This is a brand new adaptation brings Emily Bronte's passionate and spellbinding tale of forbidden love and revenge to life on stage. Set on the wild, windswept Yorkshire moors, "Wuthering Heights" is the tempestuous story of free-spirited Catherine and dark, brooding Heathcliff. As children running wild and free on the moors, Cathy and Heathcliff are inseparable. As they grow up, their affection deepens into passionate love, but Cathy lets her head rule her heart as she chooses to marry wealthy Edgar Linton. Heathcliff flees broken-hearted, only to return seeking terrible vengeance on those he holds responsible, with epic and tragic results.

In April de Angelis's hilarious makeover of the bedside "classic" prostitute Fanny sacks her (male) biographer and tells it like it REALLY was - with the aid of two foul-mouthed, fellow sex workers, a stuffed sock and a cello.

It's Virgie's eighty-fourth birthday and she is bucking convention. But, always more committed as an artist than a mother, Virgie has not reckoned on her family and friends' determination to thwart her plans. This is a moving black comedy that reimagines the meaning of family.

Eight short plays, commissioned and developed as part of the Women Centre Stage Festival, that together demonstrate the range, depth and richness of women's writing for the stage. Selected by Sue Parrish, Artistic Director of Sphinx Theatre, these plays offer a wide variety of rewarding roles for women, and are perfect for schools, youth groups and theatre companies to perform. How to Not Sink by Georgia Christou looks at duty, love and dependency across three generations of women. In Wilderness by April De Angelis, a patient and her psychiatrist head into the wilderness to find out how sane any of us really are. In Chloe Todd Fordham's The Nightclub, three very different women at a gay nightclub in Orlando are caught up in a terrifying hate crime. Fucking Feminists by Rose Lewenstein is a fiercely funny investigation of what feminism means, and what it has become. Winsome Pinnock's Tituba is a one-woman show about Tituba Indian, the enslaved woman who played a central role in the seventeenth-century Salem Witch Trials. In The Road to Huntsville by Stephanie Ridings, a writer researching women who fall in love with men on death row finds herself crossing the line. White Lead by Jessica Sian explores the expectations and responsibilities of being an artist and a woman. In What is the Custom of Your Grief? by Timberlake Wertenbaker, an English schoolgirl whose brother has been killed on active duty in Afghanistan is befriended online by an Afghan girl. Sphinx Theatre has been at the vanguard of promoting, advocating and inspiring women in the arts through productions, conferences and research for more than forty years.

April de Angelis's second collection covers six plays written between 2011 and 2021, including the previously unpublished short play Rune and her first musical, Gin Craze! Jumpy 'The funniest new play the West End has seen in ages. It's not only funny, it's painfully acute; and its wit is of a piece with its insight.' - Daily Telegraph The Village 'A great piece of storytelling . . . flat-out wonderful.' - The Times A Laughing Matter 'De Angelis's writing is even funnier than it is stimulating. . Comedy needn't be soft and comforting. It can be mischievous and subversive. You see the bind in which Garrick finds himself, trapped as he is by the economic, social and moral pressures. It's a bind his descendants know even today. I haven't seen it dramatised before with such infectious brio.' - The Times Rune 'A gorgeous little nugget of a show in which a bored teenager on a school trip to see the hoard at the Potteries Museum suddenly discovers a power within her when she gets to hold a piece of it.' - Guardian Extinct 'Builds its drama with its own gripping truth ... Necessary and urgent.' - Guardian Gin Craze! 'It's terrifically vivid and exciting. . A Brechtian message delivered with the most glorious, full-throated ebullience: an intoxicating show that leaves your head spinning, your spirit soaring and a fire in your belly.' - The Times

Winner of the Raymond Williams Award. Includes: Cohon Flambe by Eva Lewin; Crux, by April De Angelis; Cut it Out by Jan Ruppe; Ithaca by Nina Rapi; Forced Out by Jean Abbott; The Taking of Liberty by Cheryl Robeson; and Fail/Safe by Ayshe Raif.

So what have you got against gobby women running restaurants? El Barco is the newest tapas restaurant in fashionable Walthamstow Village, and it's Kerry Jackson's pride and joy. Wearing her working-class roots as a badge of honour, Kerry must navigate the local characters in a bid to make the business a success, without losing herself in the process. This biting comedy from April De Angelis premiered at the National Theatre, London, in November 2022.

-You're having some kind of crisis. -It's called being fifty. You must be having it too. Hilary once protested at Greenham. Now her protests tend to focus on persuading her teenage daughter to go out fully clothed. A frank and funny family drama questioning parental anxieties and life after fifty, Jumpy by April De Angelis premiered at the Royal Court Theatre, London, in October 2011.

IIncludes: "Hound "by Maria Oshodi, "Soft Vengeance "by April de Angelis, "Sympathy for the Devil "by Roy Winston, "Fittings: The Last Freakshow "by Mike Kenny, "Into the Mystic "by Peter Wolf, and "Peeling "by Katie O'Reilly. Introduced by Jenny Sealey, Artistic Director of Graeae Theatre Company, the U.K.'s leading theatre company working with disabled artists.

Four superlative stage adaptations by contemporary playwrights, giving bold new interpretations of classic novels

This volume, relaunching the Frontline Intelligence series, contains stage adaptations by contemporary dramatists of well-known, well-loved classics. Included are Jane Austen's "Emma" by Michael Fry, John Cleland's "The Life and Times of Fanny Hill" by April De Angelis, Charles Dickens's "Great Expectations" by John Clifford and George Eliot's "The Mill on the Floss" by Helen Edmundson. The introduction by Michael Fry discusses the issue of adapting classics in context.