The Rover, or, The Banished Cavaliers is the most popular play by the Restoration playwright (and spy) Aphra Behn, first performed in 1677. Although Behn's work as a spy for Charles II came to a sudden end with a spell in debtor's prison, she was a stout Royalist, and the title refers to Charles' supporters, who were living in exile on the Continent. In the tradition of Restoration comedy, the play follows the wild exploits of a group of English gentlemen in Naples at Carnival time, although many of the tropes of the genre are subverted to an extent which sent shockwaves through the theatre world. Behn's infamous libertine Willmore was an instant hit, and The Rover catapulted her to overnight fame, and brought her an income from the box office, making her one of the first women to earn a living by their pen.

The editor supplies explanatory annotations and textual notes. "Historical Backgrounds" is an especially rich collection of seventeenth-and eighteenth-century documents about colonizers and slaves in the new world. Topically arranged-"Montaigne on America," "The Settling of Surinam," "Observers of Slavery, 1654 1712," "After Oroonoko Noble Africans in Europe," and "Opinions on Slavery"-these selections create a revealing context for Behn s unusual story. Illustrations and maps are also included. "Criticism" begins with an overview of responses to Behn and Oroonoko, from learned and popular writers of her time to Sir Walter Scott and Virginia Woolf, among others. Current critical interpretations are by William C. Spengemann, Jane Spencer, Robert L. Chibka, Laura Brown, Charlotte Sussman, and Mary Beth Rose. A Chronology of Behn s life and a Selected Bibliography are included."

First published in 1688, Oroonoko, or, The Royal Slave is a short, politically charged novella by the Restoration playwright - and spy - Aphra Behn, and is arguably one of the founding texts of the novel form. Purporting to chart the life of an African prince, Oroonoko, who is tricked into slavery and taken to South America, the narrative follows the Prince through his trials of love, loss and rebellion. Vying for the title of the first English novel - and certainly the first to be read as an indictment of the treatment of Africans - Oroonoko has all the hallmarks of Behn's stage works, which are widely considered to be amongst the most important of the Restoration period.

'One no more owes one's beauty to a lover, than one's wit to an echo.' With the Restoration of the monarchy in 1660, the republican ban on organised theatre was lifted - and plays exploded back onto the public stage with newfound relish. The arrival of actresses for the first time encouraged a great sense of release, which expressed itself in the form of sophisticated comedies exploring the sexual behaviour and moralities of society. This volume features three of the most popular Restoration Comedies: The Country Wife by William Wycherley - a supremely bawdy comedy in which the aptly named Horner pretends to be a eunuch in order to seduce women under the noses of their husbands. The Way of the World by William Congreve - a brilliant comedy of manners, complete with dashing suitor, rich heiress and vengeful aunt. The Rover by Aphra Behn - the classic Restoration comedy by one of the earliest and most celebrated female playwrights. There is also a full introduction about the plays, playwrights and the period, and a glossary of unfamiliar words. The Drama Classic Collections bring together the most popular plays from a single author or a particular period. They offer students, actors and theatregoers a series of uncluttered, accessible editions, accompanied by comprehensive introductions.

Carnival time in "The Rover" is a period when prohibitions are temporarily removed, privileges and rank suspended, and women - from convent girls to courtesans - take the initiative. Featuring multiple plot lines, which deal with the adventures of a group of love-struck Englishmen in Naples, Aphra Behn's play explores issues of love, trickery and deception, forced marriage, male power, fidelity, and the excesses of sexual passion. Hers is a male-dominated society, but one with a clear-sighted portrayal of the female predicament.The play is widely taught on A Level courses as well as on undergraduate literature and women's writing courses. This new edition contains a completely new introduction, and takes into account important criticism from the past decade, as well as a new understanding of the nature of theatre in Behn's time, and the significance of her contribution to English drama.

