A reissue of a classic that represents the culmination of over 40 years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes, he developed a manner of presentation in which "every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough". This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms on the other hand, the author analyzes in detail, with numerous illustrations, those particular sections in the works of the masters which relate to the compositional problem under discussion.

This text contains Arnold Schoenberg's thoughts on classical and romantic harmony. It presents a resume of the principles of the "Theory of Harmony", then demonstrates the concept of "monotonality". The music examples range from the entire development sections of classical symphonies. Ninety integrated music examples range fromthe entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger and his own early music.

Claudio Abbado conducts the Lucerne Festival Orchestra for a performance of three works, recorded at the KKL Luzern Concert Hall in 2013. The works are: Brahms' 'Tragic Overture'; Schoenberg's Orchestral Interlude and 'Song of the Wood Dove' from 'Gurre-Lieder'; and Beethoven's Symphony No. 3 in E flat major ('Eroica').

This treatise relates Schoenberg's concept of the musical idea. It defines his thought on gestalt, motive, grundgestalt, phrase, rhythm and accent, the construction function of harmony, homophonic and contrapuntal forms, and compositional coherence.

For nearly a century, it has inspired composers, scholars, critics, performers, and visual artists.  Severine Neff re-creates for her readers the quartet's historical, cultural, and musical background–its introduction of the human voice, its genesis during a personal crisis in the composer's life, the scandal at its premiere, and its endlessly controversial reception, both critical and analytic.  This volume includes a newly edited, authoritative score of the quartet, as well as previously unavailable and newly translated texts by Grant Chorley. "Indispensable for understanding one of the central compositions of the twentieth century."—Walter Frisch, Columbia University.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pelleas Und Melisande: Symphonische Dichtung F�r Orchester Op.5 Arnold Schoenberg Universal Edition, 1920 Music; Genres & Styles; Classical; Music / Genres & Styles / Classical; Music / Songbooks; Symphonic poems

Live performance from soprano Renée Fleming, recorded in 2012 at the Golden Hall of the Musikverein Vienna. Accompanied by pianist Maciej Pikulski, Renée sings works by, among others, Mahler, Schoenberg, Strauss and Gershwin.

Claudio Abbado conducts the Lucerne Festival Orchestra for a performance of three works, recorded at the KKL Luzern Concert Hall in 2013. The works are: Brahms' 'Tragic Overture'; Schoenberg's Orchestral Interlude and 'Song of the Wood Dove' from 'Gurre-Lieder'; and Beethoven's Symphony No. 3 in E flat major ('Eroica').

Additional Authors Include Edwin Gerschefski, Richard F. Goldman, Alberto Ginastera And Others. Edited By Minna Lederman, Frani Muser, And Donald Fuller.

Daniel Barenboim leads the West-Eastern Divan Orchestra, made up of young musicians from the Middle-East, in a selection of works by Mozart, Beethoven, Schoenberg and Tchaikovsky recorded at the Salzburg Festival in 2007.

One of the most influential collections of music ever published, "Style and Idea" includes Schoenberg's writings about himself and his music as well as studies of many other composers and reflections on art and society. There is an interpretive essay by Joseph Auner, Chair and Professor of Music at Tufts University, that augments this anniversary edition.

Revised Edition

This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in consensed form the principles laid down in his Theory of Harmony; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of "monotonality," showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.

Schoenberg's argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger, and Schoenberg's own early music. The final chapter, "Apollonian Evaluation of a Dionysian Epoch," discusses the music of our time, with particular reference to the possibility of new methods of harmonic analysis.

Structural Functions of Harmony is a standard work on its subject and provides an invaluable key to the development of musical structure during the last two hundred and fifty years. This new edition, with corrections, a new preface, and an index of subject headings, has been prepared under the editorial supervision of Leonard Stein.

The Gedanke manuscripts, from which The Musical Idea is compiled, are legendary writings of Arnold Schoenberg. Central to his concern was his concept of the "musical idea," which represents the wholeness of the musical work and embraces Schoenberg s notions of motive, gestalt, phrase, theme, rhythm, harmony, and form. Ultimately, the musical idea is the vision of the composer by which a musical work achieves unity in relation to the means by which the work is comprehended in its unity by the listener."