Most books about Hinduism begin by noting the immense size and complexity of the subject. Hinduism is vast and diverse, they say. Or it doesn't exist at all - Hinduism is merely a convenient (and foreign) term that masks a plurality of traditions. In either case, readers are discouraged by the sense that they are getting only a tiny sample or a shallow overview of something huge and impossible to understand. This book is designed to be accessible and comprehensive in a way that other introductions are not, maintaining an appealing narrative and holding the reader's interest in the unfolding sequence of ideas through time and place. Each of the 13 chapters combines historical material with key religious and philosophical ideas, supported by substantial quotations from scriptures and other texts. The overarching organizational principle is a historical narrative largely grounded in archaeological information. Historic places and persons are fleshed out as actors in a narrative about the relation of the sacred to ordinary existence as it is mediated through arts, sciences, rituals, and philosophical ideas. Although many books purport to introduce the Hindu tradition, this is the only one with a broad historical focus that emphasizes archaeological as well as textual evidence. It will nicely complement Vasuda Narayanan's forthcoming introduction, which takes the opposite approach of focusing on the lived experience of Hindu believers.

Addressing one of the most difficult conceptual topics in the study of classical Hinduism, Ariel Glucklich presents a rigorous phenomenology of dharma, or order. The work moves away from the usual emphasis on symbols and theoretical formulations of dharma as a religious and moral norm. Instead, it focuses on images that emerge from the basic experiential interaction of the body in its spatial and temporal contexts, such as the sensation of water on the skin during the morning purification, or the physical manipulation of the bride during the marriage ritual. Images of dharma are examined in myths, rituals, art, and even the physical landscape of the Hindu world. The varied and contingent experiences of dharma infuse it with a meaning that transcends a false analytical distinction from adharma, or chaos. Glucklich shows that when dharma is experienced by means of living images, it becomes inescapably temporal, and therefore inseparable from adharma.

Throughout history, magic has been as widely and passionately practiced as religion. But while religion continues to flourish, magic stumbles towards extinction. What is magic? What does it do? Why do people believe in magic? Ariel Glucklich finds the answers to these questions in the streets of Banaras, India's most sacred city, where hundreds of magicians still practice ancient traditions, treating thousands of Hindu and Muslim patients of every caste and sect. Through study and interpretation of the Banarsi magical rites and those who partake in them, the author presents fascinating living examples of magical practice, and contrasts his findings with the major theories that have explained (or explained away) magic over the last century. These theories, he argues, ignore an essential sensory phenomenon which he calls "magical experience": an extraordinary, though perfectly natural, state of awareness through which magicians and their clients perceive the effects of magic rituals.

In Dying for Heaven, Georgetown scholar and advisor to the defense community Ariel Glucklich explains the religious motivation of terrorism. This provocative work of political science argues that the very best qualities of religion--its ability to make people feel good and bring them together--are in fact its most dangerous. Glucklich, author of Sacred Pain and Climbing Chamundi Hill, offers a new understanding of religion and provides a vision for preventing further religiously-inspired violence.

Throughout history, magic has been as widely and passionately practiced as religion. But while religion continues to flourish, magic stumbles towards extinction. What is magic? What does it do? Why do people believe in magic? Ariel Glucklich finds the answers to these questions in the streets of Banaras, India's most sacred city, where hundreds of magicians still practice ancient traditions, treating thousands of Hindu and Muslim patients of every caste and sect. Through study and interpretation of the Banarsi magical rites and those who partake in them, the author presents fascinating living examples of magical practice, and contrasts his findings with the major theories that have explained (or explained away) magic over the last century. These theories, he argues, ignore an essential sensory phenomenon which he calls "magical experience": an extraordinary, though perfectly natural, state of awareness through which magicians and their clients perceive the effects of magic rituals.

Physical pain ranks as one of the great evils of human life, not far behind death. Yet, religious individuals and groups around the world and throughout history have inflicted pain on themselves and on others in pursuit of religious goals. Despite this, no broad explanation for the uses of pain has emerged, and this book seeks to remedy this lack. Glucklich shows that a ritually controlled regimen of pain can produce a transformation of consciousness in which personal identity gives way to identification with God, Truth, or other spiritual ideals. This phenomenon is explored in many cultural and historical contexts, including rituals of possession and exorcism, rites of passage, and the tortures of the Inquisition. Glucklich also shows how the modern invention of anæsthesia transformed our perception of pain and undermined the idea that pain can be good. This book helps us to understand "sacred pain" from the perspective of its practitioners, opening a window onto a mysterious world of experience.

All religions describe spiritual experience as pleasant, and the goal of the religious pursuit as profoundly joyful. But many religions also condemn sensory pleasures and the desire for objects of pleasure. In this book, Ariel Glucklich resolves this apparent contradiction by showing how religious practices that instill self-control and discipline transform one type of pleasure into the pleasures of mastery and play. Using historical data and psychological analysis, he details how the rituals, mystical practices, moral teachings, and sacred texts of the world's religions act as psychological instruments that induce well-being. Glucklich also shows that in promoting joy and pleasure, religion also strengthens social bonds and enhances an individual's pursuit of meaning.