Restoration-era poet, playwright and novelist Aphra Behn was the first truly professional woman writer in English, and Oroonoko is her sophisticated and insightful condemnation of slavery. This Penguin Classics edition is edited with an introduction by Janet Todd. When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'. The novel also reveals Behn's ambiguous attitude to African slavery - while she favoured it as a means to strengthen England's rule, her powerful and moving work conveys its injustice and brutality. This new edition of Oroonoko is based on the first printed version of 1688, and includes a chronology, further reading and notes. In her introduction, Janet Todd examines Aphra Behn's views of slavery, colonization and politics, and her position as a professional woman writer in the Restoration. Little is known of Aphra Behn's (1640-1689) early life. She was probably born in Kent, and in the early 1660s claims to have visited the British colony of Surinam. She turned to literature for a living, producing numerous short stories, 19 stage plays and political propaganda for the Tories. If you enjoyed Oroonoko, you might like Daniel Defoe's Moll Flanders, also available in Penguin Classics.

After learning how to fight at a young age, Oroonoko, an African prince, fights alongside his army against invading forces. When a celebrated general saves Oroonoko's life, trading his own to take an arrow for Oroonoko, the young prince feels indebted to the man and decides to go pay his respects to the late general's family. There, he meets Imoinda, the daughter of the general. Oroonoko and Imoinda quickly fall in love and become betrothed, but the King, Oroonoko's father, hears of Imoinda's beauty and decides to take her as one of his wives. When Oroonoko and Imoinda rebel against this, the King sells Imoinda into slavery. Heartbroken, Oroonoko goes back to war, only to be tricked and captured by a British general. After the British general sells Oroonoko into slavery, he is reunited with Imoinda, as they are sold to work on the same plantation. This joy is short lived, as the horrors of slavery take its toll. When Imoinda becomes pregnant, the couple decide to do whatever it takes to ensure the best life for their child. They beg to be emancipated, but the plantation owner hardly considers their request, forcing Oroonoko to take his freedom back by force. With a lifetime of training, the love of his life at his side, and a dedication to regain his freedom, Oroonoko must lead a slave rebellion, risking everything he has for what he and his family should have: freedom. Oroonoko: or, The Royal Slave has earned acclaim from both literary critics and historians. When it was originally published in 1688, less than a year before author Aphra Behn died, Oroonoko: or, The Royal Slave did not receive immediate attention. However, Behn's work did gain popularity after a stage version of the novel was released in 1695. While the accuracy of the novel's plot has been questioned and debated by historians, Oroonoko: or The Royal Slave has earned cultural and historical significance by being claimed as one of the first novels written in English. Along with its prolific and innovative writer, the novel has earned significance that is still admirable today. Now redesigned with an eye-catching cover and reprinted in a modern font, Oroonoko: or The Royal Slave by Aphra Behn is accessible for a modern audience.

The Rover, or, The Banished Cavaliers is the most popular play by the Restoration playwright (and spy) Aphra Behn, first performed in 1677. Although Behn's work as a spy for Charles II came to a sudden end with a spell in debtor's prison, she was a stout Royalist, and the title refers to Charles' supporters, who were living in exile on the Continent. In the tradition of Restoration comedy, the play follows the wild exploits of a group of English gentlemen in Naples at Carnival time, although many of the tropes of the genre are subverted to an extent which sent shockwaves through the theatre world. Behn's infamous libertine Willmore was an instant hit, and The Rover catapulted her to overnight fame, and brought her an income from the box office, making her one of the first women to earn a living by their pen.

‘We are bought and sold like apes or monkeys, to be the sport of women, fools, and cowards, and the support of rogues’

When Prince Oroonoko’s passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko’s noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn’s visit to Surinam, Oroonoko (1688) reflects the author’s romantic view of Native Americans as simple, superior peoples ‘in the first state of innocence, before men knew how to sin’. The novel also reveals Behn’s ambiguous attitude to African slavery – while she favoured it as a means to strengthen England’s power, her powerful and moving work conveys its injustice and brutality.

This new edition of Oroonoko is based on the first printed edition of 1688, and includes a chronology, bibliography and notes. In her introduction, Janet Todd examines Aphra Behn’s views of slavery, colonization and politics, and her position as a professional woman writer in the Restoration.