This volume explores the theme of marginality in the literature and history of the Neronian and Flavian periods. As a concept of modern criticism, the term marginality has been applied to the connection between the uprooted experience of immigrant communities and the subsequent diasporas these groups formed in their new homes. The concept also covers individuals or groups who were barred from access to resources and equal opportunities based on their deviation from a "normal" or dominant culture or ideology. From a literary vantage point, we are interested in the voices of "marginal," or underappreciated authors and critical voices. The distinction between marginalia and "the" text is often nebulous, with marginal comments making their way into the paradosis and being regarded, in modern criticism, as important sources of information in their own right. The analysis of relevant passages from various authors including Lucan, Petronius, Persius, Philo of Alexandria, Pliny the Elder, Silius Italicus, and Statius, as well as the Moretum of the Appendix Vergiliana is vital for our understanding of the treatment of marginalized people in various literary genres in relation to each one’s different purposes.

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.

This book offers, in one volume, a modern English translation of all 17 books of Silius Italicus' Punica. Composed in the first century CE, this epic tells the story of the Second Punic War between Rome and Hannibal's Carthage (218-202 BCE). It is not only a crucial text for students of Flavian literature, but also an important source for anyone studying early Imperial perspectives on the Roman Republic. The translation is clear and comprehensible, while also offering an accurate representation of the Latin text. Augmented by a scholarly introduction, extensive notes, glossary and a comprehensive bibliography (included in the introduction), this volume makes the text accessible and relevant for students and scholars alike.

The epics of the three Flavian poets-Silius Italicus, Statius, and Valerius Flaccus-have, in recent times, attracted the attention of scholars, who have re-evaluated the particular merits of Flavian poetry as far more than imitation of the traditional norms and patterns. Drawn from sixty years of scholarship, this edited collection is the first volume to collate the most influential modern academic writings on Flavian epic poetry, revised and updated to provide both scholars and students alike with a broad yet comprehensive overview of the field. A wide range of topics receive coverage, and analysis and interpretation of individual poems are integrated throughout. The plurality of the critical voices included in the volume presents a much-needed variety of approaches, which are used to tackle questions of intertextuality, gender, poetics, and the social and political context of the period. In doing so, the volume demonstrates that by engaging in a complex and challenging intertextual dialogue with their literary predecessors, the innovative epics of the Flavian poets respond to contemporary needs, expressing overt praise, or covert anxiety, towards imperial rule and the empire.

Hannibal's crossing of the Alps represents a momentous event in the beginning of the Second Punic War (218-202 BCE). The third book of Silius Italicus' Punica reimagines this courageous feat, retracing the journey of Hannibal and his army from the temple of Hercules/Melqart in Gades, across the Pyrenees, the Rhone, and the Alpine peaks into northern Italy. Significant stages in the journey are marked by prophecies: the gods reveal to Hannibal in a dream his future destruction of Italy through a dream with a giant snake; Jupiter unveils to his daughter Venus the future of the Roman empire through the Flavians and Domitian himself; the oracle of Hammon in the African desert prophesies the Roman defeat at Cannae. The Flavian poet builds his narrative around several key episodes that programmatically set the tone for the whole poem: separation from family, a futuristic distinction between African and Iberian troops in the catalogue, the transgressive nature of Hannibal's struggle with nature and the divine. The commentary explores each scene in the context of the poetic, philosophical, and historiographic background, with reference also to material culture. The philological and stylistic exegeses aim to reveal the linguistic complexities which colour this fascinating Flavian reconstruction of the topos of 'the epic hero's journey'. The Latin text is presented alongside an English translation and supplemented with maps and images to support understanding the broad historical context of Silius' poem.

This is the first dedicated commentary on the eighth and final book of Valerius Flaccus' Flavian epic Argonautica. It includes the Latin text, a new English translation, and detailed discussion of a range of literary, linguistic, and textual issues. It is the final work of the promising scholar Cristiano Castelletti, edited by friends and colleagues. The edition benefits from his wide-ranging knowledge of ancient poetry and provides perceptive insights into the texture of this important book. It will make the final section of the poem more easily accessible to an international readership and addresses questions of the original length of the poem, of intertextuality, and of poetic practices in late first-century CE Rome.

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.

