This book provides a significant history of Italy's brutal occupation of Libya. Using the lens of the life of the iconic resistance fighter Mohamed Fekini, it tells the story of Libya under Ottoman and Italian rule from the point of view of the colonized. The story begins with the onset of Italian occupation in 1911-12, includes the crucial period of the anti-Italian jihad, from 1921 to 1930, and continues through the postwar creation of a united Libya under King Idris in 1947.

Every night, at nine o’clock, wherever he is, Mr. Bianchi, an accountant who often has to travel for work, calls his daughter and tells her a bedtime story. But since it's still the 20th century world of pay phones, each story has to be told in the time that a single coin will buy. Reminiscent of Scheherazade and One Thousand and One Nights, Gianni Rodari’s Telephone Tales is composed of many stories––in fact, seventy short stories, with one for each phone call. Each story is set in a different place and a different time, with unconventional characters and a wonderful mix of reality and fantasy. One night, it’s a carousel so beloved by children that an old man finally sneaks on to understand why, and as he sails above the world, he does. Or, it’s a land filled with butter men, roads paved with chocolate, or a young shrimp who has the courage to do things in a different way from what he's supposed to do. Awarded the Hans Christian Anderson Award in 1970, Gianni Rodari is widely considered to be Italy’s most important children’s author of the 20th century. Newly re-illustrated by Italian artist Valerio Vidali (The Forest), Telephone Tales entertains, while questioning and imagining other worlds. Winner of the 2021 Batchelder Award and the 2020 Italian Ministry of Foreign Affairs’s English Translation Prize

Written by Gianni Rodari, the father of modern Italian children's literature, and charmingly illustrated by award-winning artist Beatrice Alemagna, this bright, sweet story reminds us what children are really like in the most essential and beautiful way! Little Giovanni is always daydreaming, always paying attention to the small miracles that lead him to lose track of the big picture. So even though he’s promised his mama to keep his eyes open on his walk, he can’t help but get distracted. Cheerful, carefree, and curious, Giovanni literally loses himself as he discovers the wide, wonderful world around him. Here, Rodari highlights the gorgeous way children give themselves over to their attention to the world by having Giovanni lose parts of himself as he walks along. Should his mama worry? No! Because: “That’s just the way children are.�Following her New York Times/New York Public Library Best Illustrated Telling Stories Wrong, Beatrice Alemagna returns to illustrate another of Gianni Rodari’s delightful stories from Telephone Tales. With a Batchelder Award winning translation by Antony Shugaar, this classic story from one of Italy’s most beloved and important authors of children’s literature asserts the power of flights of fancy and the value of childlike wonder.

'He is skilful. He is outspoken. He is Zlatan' New York Times 'He is an amazing talent, one of the best around' Pep Guardiola Football's most prolific and controversial goalscorer has nothing left to prove on the pitch. There is only one Zlatan. In the decade since his megaselling memoir I am Zlatan Ibrahimovic, he has played at Paris Saint-Germain (2012-2016), Manchester United (2016-2018), LA Galaxy (2018-2019) and Milan (2020-). This outrageous and hilarious follow-up is bursting with personal confessions and revealing anecdotes about the world's best players and managers. Packed with revelations, in Adrenaline we hear for the first time what Zlatan really thinks about his time in the Premier League and what it was like to score that glorious bicycle kick against England. We hear about the club he very nearly signed for, and see his hilarious run-ins with the French media - and the French in general, really. Plus so much more. Zlatan transports you into the world of top-flight football like no one else. Filled with revelations - including Zlatan's life lessons on happiness, friendship and love - you'll be talking about this book a long time after finishing it.

A heinous, double murder in a squalid apartment on the wrong side of town pits Inspector Lojacono, Di Nardo and the rest of the motley collection of cops known as the 'bastards' of the Pizzofalcone precinct against their superiors, the press, and the local political hierarchy. Only by bringing the killer to justice can they save their reputations and the department. De Giovanni is one of the most versatile, prolific, and successful European mystery in Europe.

A springtime fresh picture book about a good day out with friends-climbing mountains, swimming and singing-and the difference between storytelling and lies. Lisette and her friend Bobbi the lizard have never told a lie. But they are eager to try-it might be fun! They tell Popof they are going for a trip to the mountains. When Popof decides to come too, they realise they'll have to make the mountain. A liar needs to improvise. In this funny story about imaginative play with friends, Lisette's creativity and quick thinking make for a wonderful day out. Gently exploring the differences between storytelling and little white lies and the importance of good intentions, this picture book is ideal to read aloud with preschoolers. With illustrations that convey a range of mood and emotion, the animal friends are brimming with personality and childlike playfulness. Other books from Catharina Valckx: Lisette's Green Sock Zanzibar Bruno

Jack and George are resting quietly when BOOM! A huge and strange ball lands beside them. “What’s that, Jack?� “I don’t know, George. Maybe it’s a rock?� No—too soft. But it rolls. Fast! Jack, George and the ball roll right off the cliff and now it’s a parachute. But watch out, they’re going to land in the river… Jack and George have a brilliant day full of adventure with this object that changes with the landscape. But what is it? It doesn’t matter, it was fun trying to figure it out. This bright and funny book is a game of twists and turns, with a joyful refrain and vivid artwork to capture every toddler’s imagination.

