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Evelyn Hofer: Eyes on the City (Hardcover): Evelyn Hofer Evelyn Hofer: Eyes on the City (Hardcover)
Evelyn Hofer; Edited by Gregory J. Harris, April M. Watson; Foreword by Rand Suffolk, Julián Zugazagoitia; Text written by …
R1,391 R1,233 Discovery Miles 12 330 Save R158 (11%) Ships in 12 - 17 working days
Signs - Photographs by Jim Dow (Hardcover): Jim Dow, April M. Watson Signs - Photographs by Jim Dow (Hardcover)
Jim Dow, April M. Watson
R1,450 Discovery Miles 14 500 Ships in 12 - 17 working days

Vivid, clear-sighted images of American vernacular signage and architecture encountered along old US highways showcase the early black-and-white work of the acclaimed photographer Jim Dow The American photographer Jim Dow (b. 1942) is renowned for photographs that depict the built environment-he first gained attention for his panoramic triptychs of baseball stadiums-and for his skill at conveying the "human ingenuity and spirit" that suffuse the spaces. This book is the first to focus on Dow's early black-and-white pictures, featuring more than 60 photographs made between 1967 and 1977, a majority of which have never before been published. Indebted to the work of Walker Evans, a key mentor of Dow's, these photographs depict time-worn signage taken from billboards, diners, gas stations, drive-ins, and other small businesses. While still recognizable as icons of commercial Americana, without their context Dow's signs impart ambiguous messages, often situated between documentation and abstraction. Including a new essay by Dow that reveals his own perspective on the development of the work, Signs suggests how these formative years honed the artist's sensibility and conceptual approach. Distributed for The Nelson-Atkins Museum of Art Exhibition Schedule: The Nelson-Atkins Museum of Art, Kansas City, MO (May 7-October 9, 2022)

Impressionist France - Visions of Nation from Le Gray to Monet (Paperback): Simon Kelly, April M. Watson Impressionist France - Visions of Nation from Le Gray to Monet (Paperback)
Simon Kelly, April M. Watson; Contributions by Neil McWilliam, Maura Coughlin; Created by Nelson-Atkins Museum of Art
R895 Discovery Miles 8 950 Ships in 12 - 17 working days

A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880 Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Edouard Baldus, Gustave Le Gray, the Bisson Freres, Edouard Manet, Jean-Francois Millet, Claude Monet, Charles Negre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country's varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism. Distributed for the Nelson-Atkins Museum of Art and the Saint Louis Museum of Art Exhibition Schedule: Nelson-Atkins Museum of Art (10/19/13-02/09/14) Saint Louis Art Museum (03/16/14-07/06/14)

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