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From Arra Lynn Ross, a tender, generous, and generative extended
poem centered on the experience of parenthood. "What is learned?
I'll return for my son; / at school, at three thirty-eight, bells
will ring & run / days over years." Using unpredictable
syllabics, rhyme, and syntax, Day of the Child captures the
sensation of altered time that accompanies a child's growth.
Seasons come and go. A schoolboy becomes a dreaming infant becomes
a five-year-old exploring metaphor for the first time becomes an
ultrasound image, "a frieze on screen." A mother cycles through her
own often dissonant identities: "soother, watcher, blame-taker."
And both mother and child assume another, significant role:
artistic collaborators. For Day of the Child is a poem co-created
by child and mother, offering a space in which each's stories,
thoughts, words-"unbound / by Time & time's
delineations"-tangle together. In which apartness-"Oh indivisible
divisible," the presence of another heart beating inside the
mother's own body-is continually negotiated. And in which the
mother considers her place as intermediary between the child and
the world: her protection, her complicity, her joy. Its octave
pairs ebb and flow, expand and contract, producing a portrait of
raising another human as refracted as it is circular, just as a
river "breaks into many suns, the sun." For, as the child asserts,
"love is a circl[e] round / as a Ball." Challenging the notion that
parenthood is not itself a poetic endeavor, Day of the Child makes
of childrearing "a refrain I reframed each day with new words."
Seamlessly bridging the material and spiritual worlds, Seedlip and
Sweet Apple takes the reader into the mind of a true visionary:
Mother Ann Lee, the founder of the Shaker religion in colonial
America. With astonishingly original poems inspired by extensive
historical research, Arra Lynn Ross creates a collection linked
thematically through the voice and story of the woman who was
believed by her followers to be Christ incarnate. Broadly and
inclusively spiritual, this remarkable debut captures the ineffable
experience of ecstatic vision, activating the progression from
literal reality to heightened perception. Simultaneously, this
journey delves into the manifold issues of gender and religion,
public image, and charismatic leadership, as well as the line
between cult and commune and the tenuous bond between faith and
behavior. Written in an impressive cornucopia of forms -- including
iambic quatrains, free verse, and prose poems -- Seedlip and Sweet
Apple honors a complex figure startlingly relevant to contemporary
life, pointing to a revolutionary way to work at living -- and to
live in working -- that promises simplicity, peace, and joy.
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