paradoxical cinema cannot be pinned down by any one single approach, this edited volume features twelve original essays on Franco's movies written from a variety of different perspectives. This collection does not avoid the methodologies most commonly used in the past to analyze Franco's work-auteur criticism, genre criticism, and cult film criticism-yet it does show how Franco's films complicate these critical approaches. The contributors open up fresh avenues for academic inquiry by considering his oeuvre from a range of viewpoints, including transnational film studies, cinephilia studies, and star studies. The Films of Jess Franco seeks to address the scholarly neglect of this legendary cult director and to broaden the conversation around the director's work in ways that will be of interest to fans and academics alike.