The figure of Spartacus often serves as an icon of resistance against oppression in modern political movements, while his legend has inspired numerous receptions over the centuries in many different popular media. This new essay collection brings together a wide range of scholarly perspectives on the four seasons of the acclaimed and highly successful premium cable television series 'Spartacus' (2010-13), with contributions from experts in the fields of Classics, History, Gender, Film and Media Studies, and Classical Reception. 'STARZ Spartacus' uncovers a fascinating range of topics and themes within the series such as slavery, society, politics, spectacle, material culture, sexuality, aesthetics, and fan reception. As the first volume of essays published on the entirety of the STARZ series, this book is a valuable resource for both students and scholars eager to confront a new Spartacus, as the hero of the slave revolt is recast for a twenty-first century audience.The first academic volume looking at various themes of the premium cable TV series 'Spartacus'Includes original, innovative research in fields of history, politics, gender, film, fan culture Explores the theme of Spartacus on screen from multiple angles: history, classics, film studies, reception studies, gender studies, fandom studies

Composed at the end of the first century CE, Statius' Thebaid recounts the civil war in Thebes between the two sons of Oedipus, Polynices and Eteocles, and the horrific events that take place on the battlefield. Its author, the Roman poet Statius, employed a wide variety of Greco-Roman sources in order to narrate the Argive expedition against Thebes and the fratricidal war. Book 8 opens with the descent of the Argive seer Amphiaraus to the Underworld through a chasm of the earth; the soldiers mourn their seer's loss and elect a successor, Thiodamas, who placates Earth (Tellus) through a prayer, before the opening of the second day of hostilities. The book reaches its climax when fierce Tydeus is mortally wounded and dies having committed an act of cannibalism by eating his opponent's brains; Minerva leaves the battlefield in disgust, taking away from her protege the intended gift of immortality. In this volume, Augoustakis presents the first full-length edition of Thebaid 8, with text and apparatus criticus, and an English translation. A detailed introduction discusses the Argive/Theban myth in the Greek and Roman literary tradition and art, as well as the reception of the book in subsequent centuries, especially in Dante's Divine Comedy. The accompanying commentary provides useful notes which explore questions of interpretation and Statius' language and literary craft, with particular emphasis on the exploitation of various Greek and Latin intertexts in Statius' poetry.

This edited collection addresses the role of ritual representations and religion in the epic poems of the Flavian period (69-96 CE): Valerius Flaccus' Argonautica, Silius Italicus' Punica, Statius' Thebaid, and the unfinished Achilleid. Drawing on various modern studies on religion and ritual, and the relationship between literature and religion in the Greco-Roman world, it explores how we can interpret the poets' use of the relationship between gods and humans, cults and rituals, religious activities, and the role of the seer / prophet and his identification with poetry.
Divided into three major sections, the volume includes essays on the most important religious activities (prophecy or augury, prayers and hymns) and the relationship between religion and political power under the Flavian emperors. It also addresses specific episodes in Flavian epic which focus on religious activities associated with the dead and the Underworld, such as purification, necromancy, katabasis, suicide, and burial. It finally explores the role of gender in ritual and religion.

This is the first book-length study to reconstruct the role of women in the epic poems of the Flavian period of Latin literature. Antony Augoustakis examines the role of female characters from the perspective of Julia Kristeva's theories on foreign otherness and motherhood to underscore the on-going negotiation between same and other in the Roman literary imagination as a telling reflection on the construction of Roman identity and of gender and cultural hierarchies.

Gladiator, rebel slave leader, revolutionary: a collection of essays dissecting four seasons of STARZ Spartacus The figure of Spartacus often serves as an icon of resistance against oppression in modern political movements, while his legend has inspired numerous receptions over the centuries in many different popular media. This new essay collection brings together a wide range of scholarly perspectives on the four seasons of the acclaimed and highly successful premium cable television series STARZ Spartacus (2010-13), with contributions from experts in the fields of Classics, History, Gender, Film and Media Studies, and Classical Reception. STARZ Spartacus uncovers a fascinating range of topics and themes within the series such as slavery, society, politics, spectacle, material culture, sexuality, aesthetics, and fan reception. As the first volume of essays published on the entirety of the STARZ Spartacus series, this book is a valuable resource for both students and scholars eager to confront a new Spartacus, as the hero of the slave revolt is recast for a twenty-first century audience. The first academic volume looking at various themes of the premium cable TV series Spartacus Includes original, innovative research in fields of history, politics, gender, film, fan culture Explores the theme of Spartacus on screen from multiple angles: history, classics, film studies, reception studies, gender studies, fandom studies

