The story of "The Golden Ass "is that of Lucius Apuleius, a young man of good birth who encountered many strange adventures while disporting himself along the roads to Thessaly. Not the least of these occurred when Apuleius offended a priestess of the White Goddess, who turned him into an ass. The tale of how Apuleius dealt with this misfortune and eventually resumed human form is conveyed by Robert Graves in modern English that is infused with a bawdy wit and sense of adventure that is "itself a small masterpiece of twentieth-century prose" (Kenneth Rexroth, "Saturday Review").

Apuleius's The Golden Ass, one of a handful of extant ancient novels, remains relatively unknown. Peter Singer, the renowned philosopher and author of the modern classic Animal Liberation, remedies this neglect, bringing the comic tale back to the wider reading public. With a version stripped of the many tales extraneous to the main narrative, Singer exposes the core of the text: the adventures of the man-turned-animal, Lucius. Singer has teamed with Apuleius scholar and translator Ellen Finkelpearl to create a delightful rollicking story in which we follow the adventures of this cocky young man transformed into a donkey, through his travails, erotic adventures and enlightenment. With Singer's vision, superbly illustrated by prize-winning artists Anya and and Varya Kendel, this newly rendered canonical work is bound to be enjoyed by anyone who cares about human and animal life. Afterwords by Singer and Finkelpearl assess the significance of The Golden Ass for our thoughts about animals, ancient and modern.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

In the "Metamorphoses" of ApuleiusThe Golden Ass," we have the only Latin novel which survives entire. It is truly enchanting: a delightful romance combining realism and magic.

The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, '"Erant in quadam civitate rex et regina"'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the "Decameron." At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end.

The Loeb Classical Library edition of Apuleius is in two volumes.

Written towards the end of the Second Century AD, Apuleius’ intriguing story, The Golden Ass, has inspired and influenced generations of writers and readers from Shakespeare to Keats and William Morris.

Lucius, a young man whose fascination with witchcraft leads him to believe he can be transformed into a bird, instead becomes a donkey. Whirled off by robbers, he embarks on a series of adventures and misadventures. Confronted eventually with the prospect of a stage performance where he is supposed to demonstrate his sexual prowess with a woman, he is overwhelmed by a religious vision and is finally initiated into the cult of the goddess Isis.

It has been long disputed whether Apuleius meant this last-minute conversion seriously or as a final comic surprise and the challenge of interpretation continues to keep readers fascinated by this work. Apuleius’ Golden Ass is the most continuously and accessibly amusing book that has come down to us from classical antiquity.

Eager to learn the rules of magic, Lucius agrees to participate in a shapeshifting spell that suddenly goes awry, transforming the man into a donkey. His life is abruptly upended as he is attacked, stolen and sold multiple times before finding relief through divine intervention. Lucius is enamored with witchcraft and begs a woman to transform him into a bird. Unfortunately, she fails, and he is immediately turned into an ass. This leads to a tumultuous journey that takes Lucius away from his friends and puts him into the hands of strangers. He is sold by thieves, cooks and farmers, forced to engage in strange and laborious tasks. With each owner comes a different set of obstacles and inevitable misunderstandings. A rare text stemming from Roman antiquity, The Golden Ass is infused with mythological elements. The story covers a wide range of topics from witchcraft to adultery and murder. This expansive narrative has enough twists to keep any reader on the edge of their seat. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Golden Ass is both modern and readable.

Apuleius's The Golden Ass, one of a handful of extant ancient novels, remains relatively unknown. Peter Singer, the renowned philosopher and author of the modern classic Animal Liberation, remedies this neglect, bringing the comic tale back to the wider reading public. With a version stripped of the many tales extraneous to the main narrative, Singer exposes the core of the text: the adventures of the man-turned-animal, Lucius. Singer has teamed with Apuleius scholar and translator Ellen Finkelpearl to create a delightful rollicking story in which we follow the adventures of this cocky young man transformed into a donkey, through his travails, erotic adventures and enlightenment. With Singer's vision, superbly illustrated by prize-winning artists Anya and and Varya Kendel, this newly rendered canonical work is bound to be enjoyed by anyone who cares about human and animal life. Afterwords by Singer and Finkelpearl assess the significance of The Golden Ass for our thoughts about animals, ancient and modern.

