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In this wide-ranging, thought-provoking and sometimes provocative
new book, leading sculptor Antony Gormley, informed and energised
by a lifetime of making, and art critic and historian Martin
Gayford, explore sculpture as a transnational art form with its own
compelling history. The authors' lively conversations and
explorations make unexpected connections across time and media.
Sculpture has been practised by every culture throughout the world
and stretches back into our distant past. The first surviving
shaped stones may even predate the advent of language. Evidently,
the desire to carve, mould, bend, chip away, weld, suspend, balance
- to transform a vast array of materials and light into new shapes
and forms - runs deep in our psyche and is a fundamental part of
our human journey and need for expression. With more than 300
spectacular illustrations, Shaping the World juxtaposes a rich
variety of works - from the famous Lowenmensch or Lion Man, c.
35,000 BCE to Michelangelo's luminous Pieta in Rome, the Terracotta
Warriors in China to Rodin's The Kiss, Marcel Duchamp's
ready-mades, Olafur Eliasson's extraordinary Weather Project and
Kara Walker's Fons Americanus, and Tomas Saraceno's ongoing
Aerocene project, as well as examples of Gormley's own work. Antony
Gormley and Martin Gayford take into account materials and
techniques, and consider overarching themes such as light,
mortality and our changing world. Above all, they discuss their
view of sculpture as a form of physical thinking capable of
altering the way people feel, and they invite us to look at
sculpture we encounter - and more broadly the world around us - in
a completely different way.
Chinese Calligraphy Meets Western Performance In his paintings the
Taiwanese artist Yahon Chang brings together traditional Chinese
ink-wash painting and Western forms of artistic expression to
produce a synthesis of East and West. Typically standing on large
sheets of linen or Xuan paper and wielding a brush almost as long
as he is tall, Chang creates works imbued with performative energy
and characterized by large, sweeping brushstrokes. Drawing on
Chinese literati and Zen (Chan) Buddhist traditions, the artist
understands painting as an activity that connects body and mind.
His entire body functions as an axis for these expressive paintings
and is influenced by his training in calligraphy. This publication
offers the first insight into the artist's extensive oeuvre and
includes exhibition views as well as accompanying texts.
Governments around the world spend millions on art and cultural
institutions, evidence of a basic human need for what the author
refers to as "creating aesthetic significance." Yet what function
or purpose does art satisfy in today's society? In this thorough
and accessible text, Richard Hickman rejects the current vogue for
social and cultural accounts of the nature of art-making in favor
of a largely psychological approach aimed at addressing
contemporary developmental issues in art education. Bringing to
bear current ideas about evolutionary psychology, this second
edition will be an important resource for anyone interested in arts
education.
Motorways, airports, tower blocks, power stations, windfarms; TV
and the internet, easy travel and shrinking distances; business
parks, starter homes and vast shopping and leisure complexes. All
of these helped define the later 20th-century world and their
material remains remind us of the major changes brought about
through innovation and rapidly developing technology. Illustrated
with striking aerial and ground photographs of some stunning and
sometimes surprising 20th-century landscapes, Images of Change
highlights for perhaps the first time the impact the developments
of the last century have had on the landscape and gives us a new
angle on the industrial, military, domestic and agricultural
influences at work around us. By turns dramatic, beautiful, perhaps
even shocking, the images and accompanying text will convince that
the later 20th century should not be seen as an age that has
devalued or destroyed what went before. Understanding how the
20th-century landscape is perceived and how it connects to the past
is part of what this book is about - helping us to understand that
change and creation is as important in the landscape as
preservation. We recognise and celebrate the process of landscape
change for earlier periods - the 20th century should be no
different.
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