This book provides a crucial resource for readers who are investigating trans issues. It takes a diverse and historic approach, focusing on more than one idea or one experience of trans identity or trans history. Transgender: A Reference Handbook is a go-to resource about the transgender experience. The book takes contemporary as well as historic aspects into consideration. It looks at ancient indigenous cultures that honored third, fourth, and fifth gender identities as well as more contemporary ideas of what "transgender" means. Notably, it focuses not only on Western medical ideas of gender affirmation but on cultural diversity surrounding the topic. This book will primarily serve as a reference guide and jumping off point for further research for those seeking information about what it means to be transgender. While a reference book, it contains original work that may be cited in addition to the encyclopedia itself. In particular, the perspectives section of the book includes writings from some of the world's foremost trans writers, activists, artists, and historians. Provides students with outstanding source material and historic material on trans issues Includes writing from some of the most recognized names in trans writing, history, and activism in the world Approaches its subject from a deeply historical background, acknowledging the intersection of identities throughout time Provides resources for further study, including profiles, data and documents, and a chronology of transgender history

Explores a full spectrum of Gothic works broadly understood as queer, from the eighteenth century to today Explores Gothic themes through nuanced queer lenses Re-visits past ideas of queer theory and expands on them within Gothic context Focuses on time periods, genres, and queer Gothic modes Queer Gothic: An Edinburgh Companion features sixteen essays that interrogate queer theory's intersections with the Gothic. By re-visiting the usefulness of the term 'queer' and pushing queer theoretical frameworks into new territory, this volume explores the ways that Gothic and queer work alongside each other: one as a marginalised genre and the other as a marginalised identity. Considering both major and lesser-known Gothic works, and ranging from the canonical (poetry and fiction) to the popular (film, video games, music, and visual and performance art), it offers queer and trans perspectives on a wide selection of Gothic modes, genres and texts from fiction such as Hugh Walpole's The Castle of Otranto to Jeanette Winterson's The Daylight Gate, films from Nosferatu to The Cured and TV shows including In the Flesh and Pose.