Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Eager to learn the rules of magic, Lucius agrees to participate in a shapeshifting spell that suddenly goes awry, transforming the man into a donkey. His life is abruptly upended as he is attacked, stolen and sold multiple times before finding relief through divine intervention. Lucius is enamored with witchcraft and begs a woman to transform him into a bird. Unfortunately, she fails, and he is immediately turned into an ass. This leads to a tumultuous journey that takes Lucius away from his friends and puts him into the hands of strangers. He is sold by thieves, cooks and farmers, forced to engage in strange and laborious tasks. With each owner comes a different set of obstacles and inevitable misunderstandings. A rare text stemming from Roman antiquity, The Golden Ass is infused with mythological elements. The story covers a wide range of topics from witchcraft to adultery and murder. This expansive narrative has enough twists to keep any reader on the edge of their seat. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Golden Ass is both modern and readable.

The story of "The Golden Ass "is that of Lucius Apuleius, a young man of good birth who encountered many strange adventures while disporting himself along the roads to Thessaly. Not the least of these occurred when Apuleius offended a priestess of the White Goddess, who turned him into an ass. The tale of how Apuleius dealt with this misfortune and eventually resumed human form is conveyed by Robert Graves in modern English that is infused with a bawdy wit and sense of adventure that is "itself a small masterpiece of twentieth-century prose" (Kenneth Rexroth, "Saturday Review").

Apuleius's The Golden Ass, one of a handful of extant ancient novels, remains relatively unknown. Peter Singer, the renowned philosopher and author of the modern classic Animal Liberation, remedies this neglect, bringing the comic tale back to the wider reading public. With a version stripped of the many tales extraneous to the main narrative, Singer exposes the core of the text: the adventures of the man-turned-animal, Lucius. Singer has teamed with Apuleius scholar and translator Ellen Finkelpearl to create a delightful rollicking story in which we follow the adventures of this cocky young man transformed into a donkey, through his travails, erotic adventures and enlightenment. With Singer's vision, superbly illustrated by prize-winning artists Anya and and Varya Kendel, this newly rendered canonical work is bound to be enjoyed by anyone who cares about human and animal life. Afterwords by Singer and Finkelpearl assess the significance of The Golden Ass for our thoughts about animals, ancient and modern.

Eager to learn the rules of magic, Lucius agrees to participate in a shapeshifting spell that suddenly goes awry, transforming the man into a donkey. His life is abruptly upended as he is attacked, stolen and sold multiple times before finding relief through divine intervention. Lucius is enamored with witchcraft and begs a woman to transform him into a bird. Unfortunately, she fails, and he is immediately turned into an ass. This leads to a tumultuous journey that takes Lucius away from his friends and puts him into the hands of strangers. He is sold by thieves, cooks and farmers, forced to engage in strange and laborious tasks. With each owner comes a different set of obstacles and inevitable misunderstandings. A rare text stemming from Roman antiquity, The Golden Ass is infused with mythological elements. The story covers a wide range of topics from witchcraft to adultery and murder. This expansive narrative has enough twists to keep any reader on the edge of their seat. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Golden Ass is both modern and readable.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

In the "Metamorphoses" of ApuleiusThe Golden Ass," we have the only Latin novel which survives entire. It is truly enchanting: a delightful romance combining realism and magic.

The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, '"Erant in quadam civitate rex et regina"'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the "Decameron." At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end.

The Loeb Classical Library edition of Apuleius is in two volumes.