The Golden Ass is a unique, entertaining, and thoroughly readable Latin novel - the only work of fiction in Latin to have survived in its entirety. It tells the story of Lucius, whose curiosity and fascination for sex and magic result in his transformation into an ass. After suffering a series of trials and humiliations, he is ultimately transformed back into human shape by the kindness of the Goddess Isis. Blending romantic adventure, fable, and religious testament, The Golden Ass is one of the truly seminal books of European literature, of intrinsic interest as a novel in its own right, and one of the earliest examples of the picaresque. This new translation is at once faithful to the meaning of the Latin, whilst reproducing all the exuberant gaiety of the original. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Eager to learn the rules of magic, Lucius agrees to participate in a shapeshifting spell that suddenly goes awry, transforming the man into a donkey. His life is abruptly upended as he is attacked, stolen and sold multiple times before finding relief through divine intervention. Lucius is enamored with witchcraft and begs a woman to transform him into a bird. Unfortunately, she fails, and he is immediately turned into an ass. This leads to a tumultuous journey that takes Lucius away from his friends and puts him into the hands of strangers. He is sold by thieves, cooks and farmers, forced to engage in strange and laborious tasks. With each owner comes a different set of obstacles and inevitable misunderstandings. A rare text stemming from Roman antiquity, The Golden Ass is infused with mythological elements. The story covers a wide range of topics from witchcraft to adultery and murder. This expansive narrative has enough twists to keep any reader on the edge of their seat. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Golden Ass is both modern and readable.

Apuleius, one of the great stylists of Latin literature, was born ca. 125 AD in Madauros to a politically prominent family and received an elite education in the provincial capital Carthage and at Athens, where he began a lifelong allegiance to Platonic philosophy. In the later 150s, he married Pudentilla of Oea, a wealthy widow, and seems to have enjoyed a distinguished public career in Africa and perhaps as an advocate in Rome. Although Apuleius is best known for his picaresque novel Metamorphoses or The Golden Ass (LCL 44, 453), he also wrote and declaimed on a wide variety of subjects. This edition contains the other surviving works of Apuleius that are considered genuine. Apologia is a speech in which Apuleius defends himself against in-laws who had accused him of having used sinister means, including magic, to induce Pudentilla to marry him. The Florida is a collection of twenty-three excerpts from speeches by Apuleius. De Deo Socratis (On Socrates' God) locates Socrates' invisible guide and protector (daimonion) within the more general concept of daimones as forces intermediary between gods and humans. This edition, new to the Loeb Classical Library, offers fresh translations and texts based on the best critical editions.

Relihan uses alliteration and assonance, rhythm and rhyme, the occasional archaism, the rare neologism, and devices of punctuation and typography, to create a sparkling, luxurious, and readable translation that reproduces something of the linguistic and comic effects of the original Latin. The general Introduction is a masterpiece of clarity, orienting the reader in matters of authorship, narration, genre, religion, structure and style. A generous and browsable index, select bibliography, and maps are included.

In the "Metamorphoses" of Apuleius, also known as "The Golden Ass," we have the only Latin novel which survives entire. It is truly enchanting: a delightful romance combining realism and magic.

The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, '"Erant in quadam civitate rex et regina"'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the "Decameron." At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end.

J. Arthur Hanson was at the time of his death in 1985 Giger Professor of Latin at Princeton University. His publications include "Roman Theater-Temples."

The Loeb Classical Library edition of Apuleius is in two volumes.

Acclaimed poet and translator Sarah Ruden brilliantly brings Apuleius's comic tale to life With accuracy, wit, and intelligence, this remarkable new translation of The Golden Ass breathes new life into Apuleius's classic work. Sarah Ruden, a lyric poet as well as a highly respected translator, skillfully duplicates the verbal high jinks of Apuleius's ever-popular novel. It tells the story of Lucius, a curious and silly young man, who is turned into a donkey when he meddles with witchcraft. Doomed to wander from region to region and mistreated by a series of deplorable owners, Lucius at last is restored to human form with the help of the goddess Isis. The Golden Ass, the first Latin novel to survive in its entirety, is related to the Second Sophistic, a movement of learned and inventive literature. In a translation that is both the most faithful and the most entertaining to date, Ruden reveals to modern readers the vivid, farcical ingenuity of Apuleius's style.