This entirely new edition brings together all of Philip Larkin's poems. In addition to those in Collected Poems (1988), and in the Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse (by turns scurrilous, satirical, affectionate, and sentimental) tucked away in his letters. The manuscript and printed sources have been scrutinized afresh; more detailed accounts than hitherto available of the sources of the text and of dates of composition are provided; and previous accounts of composition dates have been corrected. Variant wordings from Larkin's typescripts and the early printings are recorded. For the first time, the poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Due prominence is given to the poet's comments on his poems, which often outline the circumstances that gave rise to a poem, or state what he was trying to achieve. Larkin played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others; Archie Burnett's commentary establishes him as a more complex and more literary poet than many readers have suspected.

The complete poems of the most admired British poet of his generation
This entirely new edition brings together all of Philip Larkin's poems. In addition to those that appear in "Collected Poems" (1988) and "Early Poems and Juvenilia" (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse--by turns scurrilous, satirical, affectionate, and sentimental--that had been tucked away in his letters.
For the first time, Larkin's poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Prominence is given to the poet's comments on his own work, which often outline the circumstances that gave rise to a poem or state that he was trying to achieve. Larkin often played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others. Archie Burnett's commentary establishes Larkin as a more complex and more literary poet than many readers have suspected.

This is the first complete edition of A. E. Housman's poetry, unprecedented in the extent to which it reveals the shaping processes of his poetic thought. The text of the poems published after his death has been corrected from the manuscripts, with all variant readings recorded, and a substantial body of light verse and juvenilia is printed or collected for the first time. The extensive commentary traces the remarkable range of Housman's echoes and allusions - Biblical, Classical, and contemporary - which have never before been explored in such detail, as well as providing information on persons, places, and historical context, the dating of poems, and Housman's linguistic usage.