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This book introduces the diverse practices of three non-canonical
practitioners: David MacDougall, Desire Machine Collective and
Kumar Shahani. It offers analysis of their documentary methods and
aesthetics, exploring how their oeuvres constitute a critical and
self-reflexive approach to documentary-making in India.
This book introduces the diverse practices of three non-canonical
practitioners: David MacDougall, Desire Machine Collective and
Kumar Shahani. It offers analysis of their documentary methods and
aesthetics, exploring how their oeuvres constitute a critical and
self-reflexive approach to documentary-making in India.
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