This is the first collection to look at the most recent manifestations of the ancient hero on screen. It brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world. Since 2000, numerous heroes of the ancient world have appeared on film and TV, from the mythical Hercules to leaders of the Greek and Roman worlds. Films and shows discussed in this volume range from Hercules and The Legend of Hercules to TV shows, Atlantis and Supernatural, to other biopic works influenced by the ancient hero. This book brings together a range of perspectives on twenty-first century cinematic representations of heroes and antiheroes from the ancient world. Key features: Includes a range of TV shows and films, allowing for greater comparative analysis, examining the overlooked links between various productions Original, cutting edge research in the fields of history, politics, gender, film and fan culture. Covers topics including society, politics, generational issues, gender, fan reception and star texts Also considers the creation of antiheroes in the twenty-first century. Contributors include Alastair Blanshard, Angeline Chiu, Jon Solomon and Emma Stafford

This is the first collection to look at the most recent manifestations of the ancient hero on screen. It brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world. Since 2000, numerous types of heroes of the ancient world have appeared on film and TV, from the mythical Hercules in various forms to leaders of the Greek and Roman worlds. Films and shows to be discussed in this volume range from Hercules and The Legend of Hercules to TV shows, Atlantis and Supernatural, to other biopic works influenced by the ancient hero. This book brings together a range of perspectives on twenty-first century cinematic representations of heroes and antiheroes from the ancient world.

In the essays of this volume, Michael Putnam shows how seriously Statius pays homage to his canonical predecessor, Virgil, how thoroughly he interprets the complexities of Virgilian poetry, and how he often, by placing a Virgilian reference in a different social and cultural context, boldly turns Virgil to new and more positive purposes. He focuses particularly, though not exclusively, on those Silvae which deal with the architectural world of Statius' society, the private villas, the gardens, and the imperial palace. He also writes of the Roman equivalent of the 'Grand Tour,' a young man's educational journey through the monuments of Egypt, Greece, and Asia Minor. The essays offer valuable insight into the cultural and social identity of late first-century imperial Rome. Statius' reverential but also heuristic engagement with Virgil emerges more distinctly across the interrelated essays. Putnam's collected essays display the pioneering nature of Statius' Silvae in the development of ecphrasis as an important social and literary mode in Roman poetry.

The region of Campania with its fertility and volcanic landscape exercised great influence over the Roman cultural imagination. A hub of activity outside the city of Rome, the Bay of Naples was a place of otium, leisure and quiet, repose and literary productivity, and yet also a place of danger: the looming Vesuvius inspired both fear and awe in the region's inhabitants, while the Phlegraean Fields evoked the story of the gigantomachy and sulphurous lakes invited entry to the Underworld. For Flavian writers in particular, Campania became a locus for literary activity and geographical disaster when in 79 CE, the eruption of the volcano annihilated a great expanse of the region, burying under a mass of ash and lava the surrounding cities of Pompeii, Herculaneum, and Stabiae. In the aftermath of such tragedy the writers examined in this volume - Martial, Silius Italicus, Statius, and Valerius Flaccus - continued to live, work, and write about Campania, which emerges from their work as an alluring region held in the balance of luxury and peril.

Fides in Flavian Literature explores the ideology of "good faith" (fides) during the time of the emperors Vespasian, Titus, and Domitian (69-96 CE), the new imperial dynasty that gained power in the wake of the civil wars of the period. The contributors to this volume consider the significance and semantic range of this Roman value in works that deal in myth, contemporary poetry, and history in both prose and verse. Though it does not claim to offer the comprehensive "last word" on fides in Flavian Rome, the book aims to show that fides in this period was subjected to a particularly striking and special brand of contestation and reconceptualization, used to interrogate the broad cultural changes and anxieties of the Flavian period as well as connect to a republican and imperial past. The editors argue that fides was both a vehicle for reconciliation and a means to test the nature of "good faith" in the wake of a devastating and divisive period in Roman history.