This monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee. Though best known for the inventive graphic sensibility of his paintings and drawings, McGee's use of photography is an essential, often underappreciated, component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee's images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist's books that often accompany his exhibitions, photographs pervade McGee's practice. Barry McGee: Photographs provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.

Ari Marcopoulos is an inveterate maker of zines. This project collects in one volume for the first time a selection of zines by Marcopoulos, many never before released, providing a unique insight and overview into an essential part of this influential artist’s daily practice. Often self-published or created in collaboration with boutique and independent publishers like ROMA, Dashwood Books, and PPP Editions, these informal, DIY-aesthetic creations function as sketchbook, diary, installation space, and a means of processing Marcopoulos’s daily practice of photographing his life, his family, his neighborhood, and the rarified cultural milieu in which he operates. This collection showcases an impressive array of printed zines, exploring each as an artistic object through an engaging layout. Beginning in 2015 and presented chronologically per year, key zines are featured—including some made during the pandemic, when Marcopoulos worked primarily on the screen, making PDF zines—and punctuated by individual images presented full scale. An interview with Hamza Walker underscores the role of zines as an essential part of Marcopoulos’s artistic practice, emphasizing the personal, diaristic element within the work, while an essay from Maggie Nelson meditates on the work’s position within a wider social and cultural context. Ari Marcopoulos: Zines is a must-have for anyone interested in this prolific artist’s personal practice and zine culture.