An exciting new collection of essays exploring the startling variety of transformations of Old Norse texts, and their legacy in later literary cultures. The "Viking Age" of medieval Scandinavia, with its heathen religion and heroic literature, continues to fascinate readers, writers, students, scholars, poets, artists, and creators of all kinds around the world. This cultural legacy is preserved in Old Norse literature, much of it composed and produced in Iceland, an island with a unique position in relation to the ebb and flow of religions, institutions, and empires. The chapters in this book examine many topics in Old Norse literature: the mysterious personas of the god Odin, the strange origins of poetry and scholarship, the cryptic lore of the elusive dwarfs, the fame of the dragon-slayer Sigurd and the defiant "Sworn Brothers", the early settlement of Iceland, trade in the medieval north, and the history of literary production. Several contributors upend traditional interpretations of their topics, while others offer new insights into the rich modern artistic reception of Norse myth. These studies reveal the striking resilience and adaptability of Old Norse narrative traditions, which retain their timeless appeal through a startling variety of contexts and changes in form.

The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.

Morkinskinna is a thirteenth-century Icelandic saga that portrays the kings who ruled Norway in the eleventh and twelfth centuries. It emerged during a particularly fertile period of composition of Icelandic kings sagas, and marks a key moment in the genres development, being the first extant work in Old Norse in which the reign of many kings is narrated in detail. Its structure has long been considered idiosyncratic among Old Norse kings sagas.