When we think of the Italian Mafia, we think of Marlon Brando, Tony Soprano, and the Corleones--iconic actors and characters who give shady dealings a mythical pop presence. Yet these sensational depictions take us only so far. The true story of the Mafia reveals both an organization and mindset dedicated to the preservation of tradition. It is no accident that the rise of the Mafia coincided with the unification of Italy and the influx of immigrants into America. The Mafia means more than a horse head under the sheets--it functions as an alternative to the state, providing its own social and political justice.

Combining a nuanced history with a unique counternarrative concerning stereotypes of the immigrant, Salvatore Lupo, a leading historian of modern Italy and a major authority on its criminal history, has written the definitive account of the Sicilian Mafia from 1860 to the present. Consulting rare archival sources, he traces the web of associations, both illicit and legitimate, that have defined Cosa Nostra during its various incarnations. He focuses on several crucial periods of transition: the Italian unification of 1860 to 1861, the murder of noted politician Notarbartolo, fascist repression of the Mafia, the Allied invasion of 1943, social conflicts after each world war, and the major murders and trials of the 1980s.

Lupo identifies the internal cultural codes that define the Mafia and places these codes within the context of social groups and communities. He also challenges the belief that the Mafia has grown more ruthless in recent decades. Rather than representing a shift from "honorable" crime to immoral drug trafficking and violence, Lupo argues the terroristic activities of the modern Mafia signify a new desire for visibility and a distinct break from the state. Where these pursuits will take the family adds a fascinating coda to Lupo's work.

It is 1977. A new force is terrorising Rome - a mob of reckless, ultraviolent youths known as La Banda della Magliana. As the gang ruthlessly take control of Rome's heroin trade, they begin an inexorable rise to power. Banda della Magliana intend to own the streets of Rome - unless their internal struggles tear them apart. Based on Rome's modern gangland history, Romanzo Criminale fearlessly confronts Italy's Age of Lead: war on the streets and terrorism, kidnappings and corruption at the highest levels of government.

This book provides a significant history of Italy's brutal occupation of Libya. Using the lens of the life of the iconic resistance fighter Mohamed Fekini, it tells the story of Libya under Ottoman and Italian rule from the point of view of the colonized.

A dark, gripping coming-of-age tale that explores violence, friendship, family, and what it means to be a man
Summer, Palermo, early 1980s. The air hangs hot and heavy. The Mafia-ruled city is a powder keg ready to ignite. In a boxing gym, a fatherless nine-year-old boy climbs into the ring to face his first opponent.So begins "On Earth as It Is in Heaven," a sweeping multigenerational saga that reaches back to the collapse of the Italian front in North Africa and forward to young Davidu's quest to become Italy's national boxing champion, a feat that has eluded the other men of his family.But Davide Enia, whose layered, lyrical, nonchronological novel caused a sensation when it was published in Italy in 2012, has crafted an epic that soars in miniature as well. The brutal struggles for dominance among Davidu's all male circle of friends; his strict but devoted grandmother, whose literacy is a badge of honor; his charismatic and manipulative great-uncle, who will become his trainer--the vicious scenes and sometimes unsympathetic characters Enia sketches land hard and true."On Earth as It Is in Heaven "is both firmly grounded in what Leonardo Sciascia liked to call "Sicilitude" - the language and mentality of that eternally perplexing island - and devastatingly universal. A meditation on physical violence, love and sex, friendship and betrayal, boxing and ambition, Enia's novel is also a coming-of-age tale that speaks - sometimes crudely, but always honestly - about the joys and terrors of becoming a man.

To many readers of "The Prince," Machiavelli appears to be deeply un-Christian or even anti-Christian, a cynic who thinks rulers should use religion only to keep their subjects in check. But in "Machiavelli's God," Maurizio Viroli, one of the world's leading authorities on Machiavelli, argues that Machiavelli, far from opposing Christianity, thought it was crucial to republican social and political renewal--but that first it needed to be renewed itself. And without understanding this, Viroli contends, it is impossible to comprehend Machiavelli's thought.

Viroli places Machiavelli in the context of Florence's republican Christianity, which was founded on the idea that the true Christian is a citizen who serves the common good. In this tradition, God participates in human affairs, supports and rewards those who govern justly, and desires men to make the earthly city similar to the divine one. Building on this tradition, Machiavelli advocated a religion of virtue, and he believed that, without this faith, free republics could not be established, defend themselves against corruption, or survive. Viroli makes a powerful case that Machiavelli, far from being a pagan or atheist, was a prophet of a true religion of liberty, a way of moral and political living that would rediscover and pursue charity and justice.

The translation of this work has been funded by SEPS - Segretariato Europeo per le Pubblicazioni Scientifiche.

