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40 matches in All Departments
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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Lion in the Night - Stories (Hardcover)
Jack Armstrong; Foreword by John R. Perfect; Illustrated by Lena Rodriquez Gillett
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R981
R795
Discovery Miles 7 950
Save R186 (19%)
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Ships in 10 - 15 working days
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Study of the Norman World's borders, frontiers, and boundaries in
Europe, shedding fresh light on their nature and extent. The
Normans exerted great influence across Christendom and beyond in
the eleventh and twelfth centuries. Figures like William the
Conqueror and Robert Guiscard subdued vast territories, their feats
recorded for posterity by chroniclers such as Orderic Vitalis and
Geoffrey Malaterra. Through travel and conquest, the Normans
encountered, created, and conceptualised many borders, with the
areas of Europe that they ruled and most affected often being
grouped together as the "Norman World". This volume examines the
nature, forms, and function of borders in and around this "Norman
World", looking at Normandy, the British-Irish Isles, and Southern
Italy. Three sections frame the collection. The first concerns
physical features, from broad frontier expanses, to rivers and
walls that were both literally and metaphorically lines of
division. The second shows how borders were established, contested,
and negotiated between the papacy and lay rulers and senior
churchmen. Finally, the third highlights the utility of conceptual
frontiers for both medieval authors and modern historians. Among
the subjects covered are Archbishop Anselm's travels across
Christendom; the portrayal of borders in the writings of William of
Jumièges, Orderic Vitalis, and Gerald of Wales; and the limits of
Norman seigneurial and papal power at the edges of Europe. Overall,
the essays demonstrate the role that the manipulation of borders
played in the creation of the "Norman World", and address what
these borders did and whom they benefited.
How has the form of the novel responded to the conditions now
grouped under the term "neoliberalism"? These conditions have
generated an explosion of narrative forms that make the past two
decades one of the two or three most significant periods in the
history of the novel. The contributors ask whether these formal
innovations can be understood as an unprecedented break from the
past or the latest chapter in a process that has been playing out
over the past three centuries. In response to this question, they
use a range of contemporary novels to consider whether conditions
of multinational capitalism limit the novel's ability to imagine a
future beyond the limits of that world. Do novels that reject the
option of an alternative world nevertheless reimagine the limits of
multinational capitalism as the precondition for such a future?
With these concerns in mind, contributors demonstrate how major
contemporary novelists challenge national traditions of the novel
both in the Anglophone West and across the Global South. This
collective inquiry begins with a new essay by and interview with
British novelist Tom McCarthy. Contributors Nancy Armstrong, Jane
Elliott, Matthew Hart, Nathan Hensley, Nicholas Huber, Jeanne-Marie
Jackson, John Marx, Tom McCarthy, Vaughn Rasberry, Deisdra Reber,
Lily Saint, Emilio Sauri, Rachel Greenwald Smith, Paul Stasi
This book is the third edition of a highly successful book in the
Oxford General Practice Series. The aim is to provide practical
guidance to get you to the point where you will be able to complete
and publish a research project of your own. In this respect the
book is intended as a basic research primer. The book is organised
to follow the research process, from the initial formulation of a
researchable question, through the process of deciding on a plan
(the design), choosing a sample, and devising appropriate
measurement 'instruments, to the data analysis and final writing up
of the project. The book is appropriate for individuals planning
research and groups. The text has been extensively revised, in part
as a response to the increasingly important part palyed by
computers in research. But also research techniques are in a
contant state of development so it was opportune to update sections
on research design and statistics. The last chapter on audit has
now been placed in the context of clinical governance. From reviews
from first edition: Practical, comprehensive, readable...better
than the competition; well worth getting (like the rest of the
series). Postgraduate Education for General Practice The text is
comprehensible and guides the reader in a structured way through
the research process. It will make a valuable contribution to
improving research in general practice. Family Practice
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Essays on Taste (Paperback)
John Armstrong, John Gilbert Cooper
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R402
R348
Discovery Miles 3 480
Save R54 (13%)
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Ships in 10 - 15 working days
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Lion in the Night (Paperback)
Jack Armstrong; Foreword by John R. Perfect; Illustrated by Lena Rodriquez Gillett
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R472
R391
Discovery Miles 3 910
Save R81 (17%)
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Ships in 10 - 15 working days
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Calanas (Paperback)
Walter Armstrong, John D 1913 Whyte, Scottish Home Industries Group
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R341
Discovery Miles 3 410
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Ships in 10 - 15 working days
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