New research on children's executive functioning and self-regulation has begun to reveal important connections to their developing social understanding (or "theories of mind") and emotional competence. The exact nature of the relations between these aspects of children's social and emotional development is, however, far from being fully understood. Considerable disagreement has emerged, for instance, over the question of whether executive functioning facilitates social-emotional understanding, or vice versa. Recent studies linking the development of children's social understanding with aspects of their interpersonal relationships also raise concerns about the particular role that social interaction plays in the development of executive function. Three key questions currently drive this debate: Does social interaction play a role in the development of executive function or, more generally, self-regulation? If it does play a role, what forms of social interaction facilitate the development of executive function? Do different patterns of interpersonal experience differentially affect the development of self-regulation and social understanding? In this book, the contributors address these questions and explore other emerging theoretical and empirical links between self-regulation, social interaction, and children's psycho-social competence. It will be a valuable resource for student and professional researchers interested in executive function, emotion, and social development.

"As the door was thrust open, I heard, as in a dream, the voice of Neal Larrard-calm and cool as ever-dictating to me; mechanically, my fingers touched the keys, and I began to type. While I did so, I felt that fearful dead thing pressing against my knees, and felt also the muzzle of the revolver hard against my side." First published in 1903, The Girl Behind the Keys is a delightful example of early detective fiction in which Bella Thorn, a savvy young typist, foils the nefarious plans of her employer, a confidence man who exploits the hopes and fears infusing the popular imagination. As Arlene Young's critical introduction demonstrates, the story unites many of the cultural and literary motifs marking the dawn of the twentieth century, when the Victorian era was giving way to modernity.

George Gissing's The Odd Women dramatizes key issues relating to class and gender in late-Victorian culture: the changing relationship between the sexes, the social impact of 'odd' or 'redundant' women, the cultural impact of 'the new woman,' and the opportunities for and conditions of employment in the expanding service sector of the economy. At the heart of these issues as many late Victorians saw them was a problem of the imbalance in the ratio of men to women in the population. There were more females than males, which meant that more and more women would be left unmarried; they would be 'odd' or 'redundant,' and would be forced to be independent and to find work to support themselves. In the Broadview edition, Gissing's text is carefully annotated and accompanied by a range of documents from the period that help to lay out the context in which the book was written. In Gissing's story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.