When we think of the Italian Mafia, we think of Marlon Brando, Tony Soprano, and the Corleones--iconic actors and characters who give shady dealings a mythical pop presence. Yet these sensational depictions take us only so far. The true story of the Mafia reveals both an organization and mindset dedicated to the preservation of tradition. It is no accident that the rise of the Mafia coincided with the unification of Italy and the influx of immigrants into America. The Mafia means more than a horse head under the sheets--it functions as an alternative to the state, providing its own social and political justice. Combining a nuanced history with a unique counternarrative concerning stereotypes of the immigrant, Salvatore Lupo, a leading historian of modern Italy and a major authority on its criminal history, has written the definitive account of the Sicilian Mafia from 1860 to the present. Consulting rare archival sources, he traces the web of associations, both illicit and legitimate, that have defined Cosa Nostra during its various incarnations. He focuses on several crucial periods of transition: the Italian unification of 1860 to 1861, the murder of noted politician Notarbartolo, fascist repression of the Mafia, the Allied invasion of 1943, social conflicts after each world war, and the major murders and trials of the 1980s. Lupo identifies the internal cultural codes that define the Mafia and places these codes within the context of social groups and communities. He also challenges the belief that the Mafia has grown more ruthless in recent decades. Rather than representing a shift from "honorable" crime to immoral drug trafficking and violence, Lupo argues the terroristic activities of the modern Mafia signify a new desire for visibility and a distinct break from the state. Where these pursuits will take the family adds a fascinating coda to Lupo's work.

Ranging from the imperial palaces of ancient China and the bakeries of fourteenth-century Genoa and Naples all the way to the restaurant kitchens of today, Pasta tells a story that will forever change the way you look at your next plate of vermicelli. Pasta has become a ubiquitous food, present in regional diets around the world and available in a host of shapes, sizes, textures, and tastes. Yet, although it has become a mass-produced commodity, it remains uniquely adaptable to innumerable recipes and individual creativity. "Pasta: The Story of a Universal Food" shows that this enormously popular food has resulted from of a lengthy process of cultural construction and widely diverse knowledge, skills, and techniques.

Many myths are intertwined with the history of pasta, particularly the idea that Marco Polo brought pasta back from China and introduced it to Europe. That story, concocted in the early twentieth century by the trade magazine "Macaroni Journal," is just one of many fictions umasked here. The true homelands of pasta have been China and Italy. Each gave rise to different but complementary culinary traditions that have spread throughout the world. From China has come pasta made with soft wheat flour, often served in broth with fresh vegetables, finely sliced meat, or chunks of fish or shellfish. "Pastasciutta," the Italian style of pasta, is generally made with durum wheat semolina and presented in thick, tomato-based sauces. The history of these traditions, told here in fascinating detail, is interwoven with the legacies of expanding and contracting empires, the growth of mercantilist guilds and mass industrialization, and the rise of food as an art form.

Whether you are interested in the origins of lasagna, the strange genesis of the Chinese pasta bing or the mystique of the most magnificent pasta of all, the "timballo," this is the book for you. So dig in

'With the open-hearted rashness that belongs to every true writer, Saviano returns to tell the story of the fierce and grieving heart of Naples.' Elena Ferrante

In Naples, a new kind of gang rules the streets: the ‘Paranze’, the ‘Children’s Gangs’, groups of teenage boys who divide their time between Facebook or playing Call of Duty on their PlayStations and patrolling the streets armed with pistols and AK-47s, terrorizing local residents in order to mark out the territories of their Mafia bosses.

Roberto Saviano's eye-opening novel The Piranhas tells the story of the rise of one such gang and its leader, Nicolas – known to his friends and enemies as the ‘Maharajah’. But Nicolas’s ambitions reach far beyond doing other men’s bidding: he wants to be the one giving orders, calling the shots, and ruling the city. But the violence he is accustomed to wielding and witnessing soon spirals out of his control . . .

***A FINANCIAL TIMES BEST CRIME BOOK OF THE YEAR*** The Bastards face their hardest challenge yet Sometimes it takes facing a formidable adversary to truly know one's worth. The Bastards of Pizzofalcone may have found just that: when the brutal murder of a baker rattles the city, they are ready to investigate. There's nothing they wouldn't do to prove themselves to their community. But this time the police are divided: for the special anti-mob branch, the local mafia is doubtlessly responsible for the crime, but the Bastards are not so sure and think there may be another reason for the murder of the renowned artisan, whose traditionally baked bread attracted customers from far and wide. A rivalry between the policeman and the magistrate is formed, one that, in the end, will extend to more than just their work lives.

Palermo in the 1980s. Fourteen hours from any place in what one might call the civilized world, a city of great beauty but torn by the second great Mafia gang wars. A perfect place for a young crime reporter to get his start.
As our crime reporter looks back on his own youth, he lyrically retells four tragic stories that marked him: a Mafioso who refused to become a professional killer; a model whom he loved and couldn't save; a father who succumbed to hatred and jealousy; and a daughter in search of her lost honor. In The Four Corners of Palermo, Giuseppe Di Piazza brilliantly evokes the smell of blood and gunpowder, the averted gazes of a city in lock-down, and the forced hilarity of young people growing up in a Mafia reign of terror who, surrounded by death on all sides, affirm their humanity in each other's arms and beds.